By ΠΠ΄ΡΠ°ΡΠ΄ ΠΠΈΠΌΠΎΠ½ΠΎΠ²
ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° β ΠΏΠ΅ΡΠ²ΠΎΠ΅ ΠΈΠ·Π΄Π°Π½ΠΈΠ΅ ΡΠ°Π½Π΅Π΅ ΡΡΡΠ°ΡΠ΅Π½Π½ΠΎΠ³ΠΎ ΡΠΎΠΌΠ°Π½Π° ΠΠ΄ΡΠ°ΡΠ΄Π° ΠΠΈΠΌΠΎΠ½ΠΎΠ²Π°, ΡΡΠΊΠΎΠΏΠΈΡΡ ΠΊΠΎΡΠΎΡΠΎΠ³ΠΎ Π΄ΠΎΠ»Π³ΠΈΠ΅ Π³ΠΎΠ΄Ρ ΡΡΠΈΡΠ°Π»Π°ΡΡ ΠΏΡΠΎΠΏΠ°Π²ΡΠ΅ΠΉ. Π‘ΠΎΠ±ΡΡΠΈΡ ΡΠ°Π·Π²ΠΎΡΠ°ΡΠΈΠ²Π°ΡΡΡΡ Π²ΠΎΠΊΡΡΠ³ ΡΡΠ΅Ρ ΠΌΠ°ΠΉΡΠΊΠΈΡ Π΄Π½Π΅ΠΉ 1969 Π³ΠΎΠ΄Π° Π² ΠΠΎΡΠΊΠ²Π΅, ΠΎΠ΄Π½Π°ΠΊΠΎ Π°Π²ΡΠΎΡ ΡΠ°ΡΡΠΈΡΡΠ΅Ρ Π²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠ΅ ΡΠ°ΠΌΠΊΠΈ, ΠΏΠΎΠ²Π΅ΡΡΠ²ΡΡ ΠΎ ΠΏΠ΅ΡΠ΅Π΅Π·Π΄Π΅ ΠΈΠ· Π₯Π°ΡΡΠΊΠΎΠ²Π° ΠΈ ΠΏΠΎΠΏΡΡΠΊΠ°Ρ Π·Π°ΠΊΡΠ΅ΠΏΠΈΡΡΡΡ Π² Π±ΠΎΠ³Π΅ΠΌΠ½ΠΎΠΌ ΠΏΠΎΡΡΠΈΡΠ΅ΡΠΊΠΎΠΌ ΡΠΎΠΎΠ±ΡΠ΅ΡΡΠ²Π΅. ΠΠΈΠΌΠΎΠ½ΠΎΠ² ΠΎΠΏΠΈΡΡΠ²Π°Π΅Ρ ΡΠ²ΠΎΠΈ ΠΏΠΎΠΈΡΠΊΠΈ ΠΆΠΈΠ»ΡΡ ΠΈ ΡΡΠ΅Π΄ΡΡΠ² ΠΊ ΡΡΡΠ΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΡ, Π·Π°ΡΠ°Π±Π°ΡΡΠ²Π°Ρ ΠΏΠΎΡΠΈΠ²ΠΎΠΌ ΡΡΠΌΠΎΠΊ ΠΈ Π±ΡΡΠΊ, ΡΡΠΊΠΎ Π²ΠΎΡΡΠΎΠ·Π΄Π°Π²Π°Ρ Π°ΡΠΌΠΎΡΡΠ΅ΡΡ ΡΡΠΎΠ»ΠΈΡΡ Π½Π° ΠΈΠ·Π»Π΅ΡΠ΅ ΠΎΡΡΠ΅ΠΏΠ΅Π»ΠΈ. Π‘ΡΠ΅Π΄ΠΈ Π³Π΅ΡΠΎΠ΅Π² ΡΠΎΠΌΠ°Π½Π° β Π²ΡΠ΄Π°ΡΡΠΈΠ΅ΡΡ Π΄Π΅ΡΡΠ΅Π»ΠΈ ΠΈΡΠΊΡΡΡΡΠ²Π° ΡΠΎΠ³ΠΎ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ, Π²ΠΊΠ»ΡΡΠ°Ρ ΠΡΡΠ΅Π½ΠΈΡ Π’Π°ΡΠΊΠΎΠ²ΡΠΊΠΎΠ³ΠΎ, ΠΡΠ½ΡΡΠ° ΠΠ΅ΠΈΠ·Π²Π΅ΡΡΠ½ΠΎΠ³ΠΎ, ΠΠ»ΡΡ ΠΠ°Π±Π°ΠΊΠΎΠ²Π° ΠΈ ΠΠ΅ΠΎΠ½ΠΈΠ΄Π° ΠΡΠ±Π°Π½ΠΎΠ²Π°. ΠΠ°ΠΏΠΈΡΠ°Π½Π½ΡΠΉ Π² ΡΠ΅ΡΠ΅Π΄ΠΈΠ½Π΅ 1980-Ρ Π² ΠΠ°ΡΠΈΠΆΠ΅, ΡΠΆΠ΅ ΠΏΠΎΡΠ»Π΅ Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΎΠ³ΠΎ ΠΏΠ΅ΡΠΈΠΎΠ΄Π°, ΡΠΎΠΌΠ°Π½ ΡΡΠΆΠ΅ΡΠ½ΠΎ ΠΏΡΠ΅Π΄ΡΠ΅ΡΡΠ²ΡΠ΅Ρ Π·Π½Π°ΠΌΠ΅Π½ΠΈΡΠΎΠΉ Π½ΡΡ-ΠΉΠΎΡΠΊΡΠΊΠΎΠΉ ΡΡΠΈΠ»ΠΎΠ³ΠΈΠΈ, ΠΏΡΠ΅Π΄Π»Π°Π³Π°Ρ ΡΠΈΡΠ°ΡΠ΅Π»Ρ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΠΉ Π΄Π²ΠΎΠΉΠ½ΠΎΠΉ Π²Π·Π³Π»ΡΠ΄ Π½Π° ΠΏΠΎΠ²Π΅ΡΡΠ²ΠΎΠ²Π°ΡΠ΅Π»Ρ.
This book marks the inaugural publication of Eduard Limonov's previously lost novel, a manuscript long believed to be missing. While centered on three pivotal May days in 1969 Moscow, the narrative expands to encompass Limonov's relocation from Kharkiv and his persistent efforts to establish himself within the city's bohemian poetic circles. Limonov vividly portrays his struggles to find housing and earn a living by sewing bags and trousers, meticulously reconstructing the atmosphere of Moscow at the tail end of the Thaw era. The novel introduces a vibrant cast of prominent cultural figures of the period, including Arseny Tarkovsky, Ernst Neizvestny, Ilya Kabakov, and Leonid Gubanov. Penned in Paris during the mid-1980s, after his American sojourn, this work chronologically precedes his acclaimed New York trilogy, offering readers a unique dual perspective on the narrator's journey.