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By ΠΠΎΠ±ΡΠΎΠ²ΠΈΠ½ΡΠΊΠΈΠΉ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΠ½Π΄ΡΠ΅Π΅Π²ΠΈΡ
ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΠΎΠ±ΡΠΎΠ²ΠΈΠ½ΡΠΊΠΈΠΉ, 2025
ΠΠΎ Π²ΡΠΎΡΠΎΠΌ ΡΠΎΠΌΠ΅ ΡΠ±ΠΎΡΠ½ΠΈΠΊΠ° Π΄Π΅ΡΠ΅ΠΊΡΠΈΠ²Π½ΡΡ ΠΈΡΡΠΎΡΠΈΠΉ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½ Π·Π°Ρ Π²Π°ΡΡΠ²Π°ΡΡΠΈΠΉ ΡΡΠΆΠ΅Ρ. ΠΠ»Π°Π²Π½ΡΠΉ Π³Π΅ΡΠΎΠΉ, ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ Π°Π΄Π²ΠΎΠΊΠ°Ρ, ΠΏΠΎΠ»ΡΡΠ°Π΅Ρ Π² ΡΠ²ΠΎΠ΅ ΡΠ°ΡΠΏΠΎΡΡΠΆΠ΅Π½ΠΈΠ΅ ΡΠ΅Π΄Π΅Π²Ρ ΡΠ»Π°ΠΌΠ°Π½Π΄ΡΠΊΠΎΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ ΠΏΠΎΡΠ»Π΅ Π·Π°Π³Π°Π΄ΠΎΡΠ½ΠΎΠ³ΠΎ Π²ΠΈΠ·ΠΈΡΠ° Π±ΡΠ²ΡΠΈΡ ΠΊΠ»ΠΈΠ΅Π½ΡΠΎΠ². ΠΡΠ° Π½Π°Ρ ΠΎΠ΄ΠΊΠ° ΡΡΠ°Π²ΠΈΡ Π΅Π³ΠΎ ΠΏΠ΅ΡΠ΅Π΄ Π»ΠΈΡΠΎΠΌ ΡΠ°ΠΉΠ½Ρ, ΠΊΠΎΡΠΎΡΠ°Ρ ΠΌΠΎΠΆΠ΅Ρ ΠΊΠ°ΡΠ΄ΠΈΠ½Π°Π»ΡΠ½ΠΎ ΠΈΠ·ΠΌΠ΅Π½ΠΈΡΡ Π΅Π³ΠΎ ΠΆΠΈΠ·Π½Ρ. ΠΠΎΠ·Π½ΠΈΠΊΠ°ΡΡ Π²ΠΎΠΏΡΠΎΡΡ ΠΎ Π»ΠΈΡΠ½ΠΎΡΡΠΈ Π½ΠΎΡΠ½ΡΡ ΠΏΠΎΡΠ΅ΡΠΈΡΠ΅Π»Π΅ΠΉ, ΠΏΡΠΈΡΠΈΠ½Π°Ρ ΠΏΠΎΡΠ²Π»Π΅Π½ΠΈΡ ΠΊΠ°ΡΡΠΈΠ½Ρ ΠΈ ΠΏΠΎΡΠ΅Π½ΡΠΈΠ°Π»ΡΠ½ΠΎΠΉ ΠΎΠΏΠ°ΡΠ½ΠΎΡΡΠΈ, ΡΠ²ΡΠ·Π°Π½Π½ΠΎΠΉ Ρ ΡΠ°ΡΠΊΡΡΡΠΈΠ΅ΠΌ ΠΏΡΠ°Π²Π΄Ρ.
Alexander Dobrovinsky, 2025
The second volume of detective stories unfolds an engaging and ironic plot. The author, a well-known lawyer, finds himself in possession of a Flemish painting masterpiece after a mysterious visit from former clients. This unexpected acquisition plunges him into a secret that could turn his life upside down. Questions arise about the identity of the night visitors, why the painting came to him, and whether pursuing the truth might lead to fatal consequences.