By Rofe
Rofe
Π ΠΊΠ½ΠΈΠ³Π΅ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅ΡΡΡ ΠΏΠΎΠ½ΡΡΠΈΠ΅ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΠΎΠΉ ΡΠ½Π΅ΡΠ³ΠΈΠΈ Π² ΡΠΈΠΌΡΠΎΠ½ΠΈΡΡ Π¨ΠΎΡΡΠ°ΠΊΠΎΠ²ΠΈΡΠ°. ΠΠ²ΡΠΎΡ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΠΊΠΎΠ½ΡΠ΅ΠΏΡΡΠ°Π»ΡΠ½ΡΡ ΠΎΡΠ½ΠΎΠ²Ρ Π΄Π»Ρ Π°Π½Π°Π»ΠΈΠ·Π° ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠΎΠ² Π²ΠΎΡΠΏΡΠΈΠ½ΠΈΠΌΠ°Π΅ΠΌΠΎΠΉ ΡΠ½Π΅ΡΠ³ΠΈΠΈ, ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Ρ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡ ΡΠ½Π΅ΡΠ³Π΅ΡΠΈΡΠ΅ΡΠΊΠΈΡ ΠΈΠ΄Π΅ΠΉ Π² Π‘ΠΎΠ²Π΅ΡΡΠΊΠΎΠΉ Π ΠΎΡΡΠΈΠΈ. Π Π°Π±ΠΎΡΠ° ΡΠ°Π·Π΄Π΅Π»Π΅Π½Π° Π½Π° Π΄Π²Π΅ ΡΠ°ΡΡΠΈ: ΠΏΠ΅ΡΠ²Π°Ρ Π°Π½Π°Π»ΠΈΠ·ΠΈΡΡΠ΅Ρ ΠΏΠΎΡΠΎΠΊΠΈ ΡΠ½Π΅ΡΠ³ΠΈΠΈ Π² ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΡΡ ΠΈΠ·ΠΌΠ΅ΡΠ΅Π½ΠΈΡΡ , ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡ ΡΠ΅ΠΎΡΠΈΠΈ Π―Π²ΠΎΡΡΠΊΠΎΠ³ΠΎ, ΠΡΠ°ΡΡΠ΅Π²Π° ΠΈ ΠΏΡΠΎΠΏΠΎΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΠΉ Π°Π½Π°Π»ΠΈΠ·. ΠΡΠΎΡΠ°Ρ ΡΠ°ΡΡΡ ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π° ΠΌΠ½ΠΎΠ³ΠΎΠΌΠ΅ΡΠ½ΠΎΡΡΠΈ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΠΎΠΉ ΡΠ½Π΅ΡΠ³ΠΈΠΈ ΡΠ΅ΡΠ΅Π· Π°Π½Π°Π»ΠΈΠ· ΠΎΡΠ΄Π΅Π»ΡΠ½ΡΡ ΡΠ°ΡΡΠ΅ΠΉ ΡΠΈΠΌΡΠΎΠ½ΠΈΠΉ, ΡΡΠΎ ΠΏΡΠΈΠ²ΠΎΠ΄ΠΈΡ ΠΊ Π±ΠΎΠ»Π΅Π΅ ΡΠΈΡΠΎΠΊΠΈΠΌ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡΡΠ°Π»ΡΠ½ΡΠΌ ΠΏΠ΅ΡΡΠΏΠ΅ΠΊΡΠΈΠ²Π°ΠΌ.
Rofe
This book explores the concept of musical energy within Shostakovich's symphonies. After establishing a conceptual framework, Michael Rofe proposes potential sources for perceived energy, examining the historical significance of energeticist thought in Soviet Russia. The work is divided into two parts. Part I demonstrates energy streams across various musical dimensions using theories of melodic-harmonic motion, form as a dynamic process, and proportional analysis. Part II considers the multi-dimensionality of musical energy through case studies of individual movements, leading to broader contextualized perspectives.