By Π§ΡΠΊΠΎΠ²ΡΠΊΠ°Ρ ΠΠΈΠ΄ΠΈΡ ΠΠΎΡΠ½Π΅Π΅Π²Π½Π°
ΠΠΈΠ΄ΠΈΡ Π§ΡΠΊΠΎΠ²ΡΠΊΠ°Ρ, 2025, Π‘Π΅ΡΠΈΡ: ΠΡΠ΅ΠΌΠΈΡΠ½Π°Ρ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ° (Π½ΠΎΠ²ΠΎΠ΅ ΠΎΡΠΎΡΠΌΠ»Π΅Π½ΠΈΠ΅)
Β«Π Π»Π°Π±ΠΎΡΠ°ΡΠΎΡΠΈΠΈ ΡΠ΅Π΄Π°ΠΊΡΠΎΡΠ°Β» β ΡΡΠΎ ΠΊΠ½ΠΈΠ³Π° ΠΠΈΠ΄ΠΈΠΈ Π§ΡΠΊΠΎΠ²ΡΠΊΠΎΠΉ, ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π½Π°Ρ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΠΎΠΌΡ ΡΡΡΡΠΊΠΎΠΌΡ ΡΠ·ΡΠΊΡ ΠΈ Π΅Π³ΠΎ ΡΡΠΈΠ»ΠΈΡΡΠΈΠΊΠ΅. ΠΠ²ΡΠΎΡ Π΄Π΅Π»ΠΈΡΡΡ ΡΠ²ΠΎΠΈΠΌ ΠΌΠ½ΠΎΠ³ΠΎΠ»Π΅ΡΠ½ΠΈΠΌ ΠΎΠΏΡΡΠΎΠΌ ΡΠ°Π±ΠΎΡΡ Π² ΡΠ΅Π΄Π°ΠΊΡΠΈΠΈ ΠΠ΅ΡΠ³ΠΈΠ·Π°, ΠΏΠ΅ΡΠ΅ΠΏΠ»Π΅ΡΠ°Ρ Π΅Π³ΠΎ Ρ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΡΠΌΠΈ ΠΏΠΎΡΡΡΠ΅ΡΠ°ΠΌΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ². Π ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΈ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡΡΡ ΠΏΡΠΈΠ½ΡΠΈΠΏΡ ΡΠ΅Π΄Π°ΠΊΡΠΎΡΡΠΊΠΎΠΉ ΡΠ°Π±ΠΎΡΡ ΠΈ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ ΡΠ΅Π½Π·ΡΡΡ, Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠ½ΠΎΠΉ Π΄Π»Ρ ΡΠΎΠ²Π΅ΡΡΠΊΠΎΠ³ΠΎ ΠΏΠ΅ΡΠΈΠΎΠ΄Π°. ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° Π½Π΅ ΡΠ²Π»ΡΠ΅ΡΡΡ ΡΡΠ΅Π±Π½ΠΈΠΊΠΎΠΌ, Π° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ ΠΎΠ±ΠΎΠ±ΡΠ΅Π½ΠΈΠ΅ ΡΡΠΈΠ΄ΡΠ°ΡΠΈΠ»Π΅ΡΠ½Π΅Π³ΠΎ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΠΎΠ³ΠΎ ΡΡΡΠ΄Π° ΠΏΠΈΡΠ°ΡΠ΅Π»ΡΠ½ΠΈΡΡ.
Lydia Chukovskaya, 2025, Series: World Literature (new design)
"In the Editor's Laboratory" is a work by Lydia Chukovskaya focusing on the literary Russian language and its stylistics. The author shares her extensive experience working at the Detgiz publishing house, weaving in literary portraits of her contemporaries. The book delves into the principles of editorial work and the censorship prevalent during the Soviet era. It is not a textbook but a synthesis of the writer's three decades of literary engagement.