By ΠΠ΄ΡΠΎΠΊ ΠΠΆΠΎΠ΄ΠΈ ΠΠΈΠ½Π½
ΠΠ΄ΡΠΎΠΊ ΠΠΆΠΎΠ΄ΠΈ ΠΠΈΠ½Π½, 2019, #YoungDetective
ΠΠ°ΡΠΈΠΆ, 1887 Π³ΠΎΠ΄. ΠΠΎΡΠΎΠ΄ ΠΎΡ Π²Π°ΡΠ΅Π½ ΡΡΡΠ°Ρ ΠΎΠΌ ΠΏΠ΅ΡΠ΅Π΄ ΡΠ΅ΡΠΈΠΉΠ½ΡΠΌ ΡΠ±ΠΈΠΉΡΠ΅ΠΉ, ΠΈΠΌΠ΅Π½ΡΡΡΠΈΠΌ ΡΠ΅Π±Ρ Π’Π΅ΠΌΠ½ΡΠΌ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠΌ. ΠΠ΅ΡΡΠ²Ρ Π²ΡΡΡΠ°Π²Π»ΡΡΡΡΡ Π² ΠΏΡΠ±Π»ΠΈΡΠ½ΠΎΠΌ ΠΌΠΎΡΠ³Π΅, ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°Ρ ΡΠΎΠ»ΠΏΡ Π·Π΅Π²Π°ΠΊ. Π‘ΡΠ΅Π΄ΠΈ Π½ΠΈΡ β ΡΠ΅ΡΡΠ½Π°Π΄ΡΠ°ΡΠΈΠ»Π΅ΡΠ½ΡΡ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΊΠ° ΠΠ°ΡΠ°Π»ΠΈ ΠΡΠ΄ΠΈΠ½, ΠΊΠΎΡΠΎΡΠ°Ρ Π²Π΅Π΄Π΅Ρ ΡΠ΅ΠΏΠΎΡΡΠ°ΠΆΠΈ ΠΈΠ· ΠΌΠΎΡΠ³Π° Π΄Π»Ρ ΠΌΠ΅ΡΡΠ½ΠΎΠΉ Π³Π°Π·Π΅ΡΡ. ΠΠ°ΡΠ°Π»ΠΈ ΠΎΠ±Π»Π°Π΄Π°Π΅Ρ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΠΌ Π΄Π°ΡΠΎΠΌ: ΠΎΠ½Π° Π²ΠΈΠ΄ΠΈΡ Π² ΡΠ΅Π»Π°Ρ ΠΆΠ΅ΡΡΠ² ΡΠΎ, ΡΡΠΎ ΡΠΊΡΡΡΠΎ ΠΎΡ ΠΎΠ±ΡΡΠ½ΡΡ Π³Π»Π°Π·. ΠΡΠΎΡ Π΄Π°Ρ ΠΌΠΎΠΆΠ΅Ρ ΠΏΠΎΠΌΠΎΡΡ Π΅ΠΉ ΡΠ°Π·ΠΎΠ±Π»Π°ΡΠΈΡΡ ΡΠ±ΠΈΠΉΡΡ, Π½ΠΎ ΡΠΎΠ»ΡΠΊΠΎ Π΅ΡΠ»ΠΈ ΠΎΠ½Π° ΡΡΠΏΠ΅Π΅Ρ ΡΠ΄Π΅Π»Π°ΡΡ ΡΡΠΎ ΡΠ°Π½ΡΡΠ΅, ΡΠ΅ΠΌ ΠΎΠ½ ΡΠ°ΡΠΊΡΠΎΠ΅Ρ Π΅Π΅ ΡΠ°ΠΉΠ½Ρ.
Jodi Lynn Zdroik, 2019, #YoungDetective
Paris, 1887. The city is gripped by fear of a serial killer calling himself the Dark Artist. The victims' bodies are displayed in the public morgue, drawing crowds of onlookers. Among them is sixteen-year-old journalist Natalie Budin, who writes daily reports from the morgue for a local newspaper. Natalie possesses a unique gift: she sees more in the victims' bodies than ordinary people. This ability could help her expose the killer, but only if she can do so before he uncovers her secret.