By ΠΠ°Π½ΠΈΠ»ΠΈΠ½ Π.Π., ΠΠ°Π½ΠΈΠ»ΠΎΠ² Π.Π., ΠΠ°Ρ Π°ΡΠΎΠ² ΠΠ°ΡΠΊ ΠΠ½Π°ΡΠΎΠ»ΡΠ΅Π²ΠΈΡ
ΠΠ°Π½ΠΈΠ»ΠΈΠ½ Π.Π., ΠΠ°Π½ΠΈΠ»ΠΎΠ² Π.Π., ΠΠ°Ρ Π°ΡΠΎΠ² ΠΠ°ΡΠΊ ΠΠ½Π°ΡΠΎΠ»ΡΠ΅Π²ΠΈΡ, 2025
ΠΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°Ρ, ΡΡΠ°Π² ΠΌΠΎΡΠ½ΡΠΌ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠΌ ΠΌΠ°ΡΡΠΎΠ²ΠΎΠ³ΠΎ Π²ΠΎΠ·Π΄Π΅ΠΉΡΡΠ²ΠΈΡ, ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ°Π΅Ρ ΡΠ»ΡΠΆΠΈΡΡ ΠΏΡΠΎΠΏΠ°Π³Π°Π½Π΄Π΅. ΠΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΎΠ΅ ΠΊΠΈΠ½ΠΎ ΡΠ°Π·Π²ΠΈΠ²Π°Π»ΠΎΡΡ Π½Π° ΡΠΎΠ½Π΅ ΠΊΠ°ΠΌΠΏΠ°Π½ΠΈΠΉ, Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½Π½ΡΡ Π½Π° ΠΏΠΎΠ΄Π°Π²Π»Π΅Π½ΠΈΠ΅ ΠΊΡΠΈΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΌΡΡΠ»Π΅Π½ΠΈΡ Π·ΡΠΈΡΠ΅Π»Π΅ΠΉ. ΠΠΎΡΡΠ΄Π°ΡΡΡΠ²Π΅Π½Π½Π°Ρ ΠΈΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡ, ΠΏΡΠΎΠ΄Π²ΠΈΠ³Π°ΡΡΠ°Ρ Π»ΠΈΠ±Π΅ΡΠ°Π»ΡΠ½ΡΠ΅ ΠΈΠ΄Π΅ΠΈ ΠΈ ΠΈΡΠΊΠ°ΠΆΠ°ΡΡΠ°Ρ ΠΎΠ±ΡΠ΅ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ΅Π½Π½ΠΎΡΡΠΈ, ΡΠ°ΡΡΠΎ Π²ΡΡΡΠΏΠ°Π»Π° Π² ΠΊΠΎΠ½ΡΠ»ΠΈΠΊΡ Ρ Ρ ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠΉ ΡΠ΅Π½Π½ΠΎΡΡΡΡ ΡΠΈΠ»ΡΠΌΠΎΠ². ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΡΠ°Π½ΡΡΠΎΡΠΌΠ°ΡΠΈΡ ΠΠΎΠ»Π»ΠΈΠ²ΡΠ΄Π° ΠΈΠ· Β«ΡΠ°Π±ΡΠΈΠΊΠΈ Π³ΡΡΠ·Β» Π² ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΡ Π»Π°Π±ΠΎΡΠ°ΡΠΎΡΠΈΡ, ΡΠΎΡΠΌΠΈΡΡΡΡΡΡ Π½ΠΎΠ²ΡΠ΅ ΠΌΠΎΠ΄Π΅Π»ΠΈ ΠΏΠΎΠ²Π΅Π΄Π΅Π½ΠΈΡ ΠΈ ΡΠ΅Π½Π½ΠΎΡΡΠΈ ΡΠ΅ΡΠ΅Π· ΠΊΠΈΠ½ΠΎ.
P.V. Danilin, V.N. Danilov, Mark Anatolyevich Zakharov, 2025
Cinema, evolving into a powerful tool of mass influence, continues to serve propaganda. American filmmaking has developed amidst campaigns aimed at suppressing viewers' critical thinking. State ideology, promoting liberal ideas and distorting universal human values, often conflicted with the artistic merit of films. This book explores Hollywood's transformation from a "dream factory" into a social laboratory that shapes new behaviors and values through cinema. It delves into who commissions film propaganda and how to discern it.