By ΠΠΎΠ½Π΄Π°ΡΠ΅Π½ΠΊΠΎ Π.
ΠΠΎΠ½Π΄Π°ΡΠ΅Π½ΠΊΠΎ Π., 2024, Π‘Π΅ΡΠΈΡ: ΠΠΈΠ½ΠΎΡΠ΅ΠΊΡΡΡ
ΠΠΎΡΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½ΠΈΠ΅ ΡΠΎΡΡΠΈΠΉΡΠΊΠΎΠΉ ΠΊΠΈΠ½ΠΎΠΈΠ½Π΄ΡΡΡΡΠΈΠΈ ΠΏΠΎΡΠ»Π΅ ΡΠ°ΡΠΏΠ°Π΄Π° Π‘Π‘Π‘Π ΠΈ ΡΠΊΠΎΠ½ΠΎΠΌΠΈΡΠ΅ΡΠΊΠΈΡ ΠΊΡΠΈΠ·ΠΈΡΠΎΠ² ΠΎΠ·Π½Π°ΠΌΠ΅Π½ΠΎΠ²Π°Π»ΠΎΡΡ ΡΡΠΈΠ»Π΅Π½ΠΈΠ΅ΠΌ ΠΏΠ°ΡΡΠΈΠΎΡΠΈΡΠ΅ΡΠΊΠΈΡ Π½Π°ΡΡΡΠΎΠ΅Π½ΠΈΠΉ. ΠΠ΄Π°ΠΏΡΠΈΡΠΎΠ²Π°Π² Π³ΠΎΠ»Π»ΠΈΠ²ΡΠ΄ΡΠΊΠΈΠ΅ ΠΌΠ΅ΡΠΎΠ΄Ρ, ΡΠΎΡΡΠΈΠΉΡΠΊΠΎΠ΅ ΠΊΠΈΠ½ΠΎ ΠΊ ΡΠ΅ΡΠ΅Π΄ΠΈΠ½Π΅ 2000-Ρ Π½Π°ΡΠ°Π»ΠΎ ΡΠΎΠ·Π΄Π°Π²Π°ΡΡ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π±Π»ΠΎΠΊΠ±Π°ΡΡΠ΅ΡΡ. ΠΡΠΈ ΡΠΈΠ»ΡΠΌΡ Π±ΡΠ»ΠΈ Π½Π°ΡΠ΅Π»Π΅Π½Ρ Π½Π° ΡΠΎΡΠΌΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ ΠΎΠ±ΡΠ°Π·Π° ΡΠΈΠ»ΡΠ½ΠΎΠΉ ΡΡΡΠ°Π½Ρ, Π΄ΠΎΡΡΠΎΠΉΠ½ΠΎΠΉ Π²ΠΎΠ·ΡΠΎΠΆΠ΄Π΅Π½ΠΈΡ ΠΈ Π³ΠΎΡΠ΄ΠΎΡΡΠΈ. ΠΠ½ΠΈΠ³Π° ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ ΡΠΎΡΡΠΈΠΉΡΠΊΠΈΠΉ Π±Π»ΠΎΠΊΠ±Π°ΡΡΠ΅Ρ ΠΊΠ°ΠΊ ΠΊΡΠ»ΡΡΡΡΠ½ΠΎΠ΅ ΡΠ²Π»Π΅Π½ΠΈΠ΅, Π³Π΄Π΅ ΠΏΠ΅ΡΠ΅ΡΠ΅ΠΊΠ°ΡΡΡΡ ΠΏΠΎΠ»ΠΈΡΠΈΠΊΠ°, ΡΠΊΠΎΠ½ΠΎΠΌΠΈΠΊΠ°, ΠΈΡΡΠΎΡΠΈΡ ΠΈ ΠΈΠ΄Π΅ΠΎΠ»ΠΎΠ³ΠΈΡ. ΠΠ²ΡΠΎΡ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ, ΠΊΠ°ΠΊ Π³ΠΎΡΡΠ΄Π°ΡΡΡΠ²ΠΎ ΡΠ΅ΡΠ΅Π· ΠΊΠΈΠ½ΠΎ ΠΊΠΎΠ½ΡΡΡΡΠΈΡΠΎΠ²Π°Π»ΠΎ Π½ΠΎΠ²ΠΎΠ΅ Π½Π°ΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠ΅ ΡΠ°ΠΌΠΎΡΠΎΠ·Π½Π°Π½ΠΈΠ΅ Π² Π ΠΎΡΡΠΈΠΈ XXI Π²Π΅ΠΊΠ°.
G. Bondarenko, 2024, Series: Kinotexts
The revival of Russia's film industry after the collapse of the USSR and subsequent economic and cultural crises was marked by strengthening patriotic and nationalist sentiments. By adapting Hollywood methods to Russian historical narratives, the new Russian cinema began producing historical blockbusters by the mid-2000s. These films were driven by the primary goal of creating an image of a strong country that needed to be revived to be proud of again. This book examines the Russian blockbuster as a holistic cultural phenomenon and a point where politics, economics, history, and ideology intersect. Historian Steven M. Norris aims to view 21st-century Russian history through the lens of films and understand how the state constructed a new national consciousness with their help.