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By ΠΠΊΡΠ°ΠΊΠΎΠ² Π‘Π΅ΡΠ³Π΅ΠΉ Π’ΠΈΠΌΠΎΡΠ΅Π΅Π²ΠΈΡ
Π‘Π΅ΡΠ³Π΅ΠΉ ΠΠΊΡΠ°ΠΊΠΎΠ²
Β«ΠΠ»Π΅Π½ΡΠΊΠΈΠΉ ΡΠ²Π΅ΡΠΎΡΠ΅ΠΊΒ» β ΠΎΠ΄Π½Π° ΠΈΠ· Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΠΈΠ·Π²Π΅ΡΡΠ½ΡΡ ΡΡΡΡΠΊΠΈΡ ΡΠΊΠ°Π·ΠΎΠΊ, ΠΌΠ½ΠΎΠ³ΠΎΠΊΡΠ°ΡΠ½ΠΎ Π°Π΄Π°ΠΏΡΠΈΡΠΎΠ²Π°Π½Π½Π°Ρ Π΄Π»Ρ ΡΡΠ΅Π½Ρ ΠΈ ΡΠΊΡΠ°Π½Π°. ΠΠ½Π° Π²ΠΏΠ΅ΡΠ²ΡΠ΅ Π±ΡΠ»Π° ΠΎΠΏΡΠ±Π»ΠΈΠΊΠΎΠ²Π°Π½Π° Π² 1858 Π³ΠΎΠ΄Ρ ΠΊΠ°ΠΊ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ ΠΊ ΠΌΠ΅ΠΌΡΠ°ΡΠ°ΠΌ Β«ΠΠ΅ΡΡΠΊΠΈΠ΅ Π³ΠΎΠ΄Ρ ΠΠ°Π³ΡΠΎΠ²Π°-Π²Π½ΡΠΊΠ°Β», ΠΊΠΎΡΠΎΡΡΠ΅ ΡΠ°ΠΊΠΆΠ΅ Π²ΠΊΠ»ΡΡΠ΅Π½Ρ Π² ΡΡΠΎ ΠΈΠ·Π΄Π°Π½ΠΈΠ΅. ΠΡΠΎΡΠ°Ρ ΡΠ°ΡΡΡ ΡΡΠΈΠ»ΠΎΠ³ΠΈΠΈ, Β«ΠΠ΅ΡΡΠΊΠΈΠ΅ Π³ΠΎΠ΄Ρ ΠΠ°Π³ΡΠΎΠ²Π°-Π²Π½ΡΠΊΠ°Β», ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ Π²ΠΎΡΠΏΠΈΡΠ°ΡΠ΅Π»ΡΠ½ΡΠΉ ΡΠΎΠΌΠ°Π½. Π Π½Π΅ΠΌ Π°Π²ΡΠΎΡ ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ ΠΎ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΠΎΠΌ Π΄Π΅ΡΡΡΠ²Π΅, ΡΠΎΠΊΡΡΠΈΡΡΡΡΡ Π½Π° ΡΠΎΡΠΌΠΈΡΠΎΠ²Π°Π½ΠΈΠΈ Π΄Π΅ΡΡΠΊΠΎΠΉ Π΄ΡΡΠΈ. ΠΠΊΡΠ°ΠΊΠΎΠ² ΡΡΡΠ΅ΠΌΠΈΠ»ΡΡ ΡΠΎΠ·Π΄Π°ΡΡ ΠΊΠ½ΠΈΠ³Ρ Π΄Π»Ρ Π΄Π΅ΡΠ΅ΠΉ, Π½Π°ΠΏΠΈΡΠ°Π½Π½ΡΡ Π±Π΅Π· ΠΏΠΎΠ΄ΡΠ°ΠΆΠ°Π½ΠΈΡ Π΄Π΅ΡΡΠΊΠΎΠΌΡ Π²ΠΎΠ·ΡΠ°ΡΡΡ, Π½ΠΎ ΠΎΠ±ΡΠ°ΡΠ΅Π½Π½ΡΡ ΠΊ ΡΠΈΡΠ°ΡΠ΅Π»ΡΠΌ Π»ΡΠ±ΠΎΠ³ΠΎ Π²ΠΎΠ·ΡΠ°ΡΡΠ°.
Sergey Aksakov
"The Scarlet Flower" is one of the most celebrated fairy tales in Russian literature, frequently adapted for stage and screen. It was first published in 1858 as an appendix to the memoirs "Bagrov-Grandson's Childhood Years," which are also featured in this edition. The second part of the trilogy, "Bagrov-Grandson's Childhood Years," is characterized as a bildungsroman. In it, the writer recounts his own childhood, with the central theme being the formation of a child's soul. Aksakov envisioned writing a book for children that would not mimic childishness but be written as if for adults.