By Π₯ΡΡΠΊΠΌΠ°Π½ ΠΠ»Π΅ΠΊΡΠΈΡ ΠΠ°Π½
ΠΠ»Π΅ΠΊΡΠΈΡ ΠΠ°Π½ Π₯ΡΡΠΊΠΌΠ°Π½, 2021
Π‘ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠ΅ ΠΊΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°ΡΠΈΡΡΡ ΡΠ°ΡΡΠΎ ΡΡΡΠ΅ΠΌΡΡΡΡ Π²ΠΎΡΡΠΎΠ·Π΄Π°ΡΡ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ ΡΡΠ°ΡΡΡ ΠΌΠ΅ΡΠΎΠ΄ΠΎΠ² ΡΡΠ΅ΠΌΠΊΠΈ ΠΈΠ»ΠΈ ΠΈΡΡΡ Π½ΠΎΠ²ΡΠ΅ ΠΏΠΎΠ΄Ρ ΠΎΠ΄Ρ Π΄Π»Ρ ΠΏΡΠΈΠ΄Π°Π½ΠΈΡ ΡΠΈΠ»ΡΠΌΡ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Π²ΠΈΠ΄Π°. ΠΠ»Π΅ΠΊΡΠΈΡ ΠΠ°Π½ Π₯ΡΡΠΊΠΌΠ°Π½ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠ°Π·Π»ΠΈΡΠ½ΡΠ΅ ΠΌΠ΅ΡΠΎΠ΄Ρ ΡΡΠΈΠ»ΠΈΠ·Π°ΡΠΈΠΈ, ΠΏΡΠΈΠ΄Π°ΡΡΠΈΠ΅ ΡΠΈΠ»ΡΠΌΠ°ΠΌ ΠΎΡΠΎΠ±ΡΡ ΠΈΠ½ΡΠΎΠ½Π°ΡΠΈΡ ΠΈ Π½Π°ΡΡΡΠΎΠ΅Π½ΠΈΠ΅. ΠΠ½ΠΈΠ³Π° ΠΎΡΠ²Π΅ΡΠ°Π΅Ρ ΡΠ°Π±ΠΎΡΡ Ρ ΠΌΠΎΠ½ΠΎΡ ΡΠΎΠΌΠ½ΡΠΌ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ΠΌ, ΡΠ΅Π³ΡΠ»ΠΈΡΠΎΠ²ΠΊΡ ΡΠ΅Π·ΠΊΠΎΡΡΠΈ ΠΈ Π½Π°ΡΡΡΠ΅Π½Π½ΠΎΡΡΠΈ, ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΈΡΠΊΡΡΡΡΠ²Π΅Π½Π½ΡΡ ΠΎΡΡΠ΅Π½ΠΊΠΎΠ², ΡΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΡΡΡΠ΅ΠΊΡΠΎΠ² Π·Π΅ΡΠ½ΠΈΡΡΠΎΡΡΠΈ ΠΏΠ»Π΅Π½ΠΊΠΈ ΠΈ Β«ΡΠΎΡΡΠ°ΡΠ΅Π½Π½ΠΎΠ³ΠΎΒ» ΡΠΈΠ»ΡΠΌΠ°.
Alexis Van Hurkman, 2021
Modern filmmakers often aim to replicate the characteristics of older film and photography methods or seek entirely new approaches to give their films a distinctive look. Alexis Van Hurkman explores various stylization techniques that impart a specific tone and mood to films. The book covers working with monochrome images and halftones, adjusting sharpness and saturation, applying artificial tints, and creating effects like film grain and aged film looks.