By ΠΠΎΠ»ΠΎΠ²ΡΠΊΠΎΠΉ Π.
ΠΠΎΠ»ΠΎΠ²ΡΠΊΠΎΠΉ Π., 2006
ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΡΠΊΠΎΠ΅ ΡΠ°ΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅, ΡΠ°ΡΠΊΡΡΠ²Π°ΡΡΠ΅Π΅ ΠΌΠ°Π»ΠΎΠΈΠ·Π²Π΅ΡΡΠ½ΡΠ΅ ΡΡΡΠ°Π½ΠΈΡΡ ΡΠΎΠ²Π΅ΡΡΠΊΠΎ-Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΈΡ ΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΠΉ. Π ΡΠ΅Π½ΡΡΠ΅ ΠΏΠΎΠ²Π΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΡ β ΡΠΈΠ³ΡΡΡ ΠΌΠΈΡΠΎΠ²ΠΎΠ³ΠΎ ΠΌΠ°ΡΡΡΠ°Π±Π°: Π°ΡΡΠΈΡΡ Π±Π°Π»Π΅ΡΠ° Π ΡΠ΄ΠΎΠ»ΡΡ ΠΡΡΠΈΠ΅Π², ΠΊΠΈΠ½ΠΎΡΠ΅ΠΆΠΈΡΡΠ΅Ρ ΠΠΈΡ Π°ΠΈΠ» ΠΠ°Π»Π°ΡΠΎΠ·ΠΎΠ², Π΄ΠΈΠΏΠ»ΠΎΠΌΠ°Ρ ΠΡΠΊΠ°Π΄ΠΈΠΉ Π¨Π΅Π²ΡΠ΅Π½ΠΊΠΎ, Π° ΡΠ°ΠΊΠΆΠ΅ Π·Π½Π°ΠΌΠ΅Π½ΠΈΡΡΠ΅ ΠΡΡΠΈΠ»ΠΈΠ½ ΠΠΎΠ½ΡΠΎ ΠΈ Π§Π°ΡΠ»ΠΈ Π§Π°ΠΏΠ»ΠΈΠ½. ΠΡΡΠ»Π΅Π΄ΡΡΡΡΡ ΡΠ»ΠΎΠΆΠ½ΡΠ΅ Π²ΠΎΠΏΡΠΎΡΡ, ΡΠ²ΡΠ·Π°Π½Π½ΡΠ΅ Ρ ΠΈΡ ΠΆΠΈΠ·Π½ΡΡ ΠΈ Π΄Π΅ΡΡΠ΅Π»ΡΠ½ΠΎΡΡΡΡ, ΡΠ°ΠΊΠΈΠ΅ ΠΊΠ°ΠΊ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½Π°Ρ ΡΠ²ΡΠ·Ρ ΠΡΡΠΈΠ΅Π²Π° Ρ ΠΠΠ ΠΈΠ»ΠΈ ΡΠ΅Π»ΠΈ ΠΏΡΠ΅Π±ΡΠ²Π°Π½ΠΈΡ ΠΠ°Π»Π°ΡΠΎΠ·ΠΎΠ²Π° Π² ΠΠΎΠ»Π»ΠΈΠ²ΡΠ΄Π΅. ΠΠ½ΠΈΠ³Π° ΠΎΡΠ½ΠΎΠ²Π°Π½Π° Π½Π° ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°Ρ Π€Π΅Π΄Π΅ΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Π±ΡΡΠΎ ΡΠ°ΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠΉ Π‘Π¨Π ΠΈ Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΈΡ Π°ΡΡ ΠΈΠ²ΠΎΠ².
V. Golovskoy, 2006
This book offers a journalistic investigation into lesser-known aspects of Soviet-American relations. It focuses on globally renowned figures: ballet dancer Rudolf Nureyev, film director Mikhail Kalatozov, diplomat Arkady Shevchenko, and the iconic Marilyn Monroe and Charlie Chaplin. The narrative delves into complex questions surrounding their lives and activities, such as Nureyev's potential KGB ties or Kalatozov's objectives during his time in Hollywood. The research draws upon materials from the U.S. Federal Bureau of Investigation and American archives.