By ΠΠΎΠ²Π»Π°ΡΠΎΠ² Π‘Π΅ΡΠ³Π΅ΠΉ ΠΠΎΠ½Π°ΡΠΎΠ²ΠΈΡ
Π‘Π΅ΡΠ³Π΅ΠΉ ΠΠΎΠ²Π»Π°ΡΠΎΠ²
Π‘Π΅ΡΠ³Π΅ΠΉ ΠΠΎΠ²Π»Π°ΡΠΎΠ² β ΠΎΠ΄ΠΈΠ½ ΠΈΠ· Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΡ ΠΈ ΡΠΈΡΠ°Π΅ΠΌΡΡ ΡΡΡΡΠΊΠΈΡ ΠΏΠΈΡΠ°ΡΠ΅Π»Π΅ΠΉ ΠΊΠΎΠ½ΡΠ° Π₯Π₯ β Π½Π°ΡΠ°Π»Π° XXI Π²Π΅ΠΊΠ°. ΠΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, Π²ΠΊΠ»ΡΡΠ°Ρ ΠΏΠΎΠ²Π΅ΡΡΠΈ, ΡΠ°ΡΡΠΊΠ°Π·Ρ ΠΈ Π·Π°ΠΏΠΈΡΠ½ΡΠ΅ ΠΊΠ½ΠΈΠΆΠΊΠΈ, ΠΏΠ΅ΡΠ΅Π²Π΅Π΄Π΅Π½Ρ Π½Π° ΠΌΠ½ΠΎΠΆΠ΅ΡΡΠ²ΠΎ ΡΠ·ΡΠΊΠΎΠ² ΠΈ ΠΈΠ·ΡΡΠ°ΡΡΡΡ Π² ΡΠΊΠΎΠ»Π°Ρ ΠΈ Π²ΡΠ·Π°Ρ . Π’Π°ΠΊΠΈΠ΅ ΡΠ°Π±ΠΎΡΡ, ΠΊΠ°ΠΊ Β«ΠΠ°ΠΏΠΎΠ²Π΅Π΄Π½ΠΈΠΊΒ», Β«ΠΠΎΠ½Π°Β», Β«ΠΠ½ΠΎΡΡΡΠ°Π½ΠΊΠ°Β», Β«ΠΠ°ΡΠΈΒ» ΠΈ Β«Π§Π΅ΠΌΠΎΠ΄Π°Π½Β», ΡΡΠ°Π»ΠΈ ΠΊΠ»Π°ΡΡΠΈΠΊΠΎΠΉ, ΡΠΎΡΠ΅ΡΠ°Ρ Π² ΡΠ΅Π±Π΅ ΡΠΌΠΎΡ ΠΈ Π³ΡΡΡΡΡ. Π¨ΡΡΠΊΠΈ ΠΠΎΠ²Π»Π°ΡΠΎΠ²Π° Π»Π΅Π³ΠΊΠΎ Π·Π°ΠΏΠΎΠΌΠΈΠ½Π°ΡΡΡΡ ΠΈ ΠΎΡΡΠ°ΡΡΡΡ Ρ ΡΠΈΡΠ°ΡΠ΅Π»Π΅ΠΌ Π½Π°Π΄ΠΎΠ»Π³ΠΎ, Π° Π΅Π³ΠΎ ΠΊΠ½ΠΈΠ³ΠΈ ΠΏΠ΅ΡΠ΅ΡΠΈΡΡΠ²Π°ΡΡΡΡ ΠΌΠ½ΠΎΠ³ΠΎΠΊΡΠ°ΡΠ½ΠΎ, Π½Π΅ ΡΠ΅ΡΡΡ ΡΠ²ΠΎΠ΅ΠΉ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΠΎΡΡΠΈ.
Sergey Dovlatov
Sergey Dovlatov is among the most popular and widely read Russian writers of the late 20th and early 21st centuries. His novellas, short stories, and notebooks have been translated into numerous languages and are studied in schools and universities. Works such as "The Reserve," "The Zone," "The Tourist Zone," "Our," and "The Suitcase" have become classics, blending humor with poignancy. Dovlatov's witty remarks are memorable and enduring, and his books are reread many times without losing their appeal.