By Π‘Π°ΡΡΠ°Π½ Π.
Π‘. ΠΠ½-ΡΠΊΠΈΠΉ
Π‘Π΅ΠΌΡΠ½ ΠΠ½-ΡΠΊΠΈΠΉ, ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ ΠΊΠ°ΠΊ Π°Π²ΡΠΎΡ ΠΏΡΠ΅ΡΡ "ΠΠΈΠ±ΡΠΊ", ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π» ΠΌΠ½ΠΎΠΆΠ΅ΡΡΠ²ΠΎ ΠΏΡΠ΅Π²Π΄ΠΎΠ½ΠΈΠΌΠΎΠ², ΠΎΡΡΠ°ΠΆΠ°ΡΡΠΈΡ Π΅Π³ΠΎ ΠΌΠ½ΠΎΠ³ΠΎΠ³ΡΠ°Π½Π½ΡΡ Π΄Π΅ΡΡΠ΅Π»ΡΠ½ΠΎΡΡΡ. ΠΠ½ Π±ΡΠ» Π½Π°ΡΠΎΠ΄Π½ΠΈΠΊΠΎΠΌ, ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΎΠ½Π΅ΡΠΎΠΌ, ΠΏΡΠ±Π»ΠΈΡΠΈΡΡΠΎΠΌ, ΠΏΠΈΡΠ°ΡΠ΅Π»Π΅ΠΌ Π½Π° ΡΡΡΡΠΊΠΎΠΌ ΠΈ ΠΈΠ΄ΠΈΡΠ΅, ΡΡΠ½ΠΎΠ³ΡΠ°ΡΠΎΠΌ ΠΈ ΡΡΠΎΠ½ΡΠΎΠ²ΡΠΌ ΠΊΠΎΡΡΠ΅ΡΠΏΠΎΠ½Π΄Π΅Π½ΡΠΎΠΌ. ΠΠ½-ΡΠΊΠΈΠΉ ΠΏΠΎΠΏΡΠ»ΡΡΠΈΠ·ΠΈΡΠΎΠ²Π°Π» Π΅Π²ΡΠ΅ΠΉΡΠΊΠΈΠΉ ΡΠΎΠ»ΡΠΊΠ»ΠΎΡ, Π²ΡΡ ΠΆΠΈΠ·Π½Ρ ΠΈΡΡΠ»Π΅Π΄ΡΡ ΡΠ°Π·Π»ΠΈΡΠ½ΡΠ΅ ΠΌΠΈΡΡ ΠΈ ΠΎΡΡΠ°Π²Π»ΡΡ Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΡΠΉ ΡΠ»Π΅Π΄ Π² ΠΊΠ°ΠΆΠ΄ΠΎΠΌ ΠΈΠ· Π½ΠΈΡ . ΠΡΠ° Π±ΠΈΠΎΠ³ΡΠ°ΡΠΈΡ Π²ΠΏΠ΅ΡΠ²ΡΠ΅ ΠΏΡΠ±Π»ΠΈΠΊΡΠ΅ΡΡΡ Π½Π° ΡΡΡΡΠΊΠΎΠΌ ΡΠ·ΡΠΊΠ΅, Π²ΠΎΡΠΏΠΎΠ»Π½ΡΡ ΠΏΡΠΎΠ±Π΅Π»Ρ Π² ΠΈΡΡΠΎΡΠΈΠΈ Π ΠΎΡΡΠΈΠΈ ΠΈ Π΅Π²ΡΠ΅ΠΉΡΠΊΠΎΠΉ ΠΈΡΡΠΎΡΠΈΠΈ ΡΡΠ±Π΅ΠΆΠ° XIX-XX Π²Π΅ΠΊΠΎΠ².
S. Ansky
Semyon Ansky, widely recognized as the creator of the immortal play "The Dybbuk," adopted numerous pseudonyms not as a pose, but out of necessity. He was a narodnik, a revolutionary, a publicist, a writer in both Russian and Yiddish, an ethnographer, and a war correspondent. Paraphrasing the subtitle of his famous play, one could say he spent his life journeying between many worlds, leaving an indelible mark on each. This comprehensive biography is published in Russian for the first time, filling significant gaps in both Russian and Jewish history of the late 19th and early 20th centuries.