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By ΠΠ°ΠΏΠ°ΡΡΠΈΠΎΠ½Π΅ ΠΡΡΠΈΡ
ΠΡΡΠΈΡ ΠΠ°ΠΏΠ°ΡΡΠΈΠΎΠ½Π΅, 2019
ΠΠ½ΠΈΠ³Π° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΎΠ΅ ΠΏΡΠ΅Π΄ΠΏΠΎΡΡΠ΅Π½ΠΈΠ΅ ΠΎΠ΄Π½ΠΎΠΉ ΡΡΠΊΠΈ ΠΈ ΡΡΡΠ΄Π½ΠΎΡΡΠΈ, Ρ ΠΊΠΎΡΠΎΡΡΠΌΠΈ ΡΡΠ°Π»ΠΊΠΈΠ²Π°ΡΡΡΡ Π»ΡΠ΄ΠΈ ΠΏΡΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠΈ Π½Π΅Π΄ΠΎΠΌΠΈΠ½ΠΈΡΡΡΡΠ΅ΠΉ ΠΊΠΎΠ½Π΅ΡΠ½ΠΎΡΡΠΈ. ΠΠ²ΡΠΎΡ Π΄Π΅Π»ΠΈΡΡΡ Π»ΠΈΡΠ½ΡΠΌ ΠΎΠΏΡΡΠΎΠΌ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ Π»Π΅Π²ΠΎΠΉ ΡΡΠΊΠΈ Π΄Π»Ρ ΡΠΈΡΠΎΠ²Π°Π½ΠΈΡ ΠΈ ΠΏΠΈΡΡΠΌΠ°, ΠΎΡΠΊΡΡΠ²Π°Ρ Π½ΠΎΠ²ΡΠ΅ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠΈ ΡΠΏΡΠ°ΠΆΠ½Π΅Π½ΠΈΠΉ ΠΈ ΡΠ΅ΡΠ°ΠΏΠΈΠΈ. ΠΡΠ½ΠΎΠ²ΡΠ²Π°ΡΡΡ Π½Π° Π½Π°ΡΡΠ½ΡΡ Π΄Π°Π½Π½ΡΡ ΠΈ Π½Π΅ΠΉΡΠΎΠΏΡΠΈΡ ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΡ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡΡ , ΡΠ°Π±ΠΎΡΠ° ΡΠ°ΡΠΊΡΡΠ²Π°Π΅Ρ ΡΠΏΡΡΠ΅Π½Π½ΡΠ΅ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΠΈ, ΡΠ²ΡΠ·Π°Π½Π½ΡΠ΅ Ρ Π½Π΅Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎΠΉ Π°ΠΊΡΠΈΠ²Π°ΡΠΈΠ΅ΠΉ Π²ΡΠΎΡΠΎΠ³ΠΎ ΠΏΠΎΠ»ΡΡΠ°ΡΠΈΡ. ΠΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Ρ ΠΊΠ°ΠΊ ΡΠ΅ΠΎΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ²Π΅Π΄Π΅Π½ΠΈΡ, ΡΠ°ΠΊ ΠΈ ΠΏΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ΅Ρ Π½ΠΈΠΊΠΈ, ΠΏΡΠΈΠΌΠ΅Π½ΡΠ΅ΠΌΡΠ΅ Π°Π²ΡΠΎΡΠΎΠΌ Π² ΠΏΡΠΈΡ ΠΎΠ»ΠΎΠ³ΠΈΠΈ ΠΈ Π°ΡΡ-ΡΠ΅ΡΠ°ΠΏΠΈΠΈ.
Lucia Capacchione, 2019
This book delves into society's historical preference for one hand over the other and the challenges individuals face when using their non-dominant limb. The author shares a personal journey of using her left hand for drawing and writing, discovering a source of exercises and therapy. Drawing on historical data, scientific theories, and neuropsychological research, the work highlights the untapped potential missed by neglecting the second hemisphere. It combines theoretical information with practical techniques that the author has utilized for decades in her practice as a psychologist and art therapist.