By ΠΠ°ΠΊΠ»Π°Π½ΠΎΠ² ΠΡΠΈΠ³ΠΎΡΠΈΠΉ Π―ΠΊΠΎΠ²Π»Π΅Π²ΠΈΡ
ΠΡΠΈΠ³ΠΎΡΠΈΠΉ ΠΠ°ΠΊΠ»Π°Π½ΠΎΠ²
ΠΡΠΈΠ³ΠΎΡΠΈΠΉ ΠΠ°ΠΊΠ»Π°Π½ΠΎΠ², ΡΠΎΠ²Π΅ΡΡΠΊΠΈΠΉ ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ ΠΈ ΡΡΠΎΠ½ΡΠΎΠ²ΠΈΠΊ, ΠΏΡΠΈΠ½Π°Π΄Π»Π΅ΠΆΠΈΡ ΠΊ ΠΏΠ»Π΅ΡΠ΄Π΅ Β«Π»Π΅ΠΉΡΠ΅Π½Π°Π½ΡΡΠΊΠΎΠΉ ΠΏΡΠΎΠ·ΡΒ», ΠΎΡΡΠ°ΠΆΠ°ΡΡΠ΅ΠΉ ΠΏΡΠ°Π²Π΄ΠΈΠ²ΡΠΉ Π²Π·Π³Π»ΡΠ΄ Π½Π° Π²ΠΎΠΉΠ½Ρ. Π 17 Π»Π΅Ρ ΠΎΠ½ Π΄ΠΎΠ±ΡΠΎΠ²ΠΎΠ»ΡΠ½ΠΎ ΡΡΠ΅Π» Π½Π° ΡΡΠΎΠ½Ρ, ΠΏΡΠΎΠΉΠ΄Ρ Π±ΠΎΠΈ Π½Π° Π£ΠΊΡΠ°ΠΈΠ½Π΅, Π² ΠΠΎΠ»Π΄Π°Π²ΠΈΠΈ, Π ΡΠΌΡΠ½ΠΈΠΈ ΠΈ ΠΠ΅Π½Π³ΡΠΈΠΈ, Π·Π°Π²Π΅ΡΡΠΈΠ² Π²ΠΎΠΉΠ½Ρ Π² ΠΠ²ΡΡΡΠΈΠΈ. ΠΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, ΠΎΡΠ½ΠΎΠ²Π°Π½Π½ΡΠ΅ Π½Π° Π»ΠΈΡΠ½ΠΎΠΌ ΠΎΠΏΡΡΠ΅, ΡΠ°ΡΡΠΎ ΡΠ°ΡΡ ΠΎΠ΄ΠΈΠ»ΠΈΡΡ Ρ ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎΠΉ ΠΈΡΡΠΎΡΠΈΠ΅ΠΉ, ΠΏΠ΅ΡΠ΅Π΄Π°Π²Π°Ρ ΡΠ²ΠΈΠ΄Π΅Π½Π½ΡΡ ΠΈ ΠΏΠ΅ΡΠ΅ΠΆΠΈΡΡΡ ΠΏΡΠ°Π²Π΄Ρ. ΠΠ°ΠΊΠ»Π°Π½ΠΎΠ² ΠΎΡΠΌΠ΅ΡΠ°Π», ΡΡΠΎ Β«Π»Π΅ΠΉΡΠ΅Π½Π°Π½ΡΡΠΊΠ°Ρ ΠΏΡΠΎΠ·Π°Β» ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ»Π° ΡΠΎΠ±ΠΎΠΉ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠΉ Π²Π·Π³Π»ΡΠ΄ Π½Π° Π²ΠΎΠΉΠ½Ρ, ΠΎΡΠ½ΠΎΠ²Π°Π½Π½ΡΠΉ Π½Π° ΠΏΠ΅ΡΠ΅ΠΆΠΈΡΠΎΠΌ Π½Π° ΠΏΠΎΠ»ΡΡ ΡΡΠ°ΠΆΠ΅Π½ΠΈΠΉ.
Grigory Baklanov
Grigory Baklanov, a Soviet writer and front-line soldier, is a prominent figure of "lieutenant prose," known for its authentic portrayal of war. At 17, he volunteered for the front, participating in battles across Ukraine, Moldova, Romania, and Hungary, ending the war in Austria. His works, drawn from personal experience, often presented a truth that diverged from official narratives, conveying what he saw and endured. Baklanov emphasized that "lieutenant prose" offered a unique perspective on war, rooted in the experiences of those who fought on the battlefields.