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By ΠΠΈΠ»ΡΡΠΈ ΠΠ½Π°ΡΡΠ°ΡΠΈΡ
ΠΠ½Π°ΡΡΠ°ΡΠΈΡ ΠΠΈΠ»ΡΡΠΈ, 2021
Π ΠΎΡΡΠΈΠΉΡΠΊΠΈΠΉ ΡΠ΅Π°ΡΡ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°Π΅Ρ ΠΏΠ΅ΡΠΈΠΎΠ΄ Π°ΠΊΡΠΈΠ²Π½ΠΎΠ³ΠΎ ΡΠ°Π·Π²ΠΈΡΠΈΡ, ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°Ρ ΠΎΠ³ΡΠΎΠΌΠ½ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΠΈ Π²ΡΠ·ΡΠ²Π°Ρ ΠΎΠΆΠΈΠ²Π»Π΅Π½Π½ΡΠ΅ Π΄ΠΈΡΠΊΡΡΡΠΈΠΈ. ΠΠ° ΡΠΎΠ½Π΅ ΡΡΠΎΠ³ΠΎ Π½Π°Π±Π»ΡΠ΄Π°Π΅ΡΡΡ ΡΠΎΡΡ ΡΠΈΡΠ»Π° ΡΠΊΠ°Π½Π΄Π°Π»ΠΎΠ², ΠΊΡΠΈΡΠΈΠΊΠΈ Π½ΠΎΠ²ΡΡ ΡΠΎΡΠΌ ΠΈ ΠΏΠ΅ΡΠ΅ΠΎΡΠΌΡΡΠ»Π΅Π½ΠΈΡ ΡΠ΅Π°ΡΡΠ°Π»ΡΠ½ΡΡ Π°Π²ΡΠΎΡΠΈΡΠ΅ΡΠΎΠ². ΠΠ½ΡΡΡΠΈ ΡΠ°ΠΌΠΎΠΉ ΡΠ΅Π°ΡΡΠ°Π»ΡΠ½ΠΎΠΉ ΡΡΠ΅ΡΡ ΠΏΡΠΎΠΈΡΡ ΠΎΠ΄ΠΈΡ Π°ΠΊΡΠΈΠ²Π½ΡΠΉ ΠΏΠΎΠΈΡΠΊ ΠΈ ΡΠ°Π·Π²ΠΈΡΠΈΠ΅ ΡΠ°Π·Π½ΠΎΠΎΠ±ΡΠ°Π·Π½ΡΡ ΡΠΎΡΠΌ ΠΈ ΠΆΠ°Π½ΡΠΎΠ², ΠΊΠΎΡΠΎΡΡΠ΅ ΠΌΠΎΠ³ΡΡ Π±ΡΡΡ Π½Π΅ΠΏΡΠΈΠ²ΡΡΠ½Ρ Π·ΡΠΈΡΠ΅Π»Ρ. Π’Π΅Π°ΡΡ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ Π±Π΅ΡΠΏΡΠ΅ΡΠ΅Π΄Π΅Π½ΡΠ½ΠΎΠ΅ ΡΠ°Π·Π½ΠΎΠΎΠ±ΡΠ°Π·ΠΈΠ΅ Π²ΠΈΠ΄ΠΎΠ² ΠΈ Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½ΠΈΠΉ. ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΏΠΎΠΌΠΎΠΆΠ΅Ρ ΡΠΎΡΠΈΠ΅Π½ΡΠΈΡΠΎΠ²Π°ΡΡΡΡ Π² ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΌ ΡΠ΅Π°ΡΡΠ°Π»ΡΠ½ΠΎΠΌ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²Π΅ ΠΈ ΡΠ΄Π΅Π»Π°ΡΡ ΠΎΡΠΎΠ·Π½Π°Π½Π½ΡΠΉ Π²ΡΠ±ΠΎΡ.
Anastasia Vilchi, 2021
Russian theater is experiencing a period of dynamic growth, attracting significant attention and sparking lively debates. This surge in interest is accompanied by controversies surrounding performances, public criticism of new artistic forms, and challenges to established authorities. Within the theater world itself, diverse forms and genres are evolving, potentially unfamiliar to the audience. The stage is currently witnessing an extraordinary variety of forms and styles. This book serves as a guide to help navigate this complex landscape and make informed choices.