By ΠΠ°ΠΊΠΈΠ½Π΅ΡΠ½ΠΈ ΠΠΆΠ΅ΠΉ
ΠΠΆΠ΅ΠΉ ΠΠ°ΠΊΠΈΠ½Π΅ΡΠ½ΠΈ, 2004, Π‘Π΅ΡΠΈΡ "Π€ΠΈΡΠΊΠΈ"
ΠΠΎΠ½Π½ΠΎΡ, ΡΠ°Π±ΠΎΡΠ°ΡΡΠΈΠΉ Π² ΠΌΠΎΠ΄Π½ΠΎΠΌ ΠΆΡΡΠ½Π°Π»Π΅, ΡΡΠ°Π»ΠΊΠΈΠ²Π°Π΅ΡΡΡ Ρ ΠΈΡΡΠ΅Π·Π½ΠΎΠ²Π΅Π½ΠΈΠ΅ΠΌ ΡΠ²ΠΎΠ΅ΠΉ Π΄Π΅Π²ΡΡΠΊΠΈ-ΠΌΠΎΠ΄Π΅Π»ΠΈ. ΠΠ³ΠΎ ΠΏΡΠΈΠ²ΡΡΠ½ΡΠ΅ ΠΌΠ΅ΡΠΎΠ΄Ρ ΠΏΠΎΠΈΡΠΊΠ° ΠΎΠΊΠ°Π·ΡΠ²Π°ΡΡΡΡ Π±Π΅ΡΠΏΠΎΠ»Π΅Π·Π½ΡΠΌΠΈ Π² ΠΌΠΈΡΠ΅ ΠΌΠΎΠ΄Π½ΡΡ ΡΠ²ΡΠ·Π΅ΠΉ ΠΈ ΠΌΠ΅Π΄ΠΈΠ°. ΠΠ°ΡΠ°Π»Π»Π΅Π»ΡΠ½ΠΎ Ρ ΡΡΠΈΠΌ ΠΠΎΠ½Π½ΠΎΡ ΠΏΠΎΠ΄Π²Π΅ΡΠ³Π°Π΅ΡΡΡ ΠΏΡΠ΅ΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡΠΌ ΠΈ ΡΡΠ°Π»ΠΊΠΈΠ²Π°Π΅ΡΡΡ Ρ ΡΡΡΠ΄Π½ΠΎΡΡΡΠΌΠΈ Π½Π° ΡΠ°Π±ΠΎΡΠ΅, ΠΏΡΡΠ°ΡΡΡ ΠΎΡΠ³Π°Π½ΠΈΠ·ΠΎΠ²Π°ΡΡ ΠΈΠ½ΡΠ΅ΡΠ²ΡΡ Ρ Π³ΠΎΠ»Π»ΠΈΠ²ΡΠ΄ΡΠΊΠΎΠΉ Π·Π²Π΅Π·Π΄ΠΎΠΉ.
ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΏΠΎΠ³ΡΡΠΆΠ°Π΅Ρ Π² ΡΡΡΠ°Π½Π½ΡΠΉ ΠΌΠΈΡ Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΎΠ³ΠΎ ΠΌΠ΅Π΄ΠΈΠ°Π±ΠΈΠ·Π½Π΅ΡΠ°, Π³Π΄Π΅ Π³Π΅ΡΠΎΠΈ ΠΊΠ°ΠΆΡΡΡΡ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ°ΠΌΠΈ ΠΈΠ· ΠΌΠΈΡΡΡΠ½ΠΎΠ³ΠΎ ΠΎΠΊΡΡΠΆΠ΅Π½ΠΈΡ. ΠΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΡΡΠ°Π²Π½ΠΈΠ²Π°ΡΡ Ρ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²ΠΎΠΌ Π€ΠΈΡΡΠ΄ΠΆΠ΅ΡΠ°Π»ΡΠ΄Π°, Π½ΠΎ Ρ Π±ΠΎΠ»Π΅Π΅ ΡΠΈΠ½ΠΈΡΠ½ΡΠΌ ΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠΌ Π²Π·Π³Π»ΡΠ΄ΠΎΠΌ.
Jay McInerney, 2004, Fishki Series
Connor, who works at a fashion magazine, faces the disappearance of his model girlfriend. His usual methods of searching prove useless in the world of fashion connections and media. Simultaneously, Connor experiences pursuit and encounters professional difficulties while trying to arrange an interview with a Hollywood star.
This book delves into the peculiar world of the American media business, where characters seem to emerge from a glittering, superficial environment. The work is compared to Fitzgerald's writing, but with a more cynical and contemporary perspective.