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By ΠΠΎΠ²Π»Π°ΡΠΎΠ² Π‘Π΅ΡΠ³Π΅ΠΉ ΠΠΎΠ½Π°ΡΠΎΠ²ΠΈΡ
Π‘Π΅ΡΠ³Π΅ΠΉ ΠΠΎΠ²Π»Π°ΡΠΎΠ², 2021
Π₯ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½Π°Ρ ΠΌΡΡΠ»Ρ Π‘Π΅ΡΠ³Π΅Ρ ΠΠΎΠ²Π»Π°ΡΠΎΠ²Π° ΠΏΡΠΎΡΡΠ° ΠΈ Π±Π»Π°Π³ΠΎΡΠΎΠ΄Π½Π°: ΡΠ°ΡΡΠΊΠ°Π·Π°ΡΡ ΠΎ ΡΡΡΠ°Π½Π½ΠΎΡΡΡΡ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ, Π³Π΄Π΅ ΠΏΠ΅ΡΠ°Π»Ρ ΠΈ ΡΠΌΠ΅Ρ Π½Π΅ΡΠ°Π·Π΄Π΅Π»ΠΈΠΌΡ. Π Π΅Π³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡΡ Π½Π΅Ρ Π°Π±ΡΠΎΠ»ΡΡΠ½ΡΡ ΠΏΡΠ°Π²Π΅Π΄Π½ΠΈΠΊΠΎΠ² ΠΈΠ»ΠΈ Π·Π»ΠΎΠ΄Π΅Π΅Π², ΠΏΠΎΡΠΊΠΎΠ»ΡΠΊΡ ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ ΠΏΠΎΠ»Π°Π³Π°Π΅Ρ, ΡΡΠΎ ΡΠ°ΠΉ ΠΈ Π°Π΄ Π½Π°Ρ ΠΎΠ΄ΡΡΡΡ Π²Π½ΡΡΡΠΈ ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ°. ΠΠΎΠ²Π»Π°ΡΠΎΠ² ΠΎΡΡΠ°Π΅ΡΡΡ ΠΎΠ΄Π½ΠΈΠΌ ΠΈΠ· ΡΠ°ΠΌΡΡ ΡΠΈΡΠ°Π΅ΠΌΡΡ Π°Π²ΡΠΎΡΠΎΠ² Π² Π ΠΎΡΡΠΈΠΈ, Π΅Π³ΠΎ ΠΏΡΠΎΠ·Π° ΠΈΠ½ΡΡΠ΅Π½ΠΈΡΡΠ΅ΡΡΡ, ΡΠΊΡΠ°Π½ΠΈΠ·ΠΈΡΡΠ΅ΡΡΡ ΠΈ ΠΈΠ·ΡΡΠ°Π΅ΡΡΡ Π² ΡΡΠ΅Π±Π½ΡΡ Π·Π°Π²Π΅Π΄Π΅Π½ΠΈΡΡ .
Π‘Π±ΠΎΡΠ½ΠΈΠΊ "ΠΠ°ΠΏΠΈΡΠ½ΡΠ΅ ΠΊΠ½ΠΈΠΆΠΊΠΈ" ("Π‘ΠΎΠ»ΠΎ Π½Π° ΡΠ½Π΄Π΅ΡΠ²ΡΠ΄Π΅" ΠΈ "Π‘ΠΎΠ»ΠΎ Π½Π° IΠΠ") ΡΠΎΡΡΠ°Π²Π»ΡΠ΅Ρ ΠΎΡΠ½ΠΎΠ²Ρ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π° ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ. ΠΡΠΎ ΡΠΎΠ±ΡΠ°Π½ΠΈΠ΅ ΡΡΠ°Π·, ΡΠΈΡΡΠ°ΡΠΈΠΉ ΠΈ ΠΎΠ±ΡΠ°Π·ΠΎΠ², ΠΎΡΠΌΠ΅ΡΠ΅Π½Π½ΡΡ ΠΠΎΠ²Π»Π°ΡΠΎΠ²ΡΠΌ Π² ΡΠ°Π·Π½ΠΎΠ΅ Π²ΡΠ΅ΠΌΡ, ΠΊΠΎΡΠΎΡΠΎΠ΅ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π·Π°Π³Π»ΡΠ½ΡΡΡ Π² Π΅Π³ΠΎ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΡΡ ΠΌΠ°ΡΡΠ΅ΡΡΠΊΡΡ.
Sergey Dovlatov, 2021
Sergey Dovlatov's artistic thought, though seemingly paradoxical and grounded in life experience, is simple and noble: to describe the strange ways people live, experiencing sorrow with laughter and laughter with sorrow. His books feature neither saints nor villains, as the writer believes that both heaven and hell reside within us. Dovlatov is one of Russia's most consistently read authors, with his prose adapted for stage and screen, and studied in schools and universities.
The "Notebooks" collection ("Solo on Underwood" and "Solo on IBM") forms the core of Dovlatov's work. It is a compilation of witty phrases, observations, and character sketches that the writer noted over time, offering readers an entry into Dovlatov's creative process.