By ΠΠ³ΠΎΡΠΈΠ½Π° ΠΠ»ΡΠ³Π° ΠΠ»Π°Π΄ΠΈΠΌΠΈΡΠΎΠ²Π½Π°
ΠΠ»ΡΠ³Π° ΠΠ»Π°Π΄ΠΈΠΌΠΈΡΠΎΠ²Π½Π° ΠΠ³ΠΎΡΠΈΠ½Π°, 2025, Π‘Π΅ΡΠΈΡ: Π’Π΅Π°ΡΡΠ°Π»ΡΠ½ΡΠ΅ ΠΎΠΏΡΡΡ
ΠΠ½Π½ΠΎΠΊΠ΅Π½ΡΠΈΠΉ Π‘ΠΌΠΎΠΊΡΡΠ½ΠΎΠ²ΡΠΊΠΈΠΉ Π½Π΅ ΠΎΡΡΠ°Π²ΠΈΠ» ΡΠ΅ΠΎΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΈΡ ΡΠ°Π±ΠΎΡ, ΠΎΡΠΌΡΡΠ»ΡΡΡΠΈΡ Π΅Π³ΠΎ Π°ΠΊΡΡΡΡΠΊΠΈΠΉ ΠΎΠΏΡΡ. ΠΠ΄Π½Π°ΠΊΠΎ Π΅Π³ΠΎ ΡΠ°Π±ΠΎΡΠΈΠ΅ ΠΏΠΎΠΌΠ΅ΡΠΊΠΈ Π² ΡΠ΅ΡΡΠ°Π΄ΡΡ Π°ΡΡΠΈΡΡΠ° ΠΏΡΠ΅Π΄ΠΎΡΡΠ°Π²Π»ΡΡΡ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΡ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ Π·Π°Π³Π»ΡΠ½ΡΡΡ Π² ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠΉ ΠΏΡΠΎΡΠ΅ΡΡ. ΠΡΠΈ Π·Π°ΠΏΠΈΡΠΈ ΡΠΎΡ ΡΠ°Π½ΠΈΠ»ΠΈ Π΄Π΅ΡΠ°Π»ΠΈ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ ΡΠΎΠ»Π΅ΠΉ, Π΄Π°ΠΆΠ΅ ΠΏΠΎΡΠ»Π΅ ΡΠ½ΡΡΠΈΡ ΡΠΏΠ΅ΠΊΡΠ°ΠΊΠ»Π΅ΠΉ Ρ ΡΠ΅ΠΏΠ΅ΡΡΡΠ°ΡΠ°. ΠΠ½ΠΈ ΡΠ°ΡΠΊΡΡΠ²Π°ΡΡ ΡΡΡΡΠΊΡΡΡΡ ΡΠΎΠ»ΠΈ, Π°ΡΡΠΎΡΠΈΠ°ΡΠΈΠΈ, Π²Π½ΡΡΡΠ΅Π½Π½ΠΈΠ΅ Ρ ΠΎΠ΄Ρ, Π·Π°Π΄Π°ΡΠΈ ΠΈ ΡΠ΅Π»ΠΈ Π² ΡΡΠ΅Π½Π°Ρ , Π° ΡΠ°ΠΊΠΆΠ΅ ΠΏΡΠΎΡΠ΅ΡΡ ΡΠΎΠΆΠ΄Π΅Π½ΠΈΡ Π°ΠΊΡΡΡΡΠΊΠΈΡ Π½Π°Ρ ΠΎΠ΄ΠΎΠΊ. ΠΠ½ΠΈΠ³Π° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ Π²Π·Π°ΠΈΠΌΠΎΠ΄Π΅ΠΉΡΡΠ²ΠΈΠ΅ Π°ΠΊΡΡΡΠ° Ρ ΠΎΠ±ΡΠ°Π·ΠΎΠΌ ΠΈ ΠΌΠ΅ΡΠΎΠ΄Ρ ΡΠ°Π±ΠΎΡΡ, ΠΏΠΎΠ·Π²ΠΎΠ»ΡΡΡΠΈΠ΅ Β«ΠΏΡΠΈΡΠ²Π°ΠΈΠ²Π°ΡΡΒ» ΡΡΠΆΠΈΠ΅ ΡΠΌΠΎΡΠΈΠΈ, ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Ρ, ΠΊΠ°ΠΊ ΠΈΠ· ΡΠ°Π·ΡΠΎΠ·Π½Π΅Π½Π½ΡΡ ΠΈΠ΄Π΅ΠΉ Π²ΡΡΠ°ΡΡΠ°Π΅Ρ ΡΠ΅Π»ΠΎΡΡΠ½ΡΠΉ ΠΎΠ±ΡΠ°Π·.
Olga Egoshina, 2025, Series: Teatral'nye opyty
Innokenty Smoktunovsky did not leave behind extensive theoretical works analyzing his acting experience. However, his working notes in the artist's notebooks offer a unique glimpse into his creative process. These records preserve the details of role creation, even after the plays were removed from the repertoire. They reveal the layered structure of a role, the associations, internal motivations, and objectives within scenes, as well as the genesis of the actor's discoveries. The book explores the interaction between the actor's self and the character, and the methods used to 'appropriate' emotions, demonstrating how a complete character emerges from scattered ideas.