By Π¨Π°ΠΏΠΎΡΠΈΠ½Π° Π.Π.
Π.Π. Π¨Π°ΠΏΠΎΡΠΈΠ½Π°, 2024, Π‘Π΅ΡΠΈΡ: ΠΠΌΠ΅ΡΡΠ΅ Π»ΡΡΡΠ΅
ΠΡΠΎΡ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡ ΠΈΠ· Π΄Π²ΡΡ ΡΠΎΠΌΠΎΠ² ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ Π΄Π½Π΅Π²Π½ΠΈΠΊΠΈ ΠΡΠ±ΠΎΠ²ΠΈ ΠΠ°ΡΠΈΠ»ΡΠ΅Π²Π½Ρ Π¨Π°ΠΏΠΎΡΠΈΠ½ΠΎΠΉ, Π²ΡΠ΄Π°ΡΡΠ΅ΠΉΡΡ Π»ΠΈΡΠ½ΠΎΡΡΠΈ XX Π²Π΅ΠΊΠ°. Π¨Π°ΠΏΠΎΡΠΈΠ½Π°, Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΡΠ°, ΠΏΠ΅ΡΠ΅Π²ΠΎΠ΄ΡΠΈΡΠ° ΠΈ ΠΎΡΠ½ΠΎΠ²Π°ΡΠ΅Π»ΡΠ½ΠΈΡΠ° ΠΏΠ΅ΡΠ²ΠΎΠ³ΠΎ Π² ΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΉ Π ΠΎΡΡΠΈΠΈ ΡΠ΅Π°ΡΡΠ° ΠΌΠ°ΡΠΈΠΎΠ½Π΅ΡΠΎΠΊ, Π²Π΅Π»Π° ΡΠ²ΠΎΠΈ Π·Π°ΠΏΠΈΡΠΈ Ρ 1920-Ρ ΠΏΠΎ 1960-Π΅ Π³ΠΎΠ΄Ρ. ΠΡΠ±Π»ΠΈΠΊΡΠ΅ΠΌΡΠ΅ Π²ΠΏΠ΅ΡΠ²ΡΠ΅, ΡΡΠΈ Π΄Π½Π΅Π²Π½ΠΈΠΊΠΈ ΠΎΡ Π²Π°ΡΡΠ²Π°ΡΡ ΡΠΈΡΠΎΠΊΠΈΠΉ ΡΠΏΠ΅ΠΊΡΡ ΡΠ΅ΠΌ: ΠΎΡ ΠΏΠΎΠ»ΠΈΡΠΈΠΊΠΈ ΠΈ ΡΠΊΠΎΠ½ΠΎΠΌΠΈΠΊΠΈ Π΄ΠΎ Π±ΡΡΠ°, Π±Π»ΠΎΠΊΠ°Π΄Ρ ΠΠ΅Π½ΠΈΠ½Π³ΡΠ°Π΄Π° ΠΈ ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΠΈΡ ΡΠ΅ΠΏΡΠ΅ΡΡΠΈΠΉ. ΠΡΠΎΠ±ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΡΠ΄Π΅Π»ΡΠ΅ΡΡΡ ΠΊΡΠΈΡΠΈΡΠ΅ΡΠΊΠΎΠΌΡ Π²Π·Π³Π»ΡΠ΄Ρ Π½Π° ΡΠΎΠ²Π΅ΡΡΠΊΡΡ Π²Π»Π°ΡΡΡ ΠΈ ΠΎΡΡΠ°ΠΆΠ΅Π½ΠΈΡ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΠΎΠΉ, ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΠΎΠΉ ΠΈ ΡΠ΅Π°ΡΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ ΡΠΏΠΎΡ ΠΈ.
L.V. Shaporina, 2024, Series: Together is Better
This two-volume set presents the diaries of Lyubov Vasilievna Shaporina, a remarkable figure of the 20th century. Shaporina, an artist, translator, and founder of the first puppet theater in Soviet Russia, kept her records from the 1920s to the 1960s. Published for the first time, these diaries cover a wide range of topics, from politics and economics to daily life, the Siege of Leningrad, and political repressions. They offer a critical perspective on Soviet power and reflect the literary, musical, and theatrical life of the era.