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By ΠΠ½ΡΠ΅Π½ΡΠ±Π΅ΡΠ³Π΅Ρ ΠΠ°Π½Ρ ΠΠ°Π½Π³ΡΡ
Π₯Π°Π½Ρ ΠΠ°Π³Π½ΡΡ ΠΠ½ΡΠ΅Π½ΡΠ±Π΅ΡΠ³Π΅Ρ, 2019
Β«ΠΠΈΠ±Π΅Π»Ρ Π’ΠΈΡΠ°Π½ΠΈΠΊΠ°Β» β ΡΡΠΎ ΠΏΠΎΡΠΌΠ°-ΠΊΠ°ΡΠ°ΡΡΡΠΎΡΠ°, Π½Π°Π·Π²Π°Π½Π½Π°Ρ Π°Π²ΡΠΎΡΠΎΠΌ Β«ΠΊΠΎΠΌΠ΅Π΄ΠΈΠ΅ΠΉΒ» Π² ΠΈΡΠΎΠ½ΠΈΡΠ½ΠΎΠΌ ΠΏΠ΅ΡΠ΅ΠΎΡΠΌΡΡΠ»Π΅Π½ΠΈΠΈ ΠΠ°Π½ΡΠ΅. ΠΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠ΅ΠΌΡ Π·Π°ΡΡΡ Π°Π½ΠΈΡ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΎΠ½Π½ΡΡ Π½Π°Π΄Π΅ΠΆΠ΄ 1960-Ρ Π³ΠΎΠ΄ΠΎΠ² ΠΈ ΠΏΡΠ΅Π²ΡΠ°ΡΠ΅Π½ΠΈΡ ΡΡΠ°Π³Π΅Π΄ΠΈΠΈ Π² ΠΊΡΠ»ΡΡΡΡΠ½ΡΠΉ ΠΌΠΈΡ. ΠΠ°ΠΉΠ½Π΅Ρ, ΡΠΈΠΌΠ²ΠΎΠ» Π·Π°ΠΏΠ°Π΄Π½ΠΎΠΉ ΡΠΈΠ²ΠΈΠ»ΠΈΠ·Π°ΡΠΈΠΈ, ΡΡΠ°Π½ΠΎΠ²ΠΈΡΡΡ ΠΌΠ΅ΡΠ°ΡΠΎΡΠΎΠΉ ΠΎΠ±ΡΠ΅ΡΡΠ²Π° Π±Π»Π°Π³ΠΎΠ΄Π΅Π½ΡΡΠ²ΠΈΡ, ΡΡΠΈ ΠΏΡΡΠΈ Π½Π΅ΠΏΡΠ΅Π΄ΡΠΊΠ°Π·ΡΠ΅ΠΌΡ, Π° ΡΠ΅Π·ΡΠ»ΡΡΠ°ΡΡ Π΄Π΅ΡΡΠ΅Π»ΡΠ½ΠΎΡΡΠΈ Π½Π΅Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ ΠΏΡΠ΅Π΄ΡΠ³Π°Π΄Π°ΡΡ. ΠΠΎΡΠΌΠ° Π²ΠΏΠ΅ΡΠ²ΡΠ΅ ΠΏΠ΅ΡΠ΅Π²Π΅Π΄Π΅Π½Π° Π½Π° ΡΡΡΡΠΊΠΈΠΉ ΡΠ·ΡΠΊ.
Hans Magnus Enzensberger, 2019
Hans Magnus Enzensberger, a significant German poet of the late 20th century, presents 'The Sinking of the Titanic' as a catastrophe epic he ironically terms a 'comedy.' This work reinterprets Dante's definition, exploring themes from the 'ship of fools' to the 'bright future,' reflecting the fading revolutionary hopes of the 1960s. The poem uses the unsinkable liner, a symbol of Western civilization, as a grand metaphor for a prosperous society whose path is inscrutable and disasters unpredictable. It delves into the idea that historical laws are unknown, and the outcomes of societal evolution and political action are beyond foresight, explaining the failure of utopian ideals. The transformation of the Titanic's demise into a powerful cultural myth is also a central theme.