By ΠΠ΅ΡΡΡΡΠ΅Π²ΡΠΊΠ°Ρ ΠΡΠ΄ΠΌΠΈΠ»Π° Π‘ΡΠ΅ΡΠ°Π½ΠΎΠ²Π½Π°
ΠΡΠ΄ΠΌΠΈΠ»Π° ΠΠ΅ΡΡΡΡΠ΅Π²ΡΠΊΠ°Ρ, 2008
ΠΡΠ°ΠΌΠ°ΡΡΡΠ³ ΠΈ ΠΏΡΠΎΠ·Π°ΠΈΠΊ ΠΡΠ΄ΠΌΠΈΠ»Π° ΠΠ΅ΡΡΡΡΠ΅Π²ΡΠΊΠ°Ρ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠ±ΠΎΡΠ½ΠΈΠΊ ΡΠ²ΠΎΠΈΡ ΠΏΠΎΡΡΠΈΡΠ΅ΡΠΊΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ. Π ΠΊΠ½ΠΈΠ³Ρ Π²ΠΎΡΠ»ΠΈ "ΠΠ°ΡΠ°ΠΌΠ·ΠΈΠ½Π΄Π΅ΡΠ΅Π²Π΅Π½ΡΠΊΠΈΠΉ Π΄Π½Π΅Π²Π½ΠΈΠΊ" ΠΈ "ΠΠΎΡΠ΄Π½Π΅Π²Π½ΠΈΠΊ", ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠ΅ ΠΊΠ°ΠΊ "ΠΡΠΎΠ²Π΅Π½Π°Π½ΡΡ" β ΠΊΠΎΡΠΎΡΠΊΠΈΠ΅ ΠΏΠΎΡΠΌΡ-ΠΈΡΡΠΎΡΠΈΠΈ. Π’Π°ΠΊΠΆΠ΅ Π² ΡΠ±ΠΎΡΠ½ΠΈΠΊ Π²ΠΊΠ»ΡΡΠ΅Π½Ρ "ΠΠ°ΡΠ°Π΄ΠΎΡΠΊΠΈ", ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΡΡΠΈΠ΅ ΡΠΎΠ±ΠΎΠΉ ΡΡΡΠ»ΠΈΠ²ΡΠ΅ Π·Π°ΠΊΠΎΠ½Ρ, ΠΏΠΎ ΠΊΠΎΡΠΎΡΡΠΌ, ΠΊΠ°ΠΊ ΠΏΡΠ΅Π΄ΠΏΠΎΠ»Π°Π³Π°Π΅ΡΡΡ, ΡΡΡΠΎΠΈΡΡΡ ΠΆΠΈΠ·Π½Ρ. ΠΠ²ΡΠΎΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅Ρ ΠΊΠ°ΠΊ ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π½ΡΠ΅, ΡΠ°ΠΊ ΠΈ ΡΠ²ΠΎΠ±ΠΎΠ΄Π½ΡΠ΅ ΠΏΠΎΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠΎΡΠΌΡ, Π²ΠΊΠ»ΡΡΠ°Ρ Π²Π΅ΡΠ»ΠΈΠ±Ρ ΠΈ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠΉ Π²Π°ΡΠΈΠ°Π½Ρ ΡΠΊΠΎΠΌΠΎΡΠΎΡΠ½ΠΎΠ³ΠΎ ΡΡΠΈΡ Π°.
Lyudmila Petrushevskaya, 2008
Playwright and prose writer Lyudmila Petrushevskaya also writes poetry, maintaining a continuous diary of surrounding life. The collection "Paradoxes. Lines of Varying Length" includes "Karamzinderevensky Diary" and "Gordnevnik", referred to as "Provenances" β short poem-stories. It also features "Paradoxes", which are humorous laws that supposedly govern life. The author employs traditional and free poetic forms, including free verse and her own variation of a folk-style verse.