By ΠΡΠ»Π°ΡΡΠ½ΠΈ Π‘ΡΡ Π±Π°Ρ
Π‘ΡΡ Π±Π°Ρ ΠΡΠ»Π°ΡΡΠ½ΠΈ, 2020
ΠΠ²Π΅ ΠΆΠ΅Π½ΡΠΈΠ½Ρ, ΠΠ»ΡΡΠ° ΠΈ ΠΠ°ΡΠ°Π»ΠΈ, ΠΆΠΈΠ²ΡΡ ΠΏΠΎ ΡΠΎΡΠ΅Π΄ΡΡΠ²Ρ Π² ΡΠΈΠΏΠΎΠ²ΠΎΠΌ Π΄ΠΎΠΌΠ΅. ΠΡ ΠΆΠΈΠ·Π½Ρ ΡΠ²ΡΠ·Π°Π½Π° Ρ ΠΈΡΡΠΎΡΠΈΠ΅ΠΉ ΡΠ²ΡΡΠ΅Π½Π½ΠΈΠΊΠ° Π€ΠΎΠΌΡ ΠΠΎΠ»Π΅ΠΌΠ±ΠΎΠ²ΡΠΊΠΎΠ³ΠΎ, ΠΏΠΎΠ»ΡΠΊΠ°, ΠΏΡΠΈΠ½ΡΠ²ΡΠ΅Π³ΠΎ ΠΏΡΠ°Π²ΠΎΡΠ»Π°Π²ΠΈΠ΅, ΠΊΠΎΡΠΎΡΠΎΠ³ΠΎ ΠΏΠ»Π°Π½ΠΈΡΡΡΡ ΠΊΠ°Π½ΠΎΠ½ΠΈΠ·ΠΈΡΠΎΠ²Π°ΡΡ. ΠΠ»ΡΡΠ° ΠΈΠ·ΡΡΠ°Π΅Ρ ΡΡΠΊΠΎΠΏΠΈΡΠΈ ΠΎΡΡΠ° Π€ΠΎΠΌΡ, Π² ΡΠ°ΡΡΠ½ΠΎΡΡΠΈ Π΅Π³ΠΎ "ΠΠ΅ΡΡΠΊΠΎΠ΅ ΠΠ²Π°Π½Π³Π΅Π»ΠΈΠ΅", Π½Π°ΠΏΠΈΡΠ°Π½Π½ΠΎΠ΅ Π² Π½Π°ΡΠ°Π»Π΅ ΡΡΠΈΠ΄ΡΠ°ΡΡΡ Π³ΠΎΠ΄ΠΎΠ². ΠΡΠΈ ΡΠ΅ΠΊΡΡΡ ΡΠΎΡΡΠ°Π²Π»ΡΡΡ Π²ΡΠΎΡΠΎΠΉ ΠΏΠ»Π°ΡΡ ΠΏΠΎΠ²Π΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΡ ΡΠΎΠΌΠ°Π½Π°. ΠΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΡΠΈΡΠ°ΡΠ΅Π»Ρ ΡΠ°ΠΌΠΎΠΌΡ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ ΡΠΎΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΠ΅ Π²ΡΠΌΡΡΠ»Π° ΠΈ ΠΈΡΡΠΎΡΠΈΠΈ, ΠΎΠΏΠΈΡΠ°ΡΡΡ Π½Π° Ρ ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΠΏΡΠ°Π²Π΄Ρ.
Sukhbat Aflatuni, 2020
Two women, Plush and Natalie, live as neighbors in a typical apartment building. Their lives become intertwined with the story of Father Foma Golembo vsky, a Pole who converted to Orthodoxy and is slated for canonization. Plush works at a museum of repression and studies Father Foma's manuscripts, particularly his "Children's Gospel" written in the early thirties. These texts form a second layer to the novel's narrative. The book invites readers to decide for themselves the balance between fiction and history, guided by artistic truth.