By ΠΠ΅ΠΉΠΊΠΈΠ½ ΠΠΈΠΊΠΎΠ»Π°ΠΉ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠΎΠ²ΠΈΡ
ΠΠΈΠΊΠΎΠ»Π°ΠΉ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠΎΠ²ΠΈΡ ΠΠ΅ΠΉΠΊΠΈΠ½, 2024
ΠΠΈΠΊΠΎΠ»Π°ΠΉ ΠΠ΅ΠΉΠΊΠΈΠ½ Π² ΡΠ±ΠΎΡΠ½ΠΈΠΊΠ΅ Β«Π’ΡΠ΅ΡΠ»Π°Π²ΠΈΠ΅ ΠΈ ΠΆΠ°Π΄Π½ΠΎΡΡΡΒ» ΡΡΠΊΠΎ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ°Π΅Ρ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΈΠ΅ ΠΏΠΎΡΠΎΠΊΠΈ. Π ΠΏΠ΅ΡΠ²ΠΎΠΉ ΠΏΠΎΠ²Π΅ΡΡΠΈ ΠΊΡΠΏΠ΅Ρ ΡΡΡΠ΅ΠΌΠΈΡΡΡ ΠΏΡΠΎΠΈΠ·Π²Π΅ΡΡΠΈ Π²ΠΏΠ΅ΡΠ°ΡΠ»Π΅Π½ΠΈΠ΅ Π½Π° Π²ΡΡΡΠ΅Π΅ ΠΎΠ±ΡΠ΅ΡΡΠ²ΠΎ, ΡΡΠΈΡΠ°Ρ ΡΠ΅Π±Ρ Π²ΡΡΠ΅ Π΄ΡΡΠ³ΠΈΡ . ΠΠΎ Π²ΡΠΎΡΠΎΠΉ β ΠΎΡΡΡΠ°Π²Π½ΠΎΠΉ ΡΠΈΠ½ΠΎΠ²Π½ΠΈΠΊ, ΠΏΠΎΠ΄ΠΎΠ±Π½ΡΠΉ ΡΠΊΡΠΏΠΎΠΌΡ ΡΡΡΠ°ΡΡ, ΡΠΊΠΎΠ½ΠΎΠΌΠΈΡ Π½Π° Π²ΡΠ΅ΠΌ ΡΠ°Π΄ΠΈ Π½Π°ΠΊΠΎΠΏΠ»Π΅Π½ΠΈΡ ΡΡΠ΅Π΄ΡΡΠ². ΠΠ²ΡΠΎΡ ΡΠΎΠ·Π΄Π°Π΅Ρ ΠΌΠ½ΠΎΠ³ΠΎΠ³ΡΠ°Π½Π½ΡΡ ΠΈ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ½ΡΡ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ΅ΠΉ, Π½Π΅ΡΠΌΠΎΡΡΡ Π½Π° Π½Π°ΠΌΠ΅ΡΠ΅Π½Π½ΠΎΠ΅ ΡΠ³ΡΡΠ΅Π½ΠΈΠ΅ ΠΊΡΠ°ΡΠΎΠΊ Π΄Π»Ρ ΠΊΠΎΠΌΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΡΡΡΠ΅ΠΊΡΠ°. ΠΡΠΈ ΡΠ΅ΠΊΡΡΡ, Π½Π°ΠΏΠΈΡΠ°Π½Π½ΡΠ΅ Π±ΠΎΠ»Π΅Π΅ ΡΡΠ° Π»Π΅Ρ Π½Π°Π·Π°Π΄, ΠΎΡΡΠ°ΡΡΡΡ Π°ΠΊΡΡΠ°Π»ΡΠ½ΡΠΌΠΈ, ΠΏΠΎΡΠΊΠΎΠ»ΡΠΊΡ ΡΡΠ΅ΡΠ»Π°Π²ΠΈΠ΅ ΠΈ ΠΆΠ°Π΄Π½ΠΎΡΡΡ Π½Π΅ ΠΌΠ΅Π½ΡΡΡΡΡ, ΠΌΠ΅Π½ΡΡΡΡΡ Π»ΠΈΡΡ Π΄Π΅ΡΠ°Π»ΠΈ Π±ΡΡΠ°, ΡΠΎΠ½ΠΊΠΎ ΠΏΠΎΠ΄ΠΌΠ΅ΡΠ΅Π½Π½ΡΠ΅ Π°Π²ΡΠΎΡΠΎΠΌ.
Nikolai Alexandrovich Leykin, 2024
In "Vanity and Greed," Nikolai Leykin vividly portrays human vices. The first novella features a merchant striving to impress high society, believing himself superior to others. The second follows a retired official, akin to a miserly knight, who economizes on necessities to make investments. Leykin crafts multifaceted and human characters, even as he intentionally exaggerates for comedic effect. Though written over a century ago, these stories remain relevant as vanity and greed are timeless human traits, with only the details of daily life, subtly observed by the author, undergoing change.