By ΠΠΆΠ΅ΠΉ ΠΡΠΈΡΡΠΎΡΡ
ΠΠΆΠ΅ΠΉ ΠΡΠΈΡΡΠΎΡΡ, 2019, ΠΠΈΡΡ ΠΠΆΠ΅Ρ ΠΡΠΈΡΡΠΎΡΡΠ°
Π ΠΌΠΈΡΠ΅ ΠΏΠΎΡΠ»Π΅ ΠΊΠ°ΡΠ°ΡΡΡΠΎΡΡ, ΡΡΠ΅Π΄ΠΈ Π±Π΅ΡΠΊΡΠ°ΠΉΠ½ΠΈΡ ΠΏΡΡΡΡΠ½Ρ ΠΏΠΎΠ΄ ΡΠ°Π΄ΠΈΠΎΠ°ΠΊΡΠΈΠ²Π½ΡΠΌ Π½Π΅Π±ΠΎΠΌ, ΠΆΠΈΠ·Π½Ρ ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ°Π΅ΡΡΡ. ΠΠ° ΡΠ²Π°Π»ΠΊΠ°Ρ ΡΠΊΡΡΠ²Π°ΡΡΡΡ ΠΎΠΏΠ°ΡΠ½ΡΠ΅ ΡΠ°ΠΉΠ½Ρ, Π½ΠΎ Π³Π»Π°Π²Π½Π°Ρ Π³Π΅ΡΠΎΠΈΠ½Ρ ΠΠ² Π·Π°Π½ΡΡΠ° ΡΠ²ΠΎΠΈΠΌΠΈ ΠΏΡΠΎΠ±Π»Π΅ΠΌΠ°ΠΌΠΈ. ΠΠ΅ ΡΠΎΠ±ΠΎΡ-Π³Π»Π°Π΄ΠΈΠ°ΡΠΎΡ ΡΠ½ΠΈΡΡΠΎΠΆΠ΅Π½, ΡΠ±Π΅ΡΠ΅ΠΆΠ΅Π½ΠΈΡ ΠΏΠΎΡΠ΅ΡΡΠ½Ρ, Π° Π²ΡΠ°Π³ΠΈ ΡΠΆΠ΅ Π³ΠΎΡΠΎΠ²ΡΡ Π΅ΠΉ Π³ΡΠΎΠ±. Π ΡΠ°ΠΌΡΠΉ Ρ ΡΠ΄ΡΠΈΠΉ Π΄Π΅Π½Ρ Π΅Π΅ ΠΆΠΈΠ·Π½ΠΈ ΠΏΠΎΡΠ²Π»ΡΠ΅ΡΡΡ Π½Π΅ΠΎΠΆΠΈΠ΄Π°Π½Π½ΡΠΉ Π΄ΡΡΠ³, ΠΊΠΎΡΠΎΡΡΠΉ ΠΌΠ΅Π½ΡΠ΅Ρ Π²ΡΠ΅. ΠΠΌΠ΅ΡΡΠ΅ Ρ ΡΠΎΠ±ΠΎΡΠΎΠΌ, ΡΠΎΠ±Π°ΠΊΠΎΠΉ-ΠΊΠΈΠ±ΠΎΡΠ³ΠΎΠΌ ΠΈ ΠΏΠΎΠ΄ΡΡΠ³ΠΎΠΉ ΠΎΠ½ΠΈ ΠΎΡΠΏΡΠ°Π²Π»ΡΡΡΡΡ Π² ΠΏΡΡΠ΅ΡΠ΅ΡΡΠ²ΠΈΠ΅ ΠΏΠΎ ΠΏΡΡΡΡΠ½Π΅, ΡΡΠΎΠ±Ρ ΡΠ°ΡΠΊΡΡΡΡ ΡΠ°ΠΉΠ½Ρ, Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΡΠ΅ Π΄Π»Ρ Π²ΡΠΆΠΈΠ²Π°Π½ΠΈΡ.
Jay Kristoff, 2019, Jay Kristoff's Worlds
In a post-apocalyptic world, life persists in vast deserts under radioactive skies, with deadly secrets hidden in junkyards. Eve, however, has her own pressing concerns. Her robot gladiator is destroyed, her savings are gone, and she learns she has enemies who have ordered a coffin for her. On what seems like the worst day of her life, an unexpected friend appears, changing everything. Accompanied by a robot, a cyborg dog, and her best friend, they traverse the desert, pursuing vital secrets for survival.