By ΠΠΈΠ½Π° Π ΡΠ±ΠΈΠ½Π°
ΠΠΈΠ½Π° Π ΡΠ±ΠΈΠ½Π°, 2020
ΠΠΈΠ·Π½ΠΈ ΠΠ°Π΄Π΅ΠΆΠ΄Ρ ΠΈ ΠΡΠΈΡΡΠ°ΡΡ Π° ΡΠ»ΠΈΠ»ΠΈΡΡ Π²ΠΎΠ΅Π΄ΠΈΠ½ΠΎ, ΠΏΡΠ΅ΠΎΠ΄ΠΎΠ»Π΅Π² Π΄Π²Π°Π΄ΡΠ°ΡΠΈΠΏΡΡΠΈΠ»Π΅ΡΠ½ΡΡ ΡΠ°Π·Π»ΡΠΊΡ ΠΈ ΡΡΠΆΠ΅Π»ΡΠΉ ΠΆΠΈΠ·Π½Π΅Π½Π½ΡΠΉ ΠΎΠΏΡΡ. ΠΠ°Π΄Π΅ΠΆΠ΄Π° ΡΡΡΠΎΠΈΠ»Π° ΠΈΠ·Π΄Π°ΡΠ΅Π»ΡΡΠΊΠΈΠΉ Π±ΠΈΠ·Π½Π΅Ρ Π² Π»ΠΈΡ ΠΈΠ΅ Π΄Π΅Π²ΡΠ½ΠΎΡΡΡΠ΅, Π° ΠΡΠΈΡΡΠ°ΡΡ ΡΠ»ΡΠΆΠΈΠ» Π² ΠΈΠ·ΡΠ°ΠΈΠ»ΡΡΠΊΠΎΠΉ ΡΡΡΡΠΌΠ΅. ΠΡ Π²ΡΡΡΠ΅ΡΠ° Π½Π°ΠΏΠΎΠΌΠΈΠ½Π°Π΅Ρ ΠΈΡΡΠΎΡΠΈΡ ΠΡΡΠ΅Ρ ΠΈ ΠΠ²ΡΠΈΠ΄ΠΈΠΊΠΈ, Π½ΠΎ Π΄Π°Π²Π½ΡΡ ΡΠ΅ΠΌΠ΅ΠΉΠ½Π°Ρ ΡΠ°ΠΉΠ½Π°, ΡΠ²ΡΠ·Π°Π½Π½Π°Ρ Ρ Π½Π°ΡΠ»Π΅Π΄ΡΡΠ²ΠΎΠΌ Π½Π°ΠΏΠΎΠ»Π΅ΠΎΠ½ΠΎΠ²ΡΠΊΠΎΠ³ΠΎ ΠΎΡΠΈΡΠ΅ΡΠ°, ΠΏΡΠΈΠ²ΠΎΠ΄ΠΈΡ ΠΊ ΡΡΠ°Π³ΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΠ°Π·Π²ΡΠ·ΠΊΠ΅.
Dina Rubina, 2020
The lives of Nadezhda and Aristarkh have finally merged into a single whole, burning with a fiery seam, as if the twenty-five years of bitter, Shakespearean separation had never happened, and as if each had not carried a heavy burden of difficult and sometimes terrible experience. Nadezhda attempted to build her own publishing business in the turbulent nineties, while Aristarkh confined himself to medical service in an Israeli prison. Their reunion echoes the myth of Orpheus and Eurydice, but an old family story concerning the inheritance of Napoleonic officer Aristarkh Bouguerot leads to a truly Monte Cristo-like tragic conclusion.