By ΠΠΎΡΠΌΠ°Π½ Π€ΠΈΠ»ΠΈΠΏ
ΠΠΈΠΎΠ³ΡΠ°ΡΠΈΡ ΠΠΎΠ»Π° ΠΠ°ΠΊΠΊΠ°ΡΡΠ½ΠΈ Π½Π°ΠΏΠΈΡΠ°Π½Π° ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΌ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΎΠΌ Π€ΠΈΠ»ΠΈΠΏΠΎΠΌ ΠΠΎΡΠΌΠ°Π½ΠΎΠΌ, Π°Π²ΡΠΎΡΠΎΠΌ ΠΊΠ½ΠΈΠ³ ΠΎ ΠΠΈΠΊΠ΅ ΠΠΆΠ°Π³Π³Π΅ΡΠ΅, ΠΠ°Π΄Π΄ΠΈ Π₯ΠΎΠ»Π»ΠΈ, ΠΠ»ΡΠΎΠ½Π΅ ΠΠΆΠΎΠ½Π΅, ΠΡΠΈΠΊΠ΅ ΠΠ»ΡΠΏΡΠΎΠ½Π΅ ΠΈ ΠΠΆΠΎΠ½Π΅ ΠΠ΅Π½Π½ΠΎΠ½Π΅. ΠΠ½ΠΈΠ³Π°, ΠΎΠ΄ΠΎΠ±ΡΠ΅Π½Π½Π°Ρ ΡΠ°ΠΌΠΈΠΌ ΡΡΡΠΎΠΌ ΠΠΎΠ»ΠΎΠΌ, ΠΏΠΎΠ΄Π°ΡΡ Π»Π΅Π³Π΅Π½Π΄Ρ ΠΏΠΎΠΏβΠΊΡΠ»ΡΡΡΡΡ ΡΠ΅ΡΡΡΠ·Π½ΠΎ, Π½ΠΎ Π±Π΅Π· ΠΈΠ·Π»ΠΈΡΠ½Π΅ΠΉ ΡΠ΅Π½ΡΠΈΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΠΎΡΡΠΈ, ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Ρ Π΅Π³ΠΎ ΠΊΠ°ΠΊ ΡΠ»ΠΎΠΆΠ½ΡΡ, ΠΌΠ½ΠΎΠ³ΠΎΠ³ΡΠ°Π½Π½ΡΡ Π»ΠΈΡΠ½ΠΎΡΡΡ Ρ ΡΠ°ΠΉΠ½Π°ΠΌΠΈ ΠΈ ΠΏΡΠΎΡΠΈΠ²ΠΎΡΠ΅ΡΠΈΡΠΌΠΈ. ΠΠΎΡΠΌΠ°Π½ ΠΏΡΠΎΡΠ»Π΅ΠΆΠΈΠ²Π°Π΅Ρ Π²ΡΠ΅ ΠΊΠ»ΡΡΠ΅Π²ΡΠ΅ ΡΡΠ°ΠΏΡ: Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²ΠΎ Ρ ΠΠΆΠΎΠ½ΠΎΠΌ ΠΠ΅Π½Π½ΠΎΠ½ΠΎΠΌ, Π²ΡΡΡΡΠΏΠ»Π΅Π½ΠΈΡ Π² Π±Π°ΡΠ°Ρ ΠΈ ΡΡΡΠΈΠΏβΠΊΠ»ΡΠ±Π°Ρ ΠΠ°ΠΌΠ±ΡΡΠ³Π°, ΡΠ΅Π½ΠΎΠΌΠ΅Π½Π°Π»ΡΠ½ΡΡ ΡΠ»Π°Π²Ρ Beatles, ΡΠ°Π·Π½ΠΎΠ³Π»Π°ΡΠΈΡ Π²Π½ΡΡΡΠΈ Π³ΡΡΠΏΠΏΡ, Π΅Ρ ΡΠ°ΡΠΏΠ°Π΄, ΠΏΡΠΎΠ±Π»Π΅ΠΌΡ Ρ Π½Π°ΡΠΊΠΎΡΠΈΠΊΠ°ΠΌΠΈ ΠΈ Π³ΡΠΎΠΌΠΊΠΈΠ΅ ΡΡΠ΄Π΅Π±Π½ΡΠ΅ ΡΠ°Π·Π±ΠΈΡΠ°ΡΠ΅Π»ΡΡΡΠ²Π°, Π²ΠΊΠ»ΡΡΠ°Ρ Π΄Π΅Π»ΠΎ Β«ΠΠ°ΠΊΠΊΠ°ΡΡΠ½ΠΈ ΠΏΡΠΎΡΠΈΠ² ΠΠ΅Π½Π½ΠΎΠ½Π°, Π₯Π°ΡΡΠΈΡΠΎΠ½Π°, Π‘ΡΠ°ΡΡΠΈ ΠΈ Apple CorpsΒ». Π ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΡ Π³Π»Π°Π²Π°Ρ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡΡΡ Π½ΠΎΠ²ΡΠ΅ Π³ΡΡΠΏΠΏΡ, Π°Π»ΡΠ±ΠΎΠΌΡ ΠΈ Ρ ΠΈΡΡ ΠΠ°ΠΊΠΊΠ°ΡΡΠ½ΠΈ, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΏΠΎΠΏΡΡΠΊΠ° ΠΏΠΎΠ½ΡΡΡ, ΠΏΠΎΡΠ΅ΠΌΡ ΠΈΠΌΠ΅Π½Π½ΠΎ Π² ΠΠΈΠ²Π΅ΡΠΏΡΠ»Π΅ ΠΏΠΎΡΠ²ΠΈΠ»ΡΡ ΠΠΎΠ» ΠΠ°ΠΊΠΊΠ°ΡΡΠ½ΠΈ ΠΈ ΠΏΠΎΡΠ΅ΠΌΡ ΠΏΠΎΠ΄ΠΎΠ±Π½ΠΎΠ³ΠΎ Π±ΠΎΠ»ΡΡΠ΅ Π½Π΅ ΡΠ»ΡΡΠΈΠ»ΠΎΡΡ.
This biography of Paul McCartney is written by celebrated journalist Philip Norman, whose previous works include biographies of Mick Jagger, Buddy Holly, Elton John, Eric Clapton and John Lennon. The book, approved by Sir Paul himself, treats the pop icon with seriousness while avoiding melodrama, presenting him as a complex, multifaceted figure with secrets and contradictions. Norman follows McCartney through every major stage: meeting John Lennon, early performances in Hamburgβs bars and strip clubs, the unprecedented fame of The Beatles, internal conflicts, the bandβs breakup, drug problems, and the famous legal battles such as the McCartney v. Lennon, Harrison, Starr and Apple Corps case. The later chapters examine his new groups, albums and hits, while balancing biographical detail, musical analysis, and an attempt to answer why Liverpool produced Paul McCartney and why such a phenomenon has not reβoccurred.