By Π₯Π°Π½ΡΠ΅Π½ ΠΠΈΡΠΈΠ°ΠΌ
ΠΠΈΡΠΈΠ°ΠΌ Π₯Π°Π½ΡΠ΅Π½, 2023
ΠΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°Ρ Ρ ΠΌΠΎΠΌΠ΅Π½ΡΠ° ΡΠ²ΠΎΠ΅Π³ΠΎ ΠΏΠΎΡΠ²Π»Π΅Π½ΠΈΡ ΡΡΠ°Π» Π½ΠΎΠ²ΠΎΠΉ ΠΏΡΠ±Π»ΠΈΡΠ½ΠΎΠΉ ΡΡΠ΅ΡΠΎΠΉ, ΠΎΡΡΠ°ΠΆΠ°ΡΡΠ΅ΠΉ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΠ΅ ΡΠ΄Π²ΠΈΠ³ΠΈ ΡΡΠ±Π΅ΠΆΠ° Π²Π΅ΠΊΠΎΠ². ΠΠ½ΠΈΠ³Π° ΠΏΡΠΎΡΠ΅ΡΡΠΎΡΠ° ΠΠΈΡΠΈΠ°ΠΌ Π₯Π°Π½ΡΠ΅Π½ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠ΅ΡΠ½ΡΡ ΡΠ²ΡΠ·Ρ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΎΡΠΌΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ΠΌ Π°ΡΠ΄ΠΈΡΠΎΡΠΈΠΈ ΡΠ°Π½Π½Π΅Π³ΠΎ Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΎΠ³ΠΎ ΠΊΠΈΠ½ΠΎ ΠΈ ΡΡΠ°Π½ΡΡΠΎΡΠΌΠ°ΡΠΈΠ΅ΠΉ Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ ΠΈ ΡΠ°ΡΡΠ½ΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ. Π ΠΏΠ΅ΡΠ²ΠΎΠΉ ΡΠ°ΡΡΠΈ, ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡ ΠΌΠ΅ΡΠ°ΡΠΎΡΡ ΠΠ°Π²ΠΈΠ»ΠΎΠ½Π°, Π°Π²ΡΠΎΡ ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Π΅Ρ, ΠΊΠ°ΠΊ ΠΊΠΈΠ½ΠΎ ΡΠ΅ΡΠ°Π»ΠΎ Π·Π°Π΄Π°ΡΡ ΠΈΠ½ΡΠ΅Π³ΡΠ°ΡΠΈΠΈ ΡΠ°Π·Π½ΠΎΡΠΎΠ΄Π½ΡΡ Π³ΡΡΠΏΠΏ Π² Π΅Π΄ΠΈΠ½ΡΡ ΠΊΡΠ»ΡΡΡΡΡ ΠΏΠΎΡΡΠ΅Π±Π»Π΅Π½ΠΈΡ. ΠΡΠΎΡΠ°Ρ ΡΠ°ΡΡΡ ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π° Π°Π½Π°Π»ΠΈΠ·Ρ ΡΠΈΠ»ΡΠΌΠ° ΠΡΠΈΡΡΠΈΡΠ° Β«ΠΠ΅ΡΠ΅ΡΠΏΠΈΠΌΠΎΡΡΡΒ», Π·Π½Π°ΠΊΠΎΠ²ΠΎΠ³ΠΎ Π΄Π»Ρ Π²Π·Π°ΠΈΠΌΠΎΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΠΉ ΡΠΈΠ»ΡΠΌΠ° ΠΈ Π·ΡΠΈΡΠ΅Π»Ρ. Π’ΡΠ΅ΡΡΡ ΡΠ°ΡΡΡ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ ΡΠ΅Π½ΠΎΠΌΠ΅Π½ ΠΊΠΈΠ½ΠΎΠ·Π²Π΅Π·Π΄Ρ Π½Π° ΠΏΡΠΈΠΌΠ΅ΡΠ΅ Π ΠΎΠ΄ΠΎΠ»ΡΡΠΎ ΠΠ°Π»Π΅Π½ΡΠΈΠ½ΠΎ.
Miriam Hansen, 2023
From its inception, cinema emerged as a new public sphere, reflecting significant social shifts at the turn of the century. This book by University of Chicago professor Miriam Hansen investigates the intricate connection between the formation of early American cinema audiences and the transformation of business and private life. The first part, employing the titular metaphor of Babylon, demonstrates how cinema, in creating 'spectatorship,' aimed to integrate ethnically, socially, and gender-diverse groups into a unified consumer culture. The second section offers a detailed analysis of D.W. Griffith's film 'Intolerance,' often considered the starting point for modern film-viewer relationships. The third part examines the phenomenon of the movie star through the lens of Rudolph Valentino, analyzing his cult status within Hollywood's commercial interests and a new feminine subculture.