By ΠΠ»Π°Ρ ΠΎΠ² ΠΠ½Π΄ΡΠ΅ΠΉ Π‘ΡΠ΅ΠΏΠ°Π½ΠΎΠ²ΠΈΡ
ΠΠ½Π΄ΡΠ΅ΠΉ ΠΠ»Π°Ρ ΠΎΠ², 2025, Π‘Π΅ΡΠΈΡ: Π‘ΡΠΎΠΏ-ΠΊΠ°Π΄Ρ
ΠΠ½ΠΈΠ³Π° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ, ΠΊΠ°ΠΊ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²ΠΎ ΠΠ½Π΄ΡΠ΅Ρ Π’Π°ΡΠΊΠΎΠ²ΡΠΊΠΎΠ³ΠΎ, Π²ΡΠ΄Π°ΡΡΠ΅Π³ΠΎΡΡ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ°, ΡΠΏΠΎΡΠΎΠ±Π½ΠΎ Π³Π»ΡΠ±ΠΎΠΊΠΎ Π²Π»ΠΈΡΡΡ Π½Π° ΠΆΠΈΠ·Π½Ρ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ°, ΠΌΠ΅Π½ΡΡ Π΅Π΅. ΠΠ²ΡΠΎΡ ΠΎΠΏΠΈΡΡΠ²Π°Π΅Ρ ΠΈΠ½ΡΠΈΠΌΠ½ΡΡ ΡΠ²ΡΠ·Ρ, ΠΊΠΎΡΠΎΡΡΡ ΠΏΠΎΠΊΠΎΠ»Π΅Π½ΠΈΡ ΠΎΡΡΡΠ°ΡΡ Ρ Π’Π°ΡΠΊΠΎΠ²ΡΠΊΠΈΠΌ ΠΊΠ°ΠΊ Π² Π ΠΎΡΡΠΈΠΈ, ΡΠ°ΠΊ ΠΈ Π·Π° ΡΡΠ±Π΅ΠΆΠΎΠΌ. ΠΡΠΎ Π²Π·Π³Π»ΡΠ΄ Π½Π° ΠΌΠΈΡΠΎΠ²ΡΡ ΠΊΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°ΡΠΈΡ ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΡ ΠΏΡΡΠΈΠ΄Π΅ΡΡΡΠΈ Π»Π΅Ρ ΡΠ΅ΡΠ΅Π· ΠΏΡΠΈΠ·ΠΌΡ ΡΠ°Π±ΠΎΡ Π’Π°ΡΠΊΠΎΠ²ΡΠΊΠΎΠ³ΠΎ, ΠΠ°ΡΠ°Π΄ΠΆΠ°Π½ΠΎΠ²Π°, Π₯ΡΡΠΈΠ΅Π²Π°, Π’ΡΠΈΠ΅ΡΠ°, Π€Π΅Π»Π»ΠΈΠ½ΠΈ ΠΈ Π΄ΡΡΠ³ΠΈΡ ΠΌΠ°ΡΡΠ΅ΡΠΎΠ². ΠΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ ΠΌΠ΅ΠΌΡΠ°ΡΡ Π»ΠΈΡΠ½ΠΎΠΉ ΠΈ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠ²Π½ΠΎΠΉ ΠΏΠ°ΠΌΡΡΠΈ, ΠΏΡΠ΅Π΄Π»Π°Π³Π°Ρ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠ΅ ΠΎΡΠΌΡΡΠ»Π΅Π½ΠΈΠ΅ ΡΠΏΠΎΡ ΠΈ.
Andrei Plakhov, 2025, Series: Stop-kadr
This book explores how the work of Andrei Tarkovsky, a prominent artist, can profoundly influence and radically change a person's life. The author describes the intimate connection felt with Tarkovsky by people of his generation and subsequent ones, both in Russia and internationally. It offers a perspective on world cinema of the last fifty years through the lens of Tarkovsky's creations, alongside those of Parajanov, Khutsiev, Trier, Fellini, and other masters. The work serves as a memoir of personal and collective memory, providing a unique reflection on an era.