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By Π ΠΎΠ·ΠΎΠ²Π° Π―Π½Π°
Π ΠΎΠ·ΠΎΠ²Π° Π―Π½Π°, 2019
Π Π³ΠΎΡΠΎΠ΄Π΅ ΠΏΡΠΎΠΈΡΡ ΠΎΠ΄ΡΡ Π·Π°Π³Π°Π΄ΠΎΡΠ½ΡΠ΅ ΠΏΠΎΠ΄ΠΆΠΎΠ³ΠΈ ΡΠ΅ΡΠΊΠ²Π΅ΠΉ, ΡΠΎΠΏΡΠΎΠ²ΠΎΠΆΠ΄Π°ΡΡΠΈΠ΅ΡΡ ΡΠΈΡΡΠ°Π»ΡΠ½ΡΠΌΠΈ ΡΠ±ΠΈΠΉΡΡΠ²Π°ΠΌΠΈ. ΠΠΎΠ»ΠΈΡΠΈΡ ΠΏΠΎΠ΄ΠΎΠ·ΡΠ΅Π²Π°Π΅Ρ ΡΠ°ΡΠ°Π½ΠΈΠ½ΡΠΊΡΡ ΡΠ΅ΠΊΡΡ, Π½ΠΎ Π²Π»Π°ΡΡΠΈ ΠΏΡΠ΅Π΄ΠΏΠΎΡΠΈΡΠ°ΡΡ Π½Π΅ Π°ΡΠΈΡΠΈΡΠΎΠ²Π°ΡΡ ΡΠΎΠ±ΡΡΠΈΡ ΠΏΠ΅ΡΠ΅Π΄ Π²ΡΠ±ΠΎΡΠ°ΠΌΠΈ. ΠΠ±Π΅ΡΠΏΠΎΠΊΠΎΠ΅Π½Π½ΡΠΉ Π½Π°ΡΡΠΎΡΡΠ΅Π»Ρ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΠΈΠ· ΡΠ³ΠΎΡΠ΅Π²ΡΠΈΡ Ρ ΡΠ°ΠΌΠΎΠ² ΠΎΠ±ΡΠ°ΡΠ°Π΅ΡΡΡ ΠΊ ΡΠ²ΠΎΠ΅ΠΌΡ Π΄ΡΡΠ³Ρ, Π±ΡΠ²ΡΠ΅ΠΌΡ ΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»Ρ ΠΠ°Π²Π»Ρ Π‘Π΅Π΄ΠΎΠ²Ρ, Ρ ΠΏΡΠΎΡΡΠ±ΠΎΠΉ ΠΏΡΠΎΠ²Π΅ΡΡΠΈ ΡΠ°ΡΡΠ½ΠΎΠ΅ ΡΠ°ΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅. ΠΠ°Π²Π΅Π» ΠΎΠ±Π½Π°ΡΡΠΆΠΈΠ²Π°Π΅Ρ ΡΡΠ΅Π²ΠΎΠΆΠ½ΡΡ ΡΠ²ΡΠ·Ρ ΠΌΠ΅ΠΆΠ΄Ρ ΠΏΠΎΠ΄ΠΆΠΎΠ³Π°ΠΌΠΈ, ΠΏΡΡΡΡ ΠΌΠΎΠ»ΠΎΠ΄ΡΠΌΠΈ ΠΆΠ΅Π½ΡΠΈΠ½Π°ΠΌΠΈ ΠΈ Π΄Π°Π²Π½Π΅ΠΉ ΠΏΠΎΡΡΠ°Π½ΠΎΠ²ΠΊΠΎΠΉ ΠΏΠΎ ΠΌΠΎΡΠΈΠ²Π°ΠΌ ΡΡΠ΅Π΄Π½Π΅Π²Π΅ΠΊΠΎΠ²ΠΎΠΉ ΠΊΠ½ΠΈΠ³ΠΈ.
Yana Rozova, 2019
Churches in and around the city are being set ablaze, one after another, with victims found at the scenes bearing signs of torture. Authorities suspect a satanic cult and ritualistic killings, but opt to downplay the events due to upcoming elections. Fearing the police might not resolve the case, the priest of a burned church asks his friend, former investigator Pavel Sedov, to conduct a private inquiry. Sedov reluctantly agrees and soon uncovers a strange connection between the arsons, five young women, and a play staged years ago based on a medieval book.