By ΠΡΡΡΠΊΠΎ Π.
Π. ΠΡΡΡΠΊΠΎ, 2020
ΠΠΎΡΠΈΡ ΠΡΡΡΠΊΠΎ, ΡΠ°ΠΌΠΎΠ±ΡΡΠ½ΡΠΉ ΡΡΡΡΠΊΠΈΠΉ ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ, Π·Π°ΡΠ²ΠΈΠ» ΠΎ ΡΠ΅Π±Π΅ Π² Π½Π°ΡΠ°Π»Π΅ Π²ΠΎΡΡΠΌΠΈΠ΄Π΅ΡΡΡΡΡ Ρ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠ΅ΠΉ ΠΏΠΎΠ²Π΅ΡΡΠΈ Β«ΠΠΈΡΡΠ΅ ΡΠΎΠ±Π°ΠΊΠΈΒ» Π² ΠΠ΅ΡΠΌΠ°Π½ΠΈΠΈ. ΠΠΎΠ»ΡΡΠΈΠ² ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠ΅ ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΈ Π²Π»Π°Π΄Π΅Ρ Π΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΈΠΌΠΈ ΡΠ·ΡΠΊΠ°ΠΌΠΈ, ΠΎΠ½ Π·Π°ΡΠ°Π±Π°ΡΡΠ²Π°Π» Π½Π° ΠΆΠΈΠ·Π½Ρ ΠΏΡΠΈΠΊΠ»Π°Π΄Π½ΡΠΌΠΈ ΠΏΡΠΎΡΠ΅ΡΡΠΈΡΠΌΠΈ. Π Π΅Π³ΠΎ ΠΏΡΠΎΠ·Π΅ ΠΎΡΡΡΠ°Π΅ΡΡΡ ΡΠ±Π»ΠΈΠΆΠ΅Π½ΠΈΠ΅ Π²ΡΡΠΎΠΊΠΎΠ³ΠΎ ΠΈ Π½ΠΈΠ·ΠΊΠΎΠ³ΠΎ ΠΌΠΈΡΠΎΠΎΡΡΡΠ΅Π½ΠΈΠΉ, ΡΠΎΠ·Π΄Π°ΡΡΠ΅Π΅ ΠΈΠ½ΡΡΠΈΠ³ΡΡΡΠΈΠ΅ ΠΈ ΡΡΠ°Π³ΠΈΠΊΠΎΠΌΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠΈΡΡΠ°ΡΠΈΠΈ. ΠΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΡΡΡΠΊΠΎ ΠΎΡΡΠ°ΠΆΠ°ΡΡ ΡΡΠ½ΠΎΠ³ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΈ Π³Π΅ΠΎΠ³ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ΅ΡΡΡ Π‘ΡΠ΅Π΄Π½Π΅ΠΉ ΠΠ·ΠΈΠΈ, ΠΠ°Π»ΡΠ½Π΅Π³ΠΎ ΠΠΎΡΡΠΎΠΊΠ° ΠΈ ΠΡΡΠΎΠ½ΠΈΠΈ, ΡΠΎΡ ΡΠ°Π½ΡΡ ΠΏΡΠΈ ΡΡΠΎΠΌ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΠΉ Π°Π²ΡΠΎΡΡΠΊΠΈΠΉ ΡΡΠΈΠ»Ρ ΠΈ ΡΠ·ΡΠΊ Ρ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠ½ΡΠΌΠΈ ΡΠ΅ΠΌΠ°Π½ΡΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ ΡΠ΄Π²ΠΈΠ³Π°ΠΌΠΈ ΠΈ ΡΠΈΠ½ΡΠ°ΠΊΡΠΈΡΠΎΠΌ.
B. Kryachko, 2020
Boris Kryachko emerged as a distinct Russian writer in the early eighties with the publication of his novella 'Broken Dogs' in Germany. A classically educated individual fluent in European languages, he supported himself through practical professions. His prose often bridges high and low worldviews, creating intriguing and tragicomic scenarios. Kryachko's writing features ethnic and geographical contours of Central Asia, the Far East, and Estonia, while maintaining a unique authorial essence evident in his language, marked by semantic shifts and distinctive syntax.