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By Π‘ΡΡΠΆΠ΅Π²ΡΠΊΠ°Ρ ΠΠ°ΡΠΈΠ½Π°
ΠΠ°ΡΠΈΠ½Π° Π‘ΡΡΠΆΠ΅Π²ΡΠΊΠ°Ρ, 2024, ΠΠΈΡΡ ΠΠ°ΡΠΈΠ½Ρ Π‘ΡΡΠΆΠ΅Π²ΡΠΊΠΎΠΉ
ΠΡΠΎΡ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡ Π²ΠΊΠ»ΡΡΠ°Π΅Ρ ΡΡΠΈΠ»ΠΎΠ³ΠΈΡ ΠΠ°ΡΠΈΠ½Ρ Π‘ΡΡΠΆΠ΅Π²ΡΠΊΠΎΠΉ, ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π½ΡΡ ΠΌΠ°Π³ΠΈΡΠ΅ΡΠΊΠΎΠΌΡ ΠΎΡΡΡΠΎΠ²Ρ ΠΠ²Π΅ΡΠΈΠ½Π΄Π°ΡΠΈΡΠΌ. Π ΠΏΠ΅ΡΠ²ΠΎΠΉ ΠΊΠ½ΠΈΠ³Π΅ ΡΠΈΡΠΎΡΠ° ΠΠΈΠ²ΡΠ΅Π½ ΠΈΡΠ΅Ρ ΠΏΡΠΎΠΏΠ°Π²ΡΠ΅Π³ΠΎ Π΄ΡΡΠ³Π° ΠΈ ΠΏΠΎΠ»ΡΡΠ°Π΅Ρ ΡΠ°Π½Ρ ΠΏΠΎΠΏΠ°ΡΡΡ Π½Π° ΠΎΡΡΡΠΎΠ², Π²ΡΠ΄Π°Π²Π°Ρ ΡΠ΅Π±Ρ Π·Π° Π΄ΡΡΠ³ΠΎΠ³ΠΎ, ΡΡΠΎ ΡΠΎΠΏΡΡΠΆΠ΅Π½ΠΎ Ρ ΡΠΈΡΠΊΠΎΠΌ ΡΠΌΠ΅ΡΡΠΈ. ΠΠΎ Π²ΡΠΎΡΠΎΠΉ ΠΊΠ½ΠΈΠ³Π΅ Π³Π΅ΡΠΎΠΈΠ½Ρ ΠΎΡΠΊΡΡΠ²Π°Π΅Ρ ΠΠ²Π΅ΡΡ Π² ΠΈΠ½ΠΎΠΉ ΠΌΠΈΡ, ΡΡΠ°Π»ΠΊΠΈΠ²Π°Π΅ΡΡΡ Ρ ΠΎΠΏΠ°ΡΠ½ΠΎΡΡΡΠΌΠΈ ΠΈ ΡΠ°ΡΠΊΡΡΠ²Π°Π΅Ρ Π΄ΡΠ΅Π²Π½ΠΈΠ΅ ΡΠ°ΠΉΠ½Ρ ΠΎΡΡΡΠΎΠ²Π°. Π’ΡΠ΅ΡΡΡ ΡΠ°ΡΡΡ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΠΏΠΎΡΠ»Π΅Π΄ΡΡΠ²ΠΈΡ ΠΎΠ±ΠΌΠ°Π½Π°, ΠΊΠΎΠ³Π΄Π° ΠΠΈΠ²ΡΠ΅Π½ Π²ΡΠ½ΡΠΆΠ΄Π΅Π½Π° ΡΠΏΡΠ°Π²Π»ΡΡΡΡΡ Ρ Π²ΡΠ°Π³Π°ΠΌΠΈ ΠΈ ΠΌΠ΅Π½ΡΡΡΠΈΠΌΡΡ ΠΠ²Π΅ΡΠΈΠ½Π΄Π°ΡΠΈΡΠΌΠΎΠΌ, ΠΎΠ±Π½Π°ΠΆΠ°ΡΡΠΈΠΌ ΡΠ²ΠΎΠΈ ΡΠ΅ΠΊΡΠ΅ΡΡ.
Marina Surzhevskaya, 2024, Marina Surzhevskaya's Worlds
This set features Marina Surzhevskaya's trilogy centered around the magical island of Dverindarium. In the first book, orphan Vivien searches for a lost friend and gets a chance to enter the island by impersonating someone else, risking death. The second book sees the protagonist open a Door to another world, facing dangers and uncovering ancient island secrets. The third part explores the consequences of deception as Vivien confronts enemies and a changing Dverindarium revealing its deepest mysteries.