By Π£ΡΠΏΠ΅Π½ΡΠΊΠΈΠΉ Π.Π.
Π£ΡΠΏΠ΅Π½ΡΠΊΠΈΠΉ Π.Π., 2020
Π’Π²ΠΎΡΡΠ΅ΡΡΠ²ΠΎ Π ΠΎΠ±Π΅ΡΡΠ° Π€Π°Π»ΡΠΊΠ° (1886-1958) ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ°Π΅Ρ Π²ΡΠ·ΡΠ²Π°ΡΡ ΠΈΠ½ΡΠ΅ΡΠ΅Ρ ΠΈΡΠΊΡΡΡΡΠ²ΠΎΠ²Π΅Π΄ΠΎΠ², Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² ΠΈ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΎΠ½Π΅ΡΠΎΠ². ΠΠ³ΠΎ ΡΡΠΈΠ»Ρ, ΠΊΠΎΡΠΎΡΡΠΉ ΡΠ°ΠΌ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π½Π°Π·ΡΠ²Π°Π» Β«ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠ½ΡΠΌ ΡΠ΅Π°Π»ΠΈΠ·ΠΌΠΎΠΌΒ», ΠΎΡΠ»ΠΈΡΠ°Π»ΡΡ ΠΎΡΠΎΠ±ΡΠΌ ΡΠ·ΡΠΊΠΎΠΌ Π²ΠΎΡΠΏΡΠΈΡΡΠΈΡ ΠΈ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΠΈ ΡΠΈΠΌΡΠΎΠ½ΠΈΠ·ΠΌΠ° ΠΌΠΈΡΠ° ΡΠ΅ΡΠ΅Π· ΠΆΠΈΠ²ΠΎΠΏΠΈΡΡ. Π ΡΡΠΎΠΉ ΠΊΠ½ΠΈΠ³Π΅ ΠΈΡΠΊΡΡΡΡΠ²ΠΎΠ²Π΅Π΄ ΠΠ½ΡΠΎΠ½ Π£ΡΠΏΠ΅Π½ΡΠΊΠΈΠΉ Π°Π½Π°Π»ΠΈΠ·ΠΈΡΡΠ΅Ρ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠ½ΡΡ ΡΠΈΡΡΠ΅ΠΌΡ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ°, Π΅Π³ΠΎ ΠΈΠ½Π΄ΠΈΠ²ΠΈΠ΄ΡΠ°Π»ΡΠ½ΠΎΠ΅ ΡΡΠ²ΡΡΠ²ΠΎ ΡΠ²Π΅ΡΠ°, ΠΎΡΠΎΠ±ΠΎΠ΅ Π²ΠΈΠ΄Π΅Π½ΠΈΠ΅ ΠΈ Π²ΠΎΡΠΏΡΠΈΠΈΠΌΡΠΈΠ²ΠΎΡΡΡ ΠΊ ΡΠΈΡΠΌΡ. Π€Π°Π»ΡΠΊ ΠΏΠΎΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»ΡΠ½ΠΎ ΡΡΡΠ΅ΠΌΠΈΠ»ΡΡ ΠΊ Β«ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠ½ΠΎΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈΒ», ΠΎΡΡΡΠ°ΠΈΠ²Π°Ρ ΠΏΡΠ°Π²ΠΎ Π½Π° ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΠΎΠ΅ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΎΠ΅ Π²ΡΡΠ°ΠΆΠ΅Π½ΠΈΠ΅.
Anton Uspensky, 2020
The work of Robert Falk (1886-1958) continues to attract significant interest from art historians, artists, and collectors. Falk developed a unique artistic language, which he termed "painterly realism," enabling him to perceive and convey the world's symphonic qualities through his art. Art historian Anton Uspensky's book delves into the artist's painterly system, exploring his distinctive sense of color, unique vision, and innate sensitivity to rhythm. Throughout his career, Falk persistently pursued "painterly painting," asserting his right to an individual artistic voice.