By ΠΠΎΠ»ΠΈΠ½ΠΈΠ½ ΠΠΌΠΈΡΡΠΈΠΉ ΠΠ»Π΅ΠΊΡΠ΅Π΅Π²ΠΈΡ
ΠΠΌΠΈΡΡΠΈΠΉ ΠΠΎΠ»ΠΈΠ½ΠΈΠ½
ΠΠΌΠΈΡΡΠΈΠΉ ΠΠΎΠ»ΠΈΠ½ΠΈΠ½, ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ ΠΎΠΏΠ΅ΡΠ°ΡΠΎΡ-ΠΏΠΎΡΡΠ°Π½ΠΎΠ²ΡΠΈΠΊ Β«ΠΠ΅Π½ΡΠΈΠ»ΡΠΌΠ°Β», Π°Π²ΡΠΎΡ ΡΠ°ΠΊΠΈΡ ΡΠΈΠ»ΡΠΌΠΎΠ², ΠΊΠ°ΠΊ Β«Π Π΅ΡΠΏΡΠ±Π»ΠΈΠΊΠ° Π¨ΠΠΠΒ» ΠΈ Β«Π‘ΠΎΠ±Π°ΠΊΠ° ΠΠ°ΡΠΊΠ΅ΡΠ²ΠΈΠ»Π΅ΠΉΒ», ΡΠ°ΠΊΠΆΠ΅ ΠΏΠΈΡΠ΅Ρ ΠΏΡΠΎΠ·Ρ. ΠΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΏΠΎΠ³ΡΡΠΆΠ°ΡΡ ΡΠΈΡΠ°ΡΠ΅Π»Ρ Π² ΠΏΠΎΡΠΎΠΊ ΠΆΠΈΠ·Π½ΠΈ, Π³Π΄Π΅ Π³Π΅ΡΠΎΠΈ, Π±ΡΠ΄Ρ ΡΠΎ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΈΠΊΠΈ ΠΈΠ»ΠΈ ΡΠ΅Π½ΠΈ ΠΏΡΠΎΡΠ»ΠΎΠ³ΠΎ, ΠΎΠΊΠ°Π·ΡΠ²Π°ΡΡΡΡ Π² ΡΠ΅Π½ΡΡΠ΅ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈΡ ΡΠΎΠ±ΡΡΠΈΠΉ. ΠΠΎΠ²Π΅ΡΡΠΈ ΠΠΎΠ»ΠΈΠ½ΠΈΠ½Π° Π·Π°ΡΡΠ°Π³ΠΈΠ²Π°ΡΡ ΠΏΠ΅ΡΠ΅Π»ΠΎΠΌΠ½ΡΠ΅ ΠΌΠΎΠΌΠ΅Π½ΡΡ ΡΡΡΡΠΊΠΎΠΉ ΠΈΡΡΠΎΡΠΈΠΈ β ΠΠ΅ΡΠ²ΡΡ ΠΌΠΈΡΠΎΠ²ΡΡ Π²ΠΎΠΉΠ½Ρ ΠΈ ΠΏΠΎΡΠ»Π΅Π΄ΠΎΠ²Π°Π²ΡΡΡ Π·Π° Π½Π΅ΠΉ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΡ. ΠΡΠΈ ΡΠΎΠ±ΡΡΠΈΡ Π½Π΅ΡΠ°Π·ΡΡΠ²Π½ΠΎ ΡΠ²ΡΠ·Π°Π»ΠΈ ΠΏΡΠΎΡΠ»ΠΎΠ΅ Ρ Π½Π°ΡΡΠΎΡΡΠΈΠΌ, ΠΎΡΡΠ°Π²ΠΈΠ² Π³Π»ΡΠ±ΠΎΠΊΠΈΠΉ ΡΠ»Π΅Π΄ Π² Π½Π°ΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΏΠ°ΠΌΡΡΠΈ.
Dmitry Dolinin
Dmitry Dolinin, a renowned cinematographer for Lenfilm known for his work on films like "The Republic of ShKID" and "The Hound of the Baskervilles," also writes prose. His narratives immerse readers in the flow of life, where characters, whether contemporaries or echoes of the past, find themselves at the heart of historical events. Dolinin's novellas explore pivotal moments in Russian historyβWorld War I and the subsequent revolution. These events inextricably linked the past with the present, leaving a profound mark on national memory.