By ΠΠ°ΡΠ°ΠΌΠ·ΠΈΠ½ ΠΠΈΠΊΠΎΠ»Π°ΠΉ ΠΠΈΡ Π°ΠΉΠ»ΠΎΠ²ΠΈΡ
ΠΠΈΠΊΠΎΠ»Π°ΠΉ ΠΠΈΡ Π°ΠΉΠ»ΠΎΠ²ΠΈΡ ΠΠ°ΡΠ°ΠΌΠ·ΠΈΠ½, 2024
ΠΠΈΠΊΠΎΠ»Π°ΠΉ ΠΠΈΡ Π°ΠΉΠ»ΠΎΠ²ΠΈΡ ΠΠ°ΡΠ°ΠΌΠ·ΠΈΠ½, Π²ΡΠ΄Π°ΡΡΠΈΠΉΡΡ ΡΡΡΡΠΊΠΈΠΉ ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ ΡΠΏΠΎΡ ΠΈ ΡΠ΅Π½ΡΠΈΠΌΠ΅Π½ΡΠ°Π»ΠΈΠ·ΠΌΠ°, ΠΈΠ·Π²Π΅ΡΡΠ΅Π½ ΡΠΎΠ·Π΄Π°Π½ΠΈΠ΅ΠΌ Π³Π»ΡΠ±ΠΎΠΊΠΎ ΡΡΠ²ΡΡΠ²ΡΡΡΠΈΡ Π³Π΅ΡΠΎΠ΅Π², Π»ΠΈΡΠ΅Π½Π½ΡΡ Π½ΡΠ°Π²ΠΎΡΡΠ΅Π½ΠΈΠΉ. ΠΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, ΡΠ°ΠΊΠΈΠ΅ ΠΊΠ°ΠΊ "ΠΠ΅Π΄Π½Π°Ρ ΠΠΈΠ·Π°" ΠΈ "ΠΠ°ΡΠ°Π»ΡΡ, Π±ΠΎΡΡΡΠΊΠ°Ρ Π΄ΠΎΡΡ", ΠΈΡΡΠ»Π΅Π΄ΡΡΡ ΡΠ΅ΠΌΡ ΡΡΠ°Π³ΠΈΡΠ΅ΡΠΊΠΎΠΉ Π²Π»ΡΠ±Π»Π΅Π½Π½ΠΎΡΡΠΈ ΠΈ ΡΠΈΡΡΠΎΠΉ Π²Π·Π°ΠΈΠΌΠ½ΠΎΠΉ Π»ΡΠ±Π²ΠΈ. Π ΡΠ΅Π½ΡΡΠ΅ ΡΡΠΆΠ΅ΡΠΎΠ² ΠΠ°ΡΠ°ΠΌΠ·ΠΈΠ½Π° Π²ΡΠ΅Π³Π΄Π° Π½Π°Ρ ΠΎΠ΄ΡΡΡΡ Π»ΡΠ΄ΠΈ, ΠΈΡ Π²Π½ΡΡΡΠ΅Π½Π½ΠΈΠ΅ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°Π½ΠΈΡ ΠΈ ΡΠ»ΠΎΠΆΠ½ΡΠ΅ ΠΆΠΈΠ·Π½Π΅Π½Π½ΡΠ΅ Π²ΡΠ±ΠΎΡΡ. "ΠΠΎΡ ΠΈΡΠΏΠΎΠ²Π΅Π΄Ρ" ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΠΎΡΠΊΡΠΎΠ²Π΅Π½Π½ΡΠΉ Π²Π·Π³Π»ΡΠ΄ Π½Π° ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΈΠ΅ ΡΡΠ²ΡΡΠ²Π°, ΡΡΠΈΠ»ΠΈΠ·ΠΎΠ²Π°Π½Π½ΡΠΉ ΠΏΠΎΠ΄ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π ΡΡΡΠΎ.
Nikolai Mikhailovich Karamzin, 2024
Nikolai Mikhailovich Karamzin, a prominent Russian writer of the Sentimentalist era, is known for creating deeply feeling characters devoid of moralizing. His works, such as "Poor Liza" and "Natalia, the Boyar's Daughter," explore themes of tragic infatuation and pure mutual love. Karamzin's narratives consistently focus on people, their inner experiences, and complex life decisions. His "My Confession" offers an intimate look at human emotions, styled after Rousseau's writings.