By Π£ΡΡΠΈΠ½ΠΎΠ²Π° Π’Π°ΡΡΡΠ½Π° ΠΠΈΡΠ°Π»ΡΠ΅Π²Π½Π°
Π’Π°ΡΡΡΠ½Π° ΠΠΈΡΠ°Π»ΡΠ΅Π²Π½Π° Π£ΡΡΠΈΠ½ΠΎΠ²Π°
ΠΠΈΠ·Π½Ρ ΡΡΠ΅Π½Π°ΡΠΈΡΡΠΊΠΈ Π’ΠΎΠ½Π΅ΡΠΊΠΈ ΠΈ Π΅Π΅ ΠΏΡΠΈΠ΅ΠΌΠ½ΠΎΠ³ΠΎ ΡΡΠ½Π° Π ΠΎΠ΄ΠΈΠΎΠ½Π° ΠΊΠ°ΡΠ΄ΠΈΠ½Π°Π»ΡΠ½ΠΎ ΠΌΠ΅Π½ΡΠ΅ΡΡΡ Ρ Π½Π°ΡΠ°Π»ΠΎΠΌ ΠΊΠ°ΡΠ°Π½ΡΠΈΠ½Π°. ΠΠΊΠ°Π·Π°Π²ΡΠΈΡΡ Π²Π΄Π²ΠΎΠ΅ΠΌ Π² Π³ΠΎΡΠΎΠ΄Π΅ ΠΠΎΠΆΠ΄Π΅Π²Π΅, ΠΎΠ½ΠΈ ΡΡΠ°Π»ΠΊΠΈΠ²Π°ΡΡΡΡ Ρ Π·Π°Π³Π°Π΄ΠΎΡΠ½ΠΎΠΉ ΡΠΌΠ΅ΡΡΡΡ ΠΏΠΎΠΆΠΈΠ»ΠΎΠΉ ΡΠΎΡΠ΅Π΄ΠΊΠΈ, ΠΊΠΎΡΠΎΡΡΡ Π·Π²Π°Π»ΠΈ "ΡΡΠ°ΡΠΎΠΉ ΠΊΠ½ΡΠ³ΠΈΠ½Π΅ΠΉ". ΠΠ΅ΡΠΌΠΎΡΡΡ Π½Π° ΠΏΠΎΠ΄ΠΎΠ·ΡΠ΅Π½ΠΈΡ Π² ΡΠ΅ΡΠ΄Π΅ΡΠ½ΠΎΠΌ ΠΏΡΠΈΡΡΡΠΏΠ΅, ΠΌΠ½ΠΎΠΆΠ΅ΡΡΠ²ΠΎ Π΄Π΅ΡΠ°Π»Π΅ΠΉ ΡΠΊΠ°Π·ΡΠ²Π°ΡΡ Π½Π° ΠΈΠ½ΠΎΠ΅. Π‘ΠΈΡΡΠ°ΡΠΈΡ ΠΎΡΠ»ΠΎΠΆΠ½ΡΠ΅ΡΡΡ Π½Π°ΠΏΠ°Π΄Π΅Π½ΠΈΡΠΌΠΈ Π² Ρ ΡΠ°ΠΌΠ΅ ΠΈ Π½Π΅Π΄ΠΎΠ²Π΅ΡΠΈΠ΅ΠΌ ΠΌΠ΅ΡΡΠ½ΠΎΠΉ ΠΏΠΎΠ»ΠΈΡΠΈΠΈ ΠΊ ΠΏΠΎΠ΄ΠΎΠ·ΡΠ΅Π½ΠΈΡΠΌ Π’ΠΎΠ½Π΅ΡΠΊΠΈ. ΠΠΌΠ΅ΡΡΠ΅ Ρ ΠΏΠΎΠ΄ΡΡΠ³ΠΎΠΉ Π‘Π°ΡΠ΅ΠΉ, ΠΏΡΠΈΠ΅Ρ Π°Π²ΡΠ΅ΠΉ ΠΈΠ· ΠΠΎΡΠΊΠ²Ρ, Π’ΠΎΠ½Π΅ΡΠΊΠ° ΠΏΡΡΠ°Π΅ΡΡΡ ΡΠ°Π·Π³Π°Π΄Π°ΡΡ ΡΠ°ΠΉΠ½Ρ ΡΠΌΠ΅ΡΡΠΈ ΡΠΎΡΠ΅Π΄ΠΊΠΈ.
Tatiana Vitalievna Ustinova
The life of screenwriter Tonya and her adopted son Rodion changes drastically with the onset of quarantine. Finding themselves alone together in the city of Dozhdev, they encounter the mysterious death of an elderly neighbor, known as the "old princess." Despite suspicions of a heart attack, many details suggest otherwise. The situation is complicated by attacks in a church and the local police's disbelief in Tonya's suspicions. Together with her friend Sasha, who arrives from Moscow, Tonya tries to unravel the mystery of the neighbor's death.