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By ΠΠ΅Π½Π΅Π²ΠΈΡ Π.Π.
ΠΡΠΈΠ³ΠΎΡΠΈΠΉ ΠΠ΅Π½Π΅Π²ΠΈΡ
Π‘Π±ΠΎΡΠ½ΠΈΠΊ ΠΡΠΈΠ³ΠΎΡΠΈΡ ΠΠ΅Π½Π΅Π²ΠΈΡΠ°, ΠΏΠΎΡΡΠ°, ΠΊΡΠ»ΡΡΡΡΠΎΠ»ΠΎΠ³Π° ΠΈ ΡΠΈΠ»ΠΎΡΠΎΡΠ°, ΡΠΎΠ΄Π΅ΡΠΆΠΈΡ 24 ΡΡΠΈΡ ΠΎΡΠ²ΠΎΡΠ΅Π½ΠΈΡ, ΠΊΠ°ΠΆΠ΄ΠΎΠ΅ Π² 12 ΡΡΡΠΎΡ, ΠΈ ΠΎΠ΄Π½ΠΎ Β«Π½ΡΠ»Π΅Π²ΠΎΠ΅Β» Π² 11 ΡΡΡΠΎΡ. Π€ΠΎΡΠΌΠ° 12-ΡΡΡΠΎΡΠ½ΠΈΠΊΠ°, ΡΡΠ°Π²ΡΠ°Ρ ΠΊΠ»ΡΡΠ΅Π²ΠΎΠΉ Π² ΠΏΠΎΡΡΠΈΠΊΠ΅ ΠΠ΅Π½Π΅Π²ΠΈΡΠ° Ρ 1990-Ρ Π³ΠΎΠ΄ΠΎΠ², Π²ΠΎΠ·Π½ΠΈΠΊΠ»Π° ΠΊΠ°ΠΊ ΠΎΡΠ³Π°Π½ΠΈΡΠ΅ΡΠΊΠ°Ρ ΠΏΠΎΡΡΠ΅Π±Π½ΠΎΡΡΡ Π²ΡΡΠ°Π·ΠΈΡΡ ΠΈΡΡΠ°ΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠ΅ ΠΈ ΠΎΡΠΌΡΡΠ»ΠΈΡΡ ΠΈΡΡΠΎΡΠΈΡ, ΠΊΡΠ»ΡΡΡΡΡ ΠΈ Π²Π΅ΡΡ. ΠΠ²ΡΠΎΡ ΡΠΎΠ΅Π΄ΠΈΠ½ΡΠ΅Ρ ΠΎΠΏΡΡ Π°Π½Π΄Π΅Π³ΡΠ°ΡΠ½Π΄Π° ΠΈ Ρ ΡΠΈΡΡΠΈΠ°Π½ΡΠΊΠΎΠ΅ ΠΌΠΈΡΠΎΠ²ΠΎΠ·Π·ΡΠ΅Π½ΠΈΠ΅, ΡΠΎΠ·Π΄Π°Π²Π°Ρ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΠΉ ΠΏΠΎΡΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΠ·ΡΠΊ. ΠΠ»Ρ Π»ΡΡΡΠ΅Π³ΠΎ ΠΏΠΎΠ½ΠΈΠΌΠ°Π½ΠΈΡ ΡΠ΅ΠΊΡΡΡ ΡΠ½Π°Π±ΠΆΠ΅Π½Ρ ΠΊΠΎΠΌΠΌΠ΅Π½ΡΠ°ΡΠΈΡΠΌΠΈ, ΡΠΊΠ°Π·ΡΠ²Π°ΡΡΠΈΠΌΠΈ Π½Π° Π°Π»Π»ΡΠ·ΠΈΠΈ ΠΈ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ, Π° ΠΈΠ½ΠΎΠ³Π΄Π° Π΄ΠΎΠΏΠΎΠ»Π½Π΅Π½Ρ Π²ΠΎΡΡΠΌΠΈΡΡΠΈΡΠΈΡΠΌΠΈ, ΡΠ°ΡΠΊΡΡΠ²Π°ΡΡΠΈΠΌΠΈ ΡΠΌΡΡΠ».
Grigory Benevich
This collection by Grigory Benevich, a poet, culturologist, and philosopher, features 24 poems, each in 12 stanzas, plus a "zero" poem in 11 stanzas. The 12-stanza form, central to Benevich's poetics since the 1990s, emerged as an organic need to express the irrational and comprehend history, culture, and faith. The author merges underground experience with a Christian worldview, crafting a unique poetic language. To aid reader comprehension, the texts include commentaries on allusions and creation context, sometimes supplemented by octaves that elucidate the poems' meanings.