By Π¨ΠΎΡ ΠΠ΅ΡΠ½Π°ΡΠ΄
ΠΠ΅ΡΠ½Π°ΡΠ΄ Π¨ΠΎΡ
Π ΠΏΡΠ΅ΡΠ΅ ΠΠ΅ΡΠ½Π°ΡΠ΄Π° Π¨ΠΎΡ "ΠΠΈΠ³ΠΌΠ°Π»ΠΈΠΎΠ½" ΠΏΡΠΎΡΠ΅ΡΡΠΎΡ Π₯ΠΈΠ³Π³ΠΈΠ½Ρ ΠΏΡΠ΅ΠΎΠ±ΡΠ°ΠΆΠ°Π΅Ρ ΡΠ²Π΅ΡΠΎΡΠ½ΠΈΡΡ ΠΠ»ΠΈΠ·Ρ Π² Π»Π΅Π΄ΠΈ. ΠΠ΄Π½Π°ΠΊΠΎ Π²ΠΌΠ΅ΡΡΠΎ ΠΎΠΆΠΈΠ΄Π°Π΅ΠΌΠΎΠΉ Π±Π»Π°Π³ΠΎΠ΄Π°ΡΠ½ΠΎΡΡΠΈ ΠΎΠ½ ΡΡΠ°Π»ΠΊΠΈΠ²Π°Π΅ΡΡΡ Ρ Π΄Π΅Π²ΡΡΠΊΠΎΠΉ, ΠΎΠ±ΡΠ΅ΡΡΠ΅ΠΉ ΡΠ°ΠΌΠΎΡΠΎΠ·Π½Π°Π½ΠΈΠ΅ ΠΈ ΠΏΠΎΡΠ΅ΡΡΠ²ΡΠ΅ΠΉ ΡΠ²ΠΎΠ΅ ΠΌΠ΅ΡΡΠΎ Π² ΠΆΠΈΠ·Π½ΠΈ. Π ΠΏΡΠ΅ΡΠ΅ "ΠΡΠΎΡΠ΅ΡΡΠΈΡ ΠΌΠΈΡΡΠΈΡ Π£ΠΎΡΡΠ΅Π½" ΠΠΈΠ²ΠΈ Π²ΡΠ½ΡΠΆΠ΄Π΅Π½Π° ΠΏΡΠΈΠ·Π½Π°ΡΡ, ΡΡΠΎ Π΅Π΅ Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΠΎΡΡΡ ΠΎΠΏΠ»Π°ΡΠ΅Π½Π° Π½Π΅ΠΏΡΠΎΡΡΡΠΌ Π²ΡΠ±ΠΎΡΠΎΠΌ ΠΌΠ°ΡΠ΅ΡΠΈ, ΠΈ ΡΠ²ΠΈΠ΄Π΅ΡΡ Π² Ρ Π°Π½ΠΆΠ΅ΡΡΠ²Π΅ ΠΎΠΊΡΡΠΆΠ°ΡΡΠΈΡ ΠΎΡΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΡ ΠΏΡΠΎΡΠΈΠ²ΠΎΡΠ΅ΡΠΈΠΉ. ΠΡΠ΅ΡΡ Π¨ΠΎΡ ΡΠ»ΡΠΆΠ°Ρ Π·Π΅ΡΠΊΠ°Π»Π°ΠΌΠΈ, ΠΎΡΡΠ°ΠΆΠ°ΡΡΠΈΠΌΠΈ ΠΏΡΠ°Π²Π΄Ρ ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ΅, Π·Π°ΡΡΠ°Π²Π»ΡΡ ΡΠΌΠ΅ΡΡΡΡΡ Π½Π°Π΄ ΡΠΎΠ±ΠΎΠΉ.
Bernard Shaw
Bernard Shaw's play 'Pygmalion' depicts Professor Higgins transforming a flower girl, Eliza, into a lady. Instead of gratitude, he encounters a self-aware young woman who has lost her place in life. In 'Mrs. Warren's Profession,' Vivie must confront the source of her independence, funded by her mother's controversial choices, and see her own hypocrisy reflected in society. Shaw's comedies act as mirrors, revealing uncomfortable truths through wit and satire.