ΠΠΎΡΠΈΡ ΠΡΠΎΠ΄ΡΠΊΠΈΠΉ Π² ΠΠΈΡΠ²Π΅
ΠΠ±Π·ΠΎΡ
Π ΡΡΠΎΠΌ ΠΈΠ·Π΄Π°Π½ΠΈΠΈ Π² ΡΠ²ΡΡΠ΄ΠΎΠΌ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡΠ΅ ΡΠΎΠ±ΡΠ°Π½Π° ΡΠΎΡΠΎΠ΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠ°ΡΠΈΡ Π»ΠΈΡΠΎΠ²ΡΠΊΠΈΡ
ΠΌΠ΅ΡΡ, Π²Π΄ΠΎΡ
Π½ΠΎΠ²Π»ΡΠ²ΡΠΈΡ
ΠΠΎΡΠΈΡΠ° ΠΡΠΎΠ΄ΡΠΊΠΎΠ³ΠΎ, Π³Π΄Π΅ Π°ΡΡ
ΠΈΠ²Π½ΡΠ΅ ΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠ΅ ΠΊΠ°Π΄ΡΡ ΡΠΎΠΏΠΎΡΡΠ°Π²Π»ΡΡΡΡΡ ΡΡΠ΄ΠΎΠΌ. Π’Π΅ΠΊΡΡΡ Π’. ΠΠ΅Π½ΡΠ»ΠΎΠ²Π° ΠΈ Π. ΠΠΎΡΠΎΡΠΈΠ»ΡΡΠΊΠΎΠ³ΠΎ Π΄Π°ΡΡ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΡΠΉ ΠΈ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡ ΠΏΠΎΡΡΠ° Π² ΠΠΈΡΠ²Π΅. Π ΠΊΠ½ΠΈΠ³Ρ Π²ΠΊΠ»ΡΡΠ΅Π½Ρ ΡΠ°Π½Π΅Π΅ Π½Π΅ ΠΏΡΠ±Π»ΠΈΠΊΠΎΠ²Π°Π²ΡΠΈΠ΅ΡΡ Π΄Π½Π΅Π²Π½ΠΈΠΊΠΈ, ΠΈΠ½ΡΠ΅ΡΠ²ΡΡ ΠΈ ΠΏΠΈΡΡΠΌΠ° Π»ΠΈΡΠΎΠ²ΡΠΊΠΈΡ
Π΄ΡΡΠ·Π΅ΠΉ, ΡΠ°ΡΠΊΡΡΠ²Π°ΡΡΠΈΠ΅ Π»ΠΈΡΠ½ΡΡ ΡΠΎΠ»Ρ ΡΡΡΠ°Π½Ρ Π² ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π΅ ΠΡΠΎΠ΄ΡΠΊΠΎΠ³ΠΎ. ΠΠΎΡΠ²Π»ΡΡΡΡΡ Π²ΠΏΠ΅ΡΠ²ΡΠ΅ ΠΌΠ°ΡΠΈΠ½ΠΎΠΏΠΈΡΠ½ΡΠ΅ ΠΈ ΡΡΠΊΠΎΠΏΠΈΡΠ½ΡΠ΅ Π°Π²ΡΠΎΠ³ΡΠ°ΡΡ Π»ΠΈΡΠΎΠ²ΡΠΊΠΎΠ³ΠΎ ΡΠΈΠΊΠ»Π° ΡΡΠΈΡ
ΠΎΠ², Π° ΡΠ°ΠΊΠΆΠ΅ ΡΠΈΡΡΠ½ΠΊΠΈ ΡΠ°ΠΌΠΎΠ³ΠΎ ΠΏΠΎΡΡΠ°. ΠΠ·Π΄Π°Π½ΠΈΠ΅ 2010 Π³., 384 ΡΡΡΠ°Π½ΠΈΡΡ, ΠΈΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ Perlov Design Center, ΡΠ»ΡΠΆΠΈΡ ΠΎΠ΄Π½ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»ΡΡΠΊΠΈΠΌ ΡΡΡΠ΄ΠΎΠΌ ΠΈ ΠΏΡΡΠ΅Π²ΠΎΠ΄ΠΈΡΠ΅Π»Π΅ΠΌ ΠΏΠΎ Π»ΡΠ±ΠΈΠΌΠΎΠΉ ΠΏΠΎΡΡΡ Π·Π΅ΠΌΠ»Π΅.
ΠΠΎΠΌΡ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ
- ΠΡΠ±ΠΈΡΠ΅Π»ΠΈ ΠΏΠΎΡΠ·ΠΈΠΈ ΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ ΡΡΡΡΠΊΠΎΠΉ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΡ
- ΠΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»ΠΈ, ΠΈΠ·ΡΡΠ°ΡΡΠΈΠ΅ ΠΆΠΈΠ·Π½Ρ ΠΈ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²ΠΎ ΠΠΎΡΠΈΡΠ° ΠΡΠΎΠ΄ΡΠΊΠΎΠ³ΠΎ
- Π’ΡΡΠΈΡΡΡ, ΠΆΠ΅Π»Π°ΡΡΠΈΠ΅ ΡΠ²ΠΈΠ΄Π΅ΡΡ ΠΠΈΡΠ²Ρ Π³Π»Π°Π·Π°ΠΌΠΈ ΠΏΠΎΡΡΠ°
- Π‘ΡΡΠ΄Π΅Π½ΡΡ, ΠΈΠ·ΡΡΠ°ΡΡΠΈΠ΅ ΡΡΡΡΠΊΡΡ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΡ ΠΈ ΠΊΡΠ»ΡΡΡΡΠ½ΡΠ΅ ΡΠ²ΡΠ·ΠΈ
- ΠΠΎΠ»Π»Π΅ΠΊΡΠΈΠΎΠ½Π΅ΡΡ ΠΈΠ»Π»ΡΡΡΡΠΈΡΠΎΠ²Π°Π½Π½ΡΡ
Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΡΡ
ΠΈΠ·Π΄Π°Π½ΠΈΠΉ
ΠΠ»ΡΡΠ΅Π²ΡΠ΅ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ
- ΠΠΎΠ»Π΅Π΅ 300 ΡΠΎΡΠΎΠ³ΡΠ°ΡΠΈΠΉ Π»ΠΈΡΠΎΠ²ΡΠΊΠΈΡ
ΠΌΠ΅ΡΡ, ΡΠΏΠΎΠΌΡΠ½ΡΡΡΡ
Π² ΡΡΠΈΡ
Π°Ρ
ΠΡΠΎΠ΄ΡΠΊΠΎΠ³ΠΎ, ΡΠΎΡΠ΅ΡΠ°Π½ΠΈΠ΅ Π°ΡΡ
ΠΈΠ²Π½ΡΡ
ΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΡ
ΡΠ½ΠΈΠΌΠΊΠΎΠ²
- ΠΡΡΠ΅ ΠΈ ΠΊΠΎΠΌΠΌΠ΅Π½ΡΠ°ΡΠΈΠΈ Π’. ΠΠ΅Π½ΡΠ»ΠΎΠ²Π° ΠΈ Π. ΠΠΎΡΠΎΡΠΈΠ»ΡΡΠΊΠΎΠ³ΠΎ, ΡΠ°ΡΠΊΡΡΠ²Π°ΡΡΠΈΠ΅ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΡΠΉ ΠΈ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡ
- ΠΠ΅ΠΏΡΠ±Π»ΠΈΠΊΡΠ΅ΠΌΡΠ΅ Π΄Π½Π΅Π²Π½ΠΈΠΊΠΈ, ΠΈΠ½ΡΠ΅ΡΠ²ΡΡ ΠΈ ΠΏΠΈΡΡΠΌΠ° Π»ΠΈΡΠΎΠ²ΡΠΊΠΈΡ
Π΄ΡΡΠ·Π΅ΠΉ ΠΏΠΎΡΡΠ°
- ΠΠ΅ΡΠ²ΠΎΠ΅ ΠΈΠ·Π΄Π°Π½ΠΈΠ΅ ΠΌΠ°ΡΠΈΠ½ΠΎΠΏΠΈΡΠ½ΡΡ
ΠΈ ΡΡΠΊΠΎΠΏΠΈΡΠ½ΡΡ
Π°Π²ΡΠΎΠ³ΡΠ°ΡΠΎΠ² Π»ΠΈΡΠΎΠ²ΡΠΊΠΎΠ³ΠΎ ΡΠΈΠΊΠ»Π° ΡΡΠΈΡ
ΠΎΠ² ΠΡΠΎΠ΄ΡΠΊΠΎΠ³ΠΎ
- ΠΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΡΠ΅ ΡΠΈΡΡΠ½ΠΊΠΈ ΡΠ°ΠΌΠΎΠ³ΠΎ ΠΡΠΎΠ΄ΡΠΊΠΎΠ³ΠΎ, ΡΠ²ΡΠ·Π°Π½Π½ΡΠ΅ Ρ Π΅Π³ΠΎ Π»ΠΈΡΠΎΠ²ΡΠΊΠΈΠΌΠΈ Π·Π½Π°ΠΊΠΎΠΌΡΠΌΠΈ
- Π’Π²Π΅ΡΠ΄ΡΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ, 384 ΡΡΡΠ°Π½ΠΈΡΡ, 2010 Π³., ISBN 9785904442057, Π²Π΅Ρ 853 Π³
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Joseph Brodsky in Lithuania
Overview
This hardcover volume presents a richly illustrated journey through the Lithuanian landscapes that inspired Joseph Brodskyβs poetry. Photographs juxtapose historic and modern views of the places mentioned in his verses, while scholarly texts by Thomas Ventslov and Viktor Voroshilsky contextualize the poetβs connection to the region. The book includes previously unpublished diary excerpts, interviews and letters from Brodskyβs Lithuanian friends, shedding light on the personal significance of Lithuania in his life and work. It also features the first publication of typewritten and handwritten autographs from his Lithuanian poetry cycle, accompanied by the poetβs own drawings. Published in 2010 by Perlov Design Center, the 384βpage edition serves both as a literary study and a visual guide to the country Brodsky loved.
Who it's for
- Readers interested in 20thβcentury poetry and literary history
- Scholars researching Joseph Brodskyβs life and works
- Travelers and cultural tourists exploring Lithuania through a literary lens
- Students of Russian literature and comparative studies
- Collectors of illustrated literary monographs
Key features
- Over 300 photographs of locations in Lithuania that appear in Brodskyβs poems, combining archival and contemporary views
- Essays and commentary by Thomas Ventslov and Viktor Voroshilsky providing scholarly context
- Previously unpublished diary entries, interviews and letters from Lithuanian friends of Brodsky
- First-time publication of typewritten and handwritten autographs from Brodskyβs Lithuanian poetry cycle
- Original drawings by Brodsky linked to his Lithuanian acquaintances
- Hardcover edition (384 pages, 2010) with ISBN 9785904442057, suitable for collectors