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By Claudia Calirman
Claudia Calirman, 2012
This sophisticated analysis explores the intersection of politics and visual arts during Brazil's most repressive military regime years, from 1968 to 1975. Art historian Claudia Calirman examines how Brazilian artists responded to the political climate and introduced new international trends. The book highlights innovative, politically charged art forms, including ephemeral works like performance art, media-based art, and conceptualism, which served as methods to evade censorship.