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By ΠΠ°ΡΠΈΠΎΠ½ΠΎΠ²Π° ΠΠ»ΡΠ³Π° ΠΠΈΠΊΠΎΠ»Π°Π΅Π²Π½Π°
ΠΠ°ΡΠΈΠΎΠ½ΠΎΠ²Π° ΠΠ»ΡΠ³Π° ΠΠΈΠΊΠΎΠ»Π°Π΅Π²Π½Π°, 2025
ΠΠ»ΡΠ³Π° ΠΠ°ΡΠΈΠΎΠ½ΠΎΠ²Π° ΡΡΠ°Π»Π° ΡΡΠΊΠΎΠΉ Π·Π²Π΅Π·Π΄ΠΎΠΉ Π½Π° Π½Π΅Π±ΠΎΡΠΊΠ»ΠΎΠ½Π΅ ΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΉ ΡΠ°Π½ΡΠ°ΡΡΠΈΠΊΠΈ Π² ΡΠ΅ΡΠ΅Π΄ΠΈΠ½Π΅ ΡΠ΅ΡΡΠΈΠ΄Π΅ΡΡΡΡΡ Π³ΠΎΠ΄ΠΎΠ², ΠΌΠ³Π½ΠΎΠ²Π΅Π½Π½ΠΎ Π·Π°Π²ΠΎΠ΅Π²Π°Π² ΠΏΡΠΈΠ·Π½Π°Π½ΠΈΠ΅ ΡΠΈΡΠ°ΡΠ΅Π»Π΅ΠΉ. ΠΠ΅ ΡΠΎΠΌΠ°Π½ Β«ΠΠ΅ΠΎΠΏΠ°ΡΠ΄ Ρ Π²Π΅ΡΡΠΈΠ½Ρ ΠΠΈΠ»ΠΈΠΌΠ°Π½Π΄ΠΆΠ°ΡΠΎΒ» ΡΡΠΈΡΠ°Π΅ΡΡΡ ΠΎΠ΄Π½ΠΈΠΌ ΠΈΠ· Π»ΡΡΡΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π°Π²ΡΠΎΡΠ° ΠΈ ΡΠ΅Π½Π½ΡΠΌ Π²ΠΊΠ»Π°Π΄ΠΎΠΌ Π² ΠΌΠΈΡΠΎΠ²ΡΡ ΡΠ°Π½ΡΠ°ΡΡΠΈΠΊΡ. ΠΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΠ°ΡΠΈΠΎΠ½ΠΎΠ²ΠΎΠΉ, ΠΈΠ·Π΄Π°Π²Π°Π²ΡΠΈΠ΅ΡΡ Π½Π΅ΡΠ°ΡΡΠΎ, Π½Π΅ΠΈΠ·ΠΌΠ΅Π½Π½ΠΎ ΠΏΠΎΠΏΠ°Π΄Π°Π»ΠΈ Π² ΡΠ΅Π»Ρ, Π½Π°Ρ ΠΎΠ΄Ρ ΠΎΡΠΊΠ»ΠΈΠΊ Π² ΡΠ΅ΡΠ΄ΡΠ°Ρ ΠΏΠΎΠΊΠ»ΠΎΠ½Π½ΠΈΠΊΠΎΠ² ΠΆΠ°Π½ΡΠ°. ΠΡΠΎΡ ΡΠΎΠΌ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ ΡΡΠ΅ΡΡΠ΅ ΠΈ Π·Π°ΠΊΠ»ΡΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΠΈΠ·Π΄Π°Π½ΠΈΠ΅ ΠΏΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΈ ΠΏΠΎΠ»Π½ΠΎΠ³ΠΎ ΡΠΎΠ±ΡΠ°Π½ΠΈΡ ΡΠΎΡΠΈΠ½Π΅Π½ΠΈΠΉ ΠΏΠΈΡΠ°ΡΠ΅Π»ΡΠ½ΠΈΡΡ.
Olga Larionova, 2025
Olga Larionova emerged as a prominent figure in Soviet science fiction during the mid-1960s, quickly garnering a large following. Her novel 'Leopard from Kilimanjaro' is recognized by online experts as a standout work, potentially worthy of international awards had the author been from the West. Despite infrequent publications, Larionova's works from the science fiction-scarce periods of the 1960s-1980s consistently resonated with readers. This volume is the third and final part of a near-complete collection of her writings.