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By ΠΠ°Π½ΡΠΎΡ ΠΠ°ΠΊΡΠΈΠΌ ΠΠ°ΡΠ»ΠΎΠ²ΠΈΡ
ΠΠ°ΠΊΡΠΈΠΌ ΠΠ°Π½ΡΠΎΡ, 2021
ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ ΡΡΠΈΠ΄ΡΠ°ΡΡ ΡΡΡΠ΅, ΠΈΡΡΠ»Π΅Π΄ΡΡΡΠΈΡ ΠΏΡΡΠΈ ΠΈ Π·Π°ΠΊΠΎΠ½ΠΎΠΌΠ΅ΡΠ½ΠΎΡΡΠΈ ΡΠ°Π·Π²ΠΈΡΠΈΡ Π΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΎΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ. ΠΠ²ΡΠΎΡ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ ΠΊΠ»ΡΡΠ΅Π²ΡΠ΅ ΡΠΈΠ³ΡΡΡ ΠΈ ΡΠΏΠΈΠ·ΠΎΠ΄Ρ, ΠΎΡΠ²Π΅ΡΠ°Ρ Π½Π° Π²ΠΎΠΏΡΠΎΡΡ ΠΎ ΡΡΡΠ½ΠΎΡΡΠΈ Π΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΎΠ³ΠΎ Π³ΡΠΌΠ°Π½ΠΈΠ·ΠΌΠ°. Π’ΡΡΠ΄ ΠΠ°ΠΊΡΠΈΠΌΠ° ΠΠ°Π½ΡΠΎΡΠ°, ΠΈΠ·Π²Π΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ, Π΄ΡΠ°ΠΌΠ°ΡΡΡΠ³Π°, Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ° ΠΈ ΠΈΡΡΠΎΡΠΈΠΊΠ° ΠΈΡΠΊΡΡΡΡΠ²Π°, Π°Π½Π°Π»ΠΈΠ·ΠΈΡΡΠ΅Ρ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΡ ΠΊΠ°ΠΊ ΠΊΠ²ΠΈΠ½ΡΡΡΡΠ΅Π½ΡΠΈΡ ΠΈ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½Ρ Π³ΡΠΌΠ°Π½ΠΈΡΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΌΡΡΠ»ΠΈ. ΠΠ½ΠΈΠ³Π° ΠΎΡ Π²Π°ΡΡΠ²Π°Π΅Ρ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΡ ΠΈ ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΡΡ ΠΈΡΡΠΎΡΠΈΡ ΠΠ²ΡΠΎΠΏΡ Ρ XIV ΠΏΠΎ XXI Π²Π΅ΠΊ ΡΠ΅ΡΠ΅Π· ΠΏΡΠΈΠ·ΠΌΡ ΠΈΡΡΠΎΡΠΈΠΈ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ, ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Ρ ΠΈΡΠΊΡΡΡΡΠ²ΠΎ ΠΊΠ°ΠΊ ΠΎΠ±ΡΠ°Π· ΠΎΠ±ΡΠ΅ΡΡΠ²Π° ΠΈ ΠΎΡΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ Π²ΡΠ±ΠΎΡΠ° ΠΌΠ΅ΠΆΠ΄Ρ ΡΠ΅ΡΠΏΡΠ±Π»ΠΈΠΊΠΎΠΉ ΠΈ ΠΈΠΌΠΏΠ΅ΡΠΈΠ΅ΠΉ, Π²Π΅ΡΠΎΠΉ ΠΈ ΠΈΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΠ΅ΠΉ.
Maxim Kantor, 2021
This work comprises thirty essays exploring the paths and patterns in the development of European painting. It examines key figures and episodes, addressing fundamental questions about the essence of European humanism. Maxim Kantor, a writer, playwright, artist, and art historian, presents painting as a quintessence and tool of humanist thought. The book offers a panorama of European social and political history from the 14th to the 21st centuries through the lens of art history, viewing artworks as reflections of society and the constant choice between republic and empire, faith and ideology.