By Π¨ΠΎΡ ΠΠ΅ΡΠ½Π°ΡΠ΄
ΠΠ΅ΡΠ½Π°ΡΠ΄ Π¨ΠΎΡ
Π ΡΠ±ΠΎΡΠ½ΠΈΠΊ Π²ΠΎΡΠ»ΠΈ ΡΡΠΈ Π·Π½Π°ΠΊΠΎΠ²ΡΠ΅ ΠΏΡΠ΅ΡΡ ΠΠ΅ΡΠ½Π°ΡΠ΄Π° Π¨ΠΎΡ. Π¦Π΅Π½ΡΡΠ°Π»ΡΠ½ΠΎΠ΅ ΠΌΠ΅ΡΡΠΎ Π·Π°Π½ΠΈΠΌΠ°Π΅Ρ Β«ΠΠΈΠ³ΠΌΠ°Π»ΠΈΠΎΠ½Β», Π²Π΄ΠΎΡ Π½ΠΎΠ²Π»Π΅Π½Π½Π°Ρ Π΄ΡΠ΅Π²Π½Π΅Π³ΡΠ΅ΡΠ΅ΡΠΊΠΈΠΌ ΠΌΠΈΡΠΎΠΌ ΠΎ ΡΠΎΠ·Π΄Π°Π½ΠΈΠΈ ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎΠΉ ΡΡΠ°ΡΡΠΈ. ΠΡΠ΅ΡΠ° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΡΠ°Π½ΡΡΠΎΡΠΌΠ°ΡΠΈΡ ΠΏΡΠΎΡΡΠΎΠΉ ΡΠ²Π΅ΡΠΎΡΠ½ΠΈΡΡ Π² ΡΡΠΎΠ½ΡΠ΅Π½Π½ΡΡ Π°ΡΠΈΡΡΠΎΠΊΡΠ°ΡΠΊΡ Π·Π° ΠΏΠΎΠ»Π³ΠΎΠ΄Π°, ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΡ ΡΠΎΠ±ΠΎΠΉ ΡΠ°ΡΠΈΡΡ Π½Π° ΠΊΠ»Π°ΡΡΠΎΠ²ΡΠ΅ ΠΏΡΠ΅Π΄ΡΠ°ΡΡΡΠ΄ΠΊΠΈ. Π¨ΠΎΡ ΡΠ°ΠΌ Π½Π°Π·ΡΠ²Π°Π» ΡΠ²ΠΎΠΈ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π²ΡΠ·ΠΎΠ²ΠΎΠΌ Π²ΠΈΠΊΡΠΎΡΠΈΠ°Π½ΡΠΊΠΎΠΌΡ ΠΎΠ±ΡΠ΅ΡΡΠ²Ρ. Π’Π°ΠΊΠΆΠ΅ Π² ΠΈΠ·Π΄Π°Π½ΠΈΠ΅ Π²ΠΊΠ»ΡΡΠ΅Π½Ρ Β«ΠΠ°Π½Π΄ΠΈΠ΄Π°Β», ΡΠ°ΡΠΊΡΡΠ²Π°ΡΡΠ°Ρ Π·Π°Π³Π°Π΄ΠΊΡ ΠΆΠ΅Π½ΡΠΊΠΎΠΉ Π»ΡΠ±Π²ΠΈ, ΠΈ Β«Π‘ΠΌΡΠ³Π»Π°Ρ Π»Π΅Π΄ΠΈ ΡΠΎΠ½Π΅ΡΠΎΠ²Β», ΠΏΡΠ΅Π΄Π»Π°Π³Π°ΡΡΠ°Ρ ΠΈΠ½ΡΡΠ΅Π½ΠΈΡΠΎΠ²ΠΊΡ ΡΠΊΡΡΡΡΡ ΡΡΠΆΠ΅ΡΠΎΠ² ΡΠ΅ΠΊΡΠΏΠΈΡΠΎΠ²ΡΠΊΠΈΡ ΡΠΎΠ½Π΅ΡΠΎΠ².
Bernard Shaw
This collection features three significant plays by Bernard Shaw. The most famous, 'Pygmalion' (1912), draws inspiration from the ancient Greek myth of a sculptor bringing a statue to life. Shaw's version follows a simple flower girl's transformation into a refined aristocrat over six months, serving as a critique of social hierarchies. Shaw himself described his plays as challenges to Victorian sensibilities. The volume also includes 'Candida' (1895), exploring the enigmatic nature of female affection, and 'The Dark Lady of the Sonnets' (1910), a dramatization of themes from Shakespeare's sonnets.