By ΠΠΎΠ΄Π΅ ΠΠ»ΡΡΠΎΠ½Ρ
ΠΠ»ΡΡΠΎΠ½Ρ ΠΠΎΠ΄Π΅, 2024
ΠΠ΅ΠΉΡΡΠ²ΠΈΠ΅ ΡΠΎΠΌΠ°Π½Π° ΡΠ°Π·Π²ΠΎΡΠ°ΡΠΈΠ²Π°Π΅ΡΡΡ Π² 1872 Π³ΠΎΠ΄Ρ, ΠΊΠΎΠ³Π΄Π° ΠΌΠΎΠ½Π°ΡΡ ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΡΡΠΎΠΉ Π² Π΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΎΠΌ Π³ΠΎΡΡΠ΄Π°ΡΡΡΠ²Π΅ ΠΠ»Π»ΠΈΡΠΈΡ ΡΡΡΠΈΡΡΡ. ΠΠΎΡΠΎΠ»Ρ Π₯ΡΠΈΡΡΠΈΠ°Π½ II, Π΅Π³ΠΎ ΠΆΠ΅Π½Π° Π€ΡΠ΅Π΄Π΅ΡΠΈΠΊΠ° ΠΈ ΠΌΠ°Π»Π΅Π½ΡΠΊΠΈΠΉ ΡΡΠ½ Π²ΡΠ½ΡΠΆΠ΄Π΅Π½Ρ ΠΈΡΠΊΠ°ΡΡ ΡΠ±Π΅ΠΆΠΈΡΠ΅ Π² ΠΠ°ΡΠΈΠΆΠ΅. Π ΠΈΠ·Π³Π½Π°Π½ΠΈΠΈ ΠΊΠ°ΠΆΠ΄ΡΠΉ ΡΠ»Π΅Π½ ΡΠ΅ΠΌΡΠΈ ΡΠΏΡΠ°Π²Π»ΡΠ΅ΡΡΡ Ρ ΠΏΠ΅ΡΠ΅ΠΌΠ΅Π½Π°ΠΌΠΈ ΠΏΠΎ-ΡΠ²ΠΎΠ΅ΠΌΡ. Π₯ΡΠΈΡΡΠΈΠ°Π½ Π½Π°Ρ ΠΎΠ΄ΠΈΡ ΡΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π² ΡΠ°Π·Π²Π»Π΅ΡΠ΅Π½ΠΈΡΡ , ΡΡΡΠ΅ΠΌΡΡΡ Π·Π°Π±ΡΡΡ ΠΎ Π±ΡΠ΅ΠΌΠ΅Π½ΠΈ ΠΊΠΎΡΠΎΠ»Π΅Π²ΡΠΊΠΎΠ³ΠΎ ΡΠΈΡΡΠ»Π°. Π€ΡΠ΅Π΄Π΅ΡΠΈΠΊΠ°, Π½Π°ΠΏΡΠΎΡΠΈΠ², ΡΠΎΡ ΡΠ°Π½ΡΠ΅Ρ ΠΊΠΎΡΠΎΠ»Π΅Π²ΡΠΊΠΎΠ΅ Π΄ΠΎΡΡΠΎΠΈΠ½ΡΡΠ²ΠΎ. ΠΡΠ° Π²ΡΠΌΡΡΠ»Π΅Π½Π½Π°Ρ ΠΈΡΡΠΎΡΠΈΡ ΠΎΡΡΠ°ΠΆΠ°Π΅Ρ ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΏΠΎΡΡΡΡΠ΅Π½ΠΈΡ ΡΠ΅ΡΠ΅Π΄ΠΈΠ½Ρ XIX Π²Π΅ΠΊΠ°, ΠΊΠΎΠ³Π΄Π° ΠΌΠ½ΠΎΠ³ΠΈΠ΅ ΠΌΠΎΠ½Π°ΡΡ ΠΈΠΈ Π² ΠΠ²ΡΠΎΠΏΠ΅ Π±ΡΠ»ΠΈ ΡΠ²Π΅ΡΠ³Π½ΡΡΡ.
Alphonse Daudet, 2024
The story unfolds in 1872, as the monarchical system in the European state of Illyria collapses. King Christian II, his wife Frederica, and their young son are forced to flee to Paris. In exile, each family member copes with the changes differently. Christian seeks solace in entertainment, eager to forget the burden of his royal title. Frederica, however, maintains her regal bearing. This fictional narrative reflects the political upheavals of the mid-19th century, a period when numerous monarchies across Europe were overthrown.