By ΠΠΎΠ½Π½Π΅Π»Π»ΠΈ ΠΠ°ΠΉΠΊΠ»
ΠΠ°ΠΉΠΊΠ» ΠΠΎΠ½Π½Π΅Π»Π»ΠΈ, 2020, ΠΠ²Π΅Π·Π΄Ρ ΠΌΠΈΡΠΎΠ²ΠΎΠ³ΠΎ Π΄Π΅ΡΠ΅ΠΊΡΠΈΠ²Π°
ΠΠΎΡ-ΠΠ½Π΄ΠΆΠ΅Π»Π΅ΡΡΠΊΠΈΠΉ Π΄Π΅ΡΠ΅ΠΊΡΠΈΠ² ΠΠ°ΡΡΠΈ ΠΠΎΡΡ ΠΏΡΠ΅ΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠ΅ΡΠΈΠΉΠ½ΠΎΠ³ΠΎ ΡΠ±ΠΈΠΉΡΡ, ΠΈΠ·Π²Π΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΊΠ°ΠΊ ΠΡΠΊΠΎΠ»ΡΠ½ΠΈΠΊ, ΠΊΠΎΡΠΎΡΡΠΉ Π³ΡΠΈΠΌΠΈΡΡΠ΅Ρ ΡΠ²ΠΎΠΈΡ ΠΆΠ΅ΡΡΠ². Π ΠΌΠΎΠΌΠ΅Π½Ρ Π·Π°Π΄Π΅ΡΠΆΠ°Π½ΠΈΡ ΠΏΠΎΠ΄ΠΎΠ·ΡΠ΅Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΠΎΡΡ Π½Π°ΡΡΡΠ°Π΅Ρ ΠΏΡΠΎΡΠ΅Π΄ΡΡΡ, ΡΡΠΎ ΠΏΡΠΈΠ²ΠΎΠ΄ΠΈΡ ΠΊ Π΅Π³ΠΎ ΠΏΠ΅ΡΠ΅Π²ΠΎΠ΄Ρ Π² ΠΎΠ±ΡΡΠ½ΡΠΉ ΡΡΠ°ΡΡΠΎΠΊ ΠΈ ΡΡΠ΄Π΅Π±Π½ΠΎΠΌΡ ΠΈΡΠΊΡ ΠΎΡ Π²Π΄ΠΎΠ²Ρ ΡΠ±ΠΈΡΠΎΠ³ΠΎ. ΠΠΎ Π²ΡΠ΅ΠΌΡ ΡΠ°Π·Π±ΠΈΡΠ°ΡΠ΅Π»ΡΡΡΠ²Π° ΠΠΎΡΡ Ρ ΠΏΠΎΡΡΡΠΏΠ°Π΅Ρ Π·Π°ΠΏΠΈΡΠΊΠ° ΠΎΡ ΠΡΠΊΠΎΠ»ΡΠ½ΠΈΠΊΠ°, ΡΠΊΠ°Π·ΡΠ²Π°ΡΡΠ°Ρ Π½Π° ΠΌΠ΅ΡΡΠΎΠ½Π°Ρ ΠΎΠΆΠ΄Π΅Π½ΠΈΠ΅ Π½ΠΎΠ²ΠΎΠΉ ΠΆΠ΅ΡΡΠ²Ρ, Π·Π°ΠΌΡΡΠΎΠ²Π°Π½Π½ΠΎΠΉ Π² Π±Π΅ΡΠΎΠ½. ΠΡΠΎ ΡΡΠ°Π²ΠΈΡ ΠΏΠΎΠ΄ ΡΠΎΠΌΠ½Π΅Π½ΠΈΠ΅ Π½Π΅Π²ΠΈΠ½ΠΎΠ²Π½ΠΎΡΡΡ ΠΠΎΡΡ Π°, Π½Π°ΠΌΠ΅ΠΊΠ°Π΅Ρ Π½Π° ΠΏΠΎΠ΄ΡΠ°ΠΆΠ°ΡΠ΅Π»Ρ ΠΈΠ»ΠΈ ΠΏΠΎΠΏΡΡΠΊΡ ΠΏΠΎΠ΄ΡΡΠ°Π²ΠΈΡΡ Π΄Π΅ΡΠ΅ΠΊΡΠΈΠ²Π°.
Michael Connelly, 2020, World Detective Stars
Los Angeles Police Detective Harry Bosch is on the trail of the Dollmaker, a serial killer who paints the faces of his victims with makeup. During the suspect's apprehension, Bosch loses his cool and fires his weapon. Demoted from an elite unit to a regular precinct, Bosch faces a lawsuit from the victim's widow. While the trial is underway, a note addressed to Bosch is delivered to the precinct β from the Dollmaker, revealing the location of another victim, entombed in concrete. This raises questions about Bosch's actions, the possibility of a copycat killer, or a setup by someone within the department.