By Π‘ΡΡΠ΅ΠΌΠΈΡΠΈΠ½Π° ΠΠ°ΡΠ°Π»ΡΡ
ΠΠ°ΡΠ°Π»ΡΡ Π‘ΡΡΠ΅ΠΌΠΈΡΠΈΠ½Π°, 2019
ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΠΏΡΠ°Π³ΠΌΠ°ΡΠΈΡΠ½ΡΠΉ Π²Π·Π³Π»ΡΠ΄ Π½Π° ΠΆΠΈΠ·Π½Ρ, Π³Π΄Π΅ ΡΠΌΠ΅ΡΠ΅Π½Π½Π°Ρ ΠΏΠ»Π°ΡΠ° Π½Π΅ ΠΈΡΠΊΠ»ΡΡΠ°Π΅Ρ ΡΠΎΠΌΠ°Π½ΡΠΈΠΊΠΈ Π²ΡΡΠΎΠΊΠΎΠΉ ΠΏΡΠΎΠ±Ρ. ΠΠ»Π°Π²Π½Π°Ρ Π³Π΅ΡΠΎΠΈΠ½Ρ Π±ΠΎΡΠ΅ΡΡΡ Π·Π° Π²ΡΠ΅ΠΌΡ, ΡΡΠΎΠ±Ρ ΡΡΠΏΠ΅ΡΡ ΡΠ΅Π°Π»ΠΈΠ·ΠΎΠ²Π°ΡΡ ΡΠ²ΠΎΠΈ Π·Π°ΠΌΡΡΠ»Ρ ΠΈ Π½Π°ΡΠ»Π°Π΄ΠΈΡΡΡΡ ΠΆΠΈΠ·Π½ΡΡ. Π‘Π±ΠΎΡΠ½ΠΈΠΊ Π²ΠΊΠ»ΡΡΠ°Π΅Ρ ΡΠΏΠΈΠ·ΠΎΠ΄ ΠΈΠ· ΠΆΠΈΠ·Π½ΠΈ Π±ΡΠ²ΡΠ΅ΠΉ ΡΠΎΠΎΡΠ΅ΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΈΡΡ Π² ΠΠ²ΡΠΎΠΏΠ΅, Π° ΡΠ°ΠΊΠΆΠ΅ Π΄ΡΡΠ³ΠΈΠ΅ ΡΠ°ΡΡΠΊΠ°Π·Ρ Ρ Π½Π΅ΠΎΠ±ΡΡΠ½ΡΠΌ Π°Π²ΡΠΎΡΡΠΊΠΈΠΌ Π²ΠΈΠ΄Π΅Π½ΠΈΠ΅ΠΌ. ΠΡΡΠΎΡΠΈΠΈ, ΡΠ°ΠΊΠΈΠ΅ ΠΊΠ°ΠΊ "Π€Π°Π½ΡΠ°Π·ΠΈΠΈ ΠΏΠΎ ΠΠ°Π³Π½Π΅ΡΡ" ΠΈ "ΠΠ΅ΡΡΡΠΈΠΉ ΠΠΎΠ»Π»Π°Π½Π΄Π΅Ρ", ΠΏΠ΅ΡΠ΅ΡΠ΅ΠΊΠ°ΡΡ ΡΠ΅Π°Π»ΡΠ½ΠΎΡΡΡ Π² Π½Π΅ΠΎΠΆΠΈΠ΄Π°Π½Π½ΡΡ ΠΌΠ΅ΡΡΠ°Ρ . ΠΡΠΎ ΠΆΠ΅Π½ΡΠΊΠ°Ρ ΠΏΡΠΎΠ·Π°, ΠΎΡΠ»ΠΈΡΠ°ΡΡΠ°ΡΡΡ Π³Π»ΡΠ±ΠΈΠ½ΠΎΠΉ ΠΈ ΡΠΎΠ±ΡΡΠΈΠΉΠ½ΠΎΡΡΡΡ.
Natalia Stremiitina, 2019
This collection offers a pragmatic perspective on life, where a moderate cost does not preclude high-caliber romance. The protagonist strives for time to achieve her goals and enjoy life. The book includes an episode from the life of a former compatriot in Europe, alongside other stories with unique authorial viewpoints. Tales like "Fantasies on Wagner" and "The Flying Dutchman" intersect reality in unexpected ways. This is feminine prose, distinguished by its depth and eventful narratives.