By Π ΡΠΉ ΠΠΎΡΠ³Π°Π½
Π ΡΠΉ ΠΠΎΡΠ³Π°Π½, 2021, Π‘Π΅ΡΠΈΡ: ΠΠΈΠ½ΠΎ!
Π XXV Π²Π΅ΠΊΠ΅ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΡΠ²ΠΎ ΠΎΡΠ²ΠΎΠΈΠ»ΠΎ Π³Π°Π»Π°ΠΊΡΠΈΠΊΡ, Π° ΡΠ΅Ρ Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ ΡΠ°Π΄ΠΈΠΊΠ°Π»ΡΠ½ΠΎ ΠΈΠ·ΠΌΠ΅Π½ΠΈΠ»ΠΈ ΠΏΠΎΠ½ΡΡΠΈΠ΅ ΠΆΠΈΠ·Π½ΠΈ. Π‘ΠΎΠ·Π½Π°Π½ΠΈΠ΅ ΠΌΠΎΠΆΠ½ΠΎ Π·Π°ΠΏΠΈΡΡΠ²Π°ΡΡ ΠΈ ΠΏΠ΅ΡΠ΅Π½ΠΎΡΠΈΡΡ Π² Π½ΠΎΠ²ΡΠ΅ ΡΠ΅Π»Π°, ΠΏΡΠ΅Π²ΡΠ°ΡΠ°Ρ ΡΠΌΠ΅ΡΡΡ Π² Π½Π΅Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΠΏΡΠ΅ΠΏΡΡΡΡΠ²ΠΈΠ΅. ΠΡΠ²ΡΠΈΠΉ ΡΠ»Π΅Π½ ΠΊΠΎΡΠΏΡΡΠ° ΡΡΠ΅Π·Π²ΡΡΠ°ΠΉΠ½ΡΡ ΠΏΠΎΡΠ»Π°Π½Π½ΠΈΠΊΠΎΠ² Π’Π°ΠΊΠ΅ΡΠΈ ΠΠΎΠ²Π°Ρ, ΡΠΆΠ΅ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°Π²ΡΠΈΠΉ ΡΠΌΠ΅ΡΡΡ, ΠΎΠΊΠ°Π·ΡΠ²Π°Π΅ΡΡΡ Π² Π½ΠΎΠ²ΠΎΠΌ ΡΠ΅Π»Π΅ Π½Π° ΠΠ΅ΠΌΠ»Π΅. ΠΠΈΠ»Π»ΠΈΠ°ΡΠ΄Π΅Ρ ΠΠΎΡΠ΅Π½Ρ ΠΠ°Π½ΠΊΡΠΎΡΡ ΠΏΠΎΡΡΡΠ°Π΅Ρ Π΅ΠΌΡ ΡΠ°ΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠ±ΠΈΠΉΡΡΠ²Π° ΡΠ²ΠΎΠ΅Π³ΠΎ ΠΏΡΠ΅ΠΆΠ½Π΅Π³ΠΎ ΡΠ΅Π»Π°. ΠΠΎΠ²Π°Ρ Π²ΡΡΠ³ΠΈΠ²Π°Π΅ΡΡΡ Π² ΠΎΠΏΠ°ΡΠ½ΡΠΉ Π·Π°Π³ΠΎΠ²ΠΎΡ, ΠΆΠ΅ΡΡΠΎΠΊΠΈΠΉ Π΄Π°ΠΆΠ΅ Π΄Π»Ρ ΠΎΠ±ΡΠ΅ΡΡΠ²Π°, Π³Π΄Π΅ ΡΡΡΠ΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΌΠΎΠΆΠ½ΠΎ ΠΊΡΠΏΠΈΡΡ.
Richard K. Morgan, 2021, Series: Kino!
In the 25th century, humanity has spread across the galaxy, and technology has fundamentally altered the concept of life. People can record their consciousness and upload it into new bodies, making death merely an inconvenience. Takeshi Kovacs, a former special envoy, has been killed before, but his latest demise was particularly unpleasant. Waking up in a new body on Earth, 180 light-years from home, Kovacs is tasked by billionaire Laurens Bancroft to investigate the murder of his last body. The reluctant detective soon finds himself at the heart of a conspiracy, brutal even by the standards of a society where existence can be bought and sold.