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By ΠΠ°ΡΠΊΡΡ ΠΡΡΠ°ΠΊ
ΠΠ°ΡΠΊΡΡ ΠΡΡΠ°ΠΊ, 2024, Π‘Π΅ΡΠΈΡ: ΠΠ΅ΠΌΡΡΠΆΠΈΠ½Π°. ΠΠ»Π°ΡΡΠΈΠΊΠ° ΡΠΈΡ ΠΎΠΉ ΡΠΎΡΠΊΠΎΡΠΈ
ΠΠ΅ΠΉΡΡΠ²ΠΈΠ΅ ΠΏΡΠΎΠΈΡΡ ΠΎΠ΄ΠΈΡ Π² ΠΠ΅ΡΠΌΠ°Π½ΠΈΠΈ Π² ΡΠ½Π²Π°ΡΠ΅ 1939 Π³ΠΎΠ΄Π°, Π² ΠΏΡΠ΅Π΄Π΄Π²Π΅ΡΠΈΠΈ ΠΡΠΎΡΠΎΠΉ ΠΌΠΈΡΠΎΠ²ΠΎΠΉ Π²ΠΎΠΉΠ½Ρ. ΠΠ΅Π²ΡΡΠΈΠ»Π΅ΡΠ½ΡΡ ΠΠΈΠ·Π΅Π»Ρ ΠΠ΅ΠΌΠΈΠ½Π³Π΅Ρ ΠΎΡΠΏΡΠ°Π²Π»ΡΠ΅ΡΡΡ ΠΊ ΠΏΡΠΈΠ΅ΠΌΠ½ΡΠΌ ΡΠΎΠ΄ΠΈΡΠ΅Π»ΡΠΌ ΠΏΠΎΠ΄ ΠΡΠ½Ρ Π΅Π½ ΠΏΠΎΡΠ»Π΅ ΡΠΎΠ³ΠΎ, ΠΊΠ°ΠΊ Π΅Π΅ ΠΎΡΠ΅Ρ Π±ΡΠ» ΠΎΠ±ΡΡΠ²Π»Π΅Π½ ΠΊΠΎΠΌΠΌΡΠ½ΠΈΡΡΠΎΠΌ. Π Π΄ΠΎΡΠΎΠ³Π΅ ΡΠΌΠ΅ΡΡΡ Π²ΠΏΠ΅ΡΠ²ΡΠ΅ Π·Π°ΠΌΠ΅ΡΠ°Π΅Ρ Π΄Π΅Π²ΠΎΡΠΊΡ. ΠΠΈΠ·Π΅Π»Ρ ΠΎΠΊΠ°Π·ΡΠ²Π°Π΅ΡΡΡ Π½Π° Π₯ΠΈΠΌΠΌΠ΅Π»Ρ-ΡΡΡΠ°ΡΡΠ΅, ΠΈΠ»ΠΈ ΠΠ΅Π±Π΅ΡΠ½ΠΎΠΉ ΡΠ»ΠΈΡΠ΅, ΠΊΠΎΡΠΎΡΠ°Ρ Π΄Π°Π»Π΅ΠΊΠ° ΠΎΡ ΡΠ°Ρ. ΠΠ½ΠΈΠ³Π° ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ ΠΎ Π΄Π΅Π²ΠΎΡΠΊΠ΅, ΡΠ»ΠΎΠ²Π°Ρ , Π°ΠΊΠΊΠΎΡΠ΄Π΅ΠΎΠ½ΠΈΡΡΠ΅, ΡΠ°Π½Π°ΡΠΈΡΠ½ΡΡ Π½Π΅ΠΌΡΠ°Ρ , Π΅Π²ΡΠ΅ΠΉΡΠΊΠΎΠΌ Π΄ΡΠ°ΡΡΠ½Π΅ ΠΈ ΠΊΡΠ°ΠΆΠ°Ρ . ΠΠ½Π° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠΈΠ»Ρ ΡΠ»ΠΎΠ² ΠΈ ΡΠΏΠΎΡΠΎΠ±Π½ΠΎΡΡΡ ΠΊΠ½ΠΈΠ³ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΈΠ²Π°ΡΡ Π΄ΡΡΡ.
Markus Zusak, 2024, Series: Zhemchuzhina. Klassika tikhoy koshkoshi
Set in Germany in January 1939, as the country holds its breath. Death takes notice of nine-year-old Liesel Meminger as she and her younger brother are taken to foster parents near Munich. Her father has been taken away, labeled a communist, and her mother fears the same fate for her children. Liesel ends up on Himmel Street, a place with a name suggesting heaven but proving otherwise. The story explores the life of a young girl, the power of words, an accordionist, fanatical Germans, a Jewish fighter, and numerous thefts. It highlights how words and books can nourish the soul.