By ΠΠ΅ΡΠ΅ΠΉΠΊΠΈΠ½ ΠΠ°Π»Π΅ΡΠΈΠΉ ΠΠ°Π»Π΅ΡΡΠ΅Π²ΠΈΡ
Β«ΠΠ»ΠΎΠΉ ΠΌΠ°Π»ΡΡΠΈΠΊΒ» β ΡΡΠΎ Π΄Π΅Π±ΡΡΠ½Π°Ρ ΠΊΠ½ΠΈΠ³Π° ΠΠ°Π»Π΅ΡΠΈΡ ΠΠ΅ΡΠ΅ΠΉΠΊΠΈΠ½Π°, ΠΈΠ·Π²Π΅ΡΡΠ½ΠΎΠ³ΠΎ Π±Π»Π°Π³ΠΎΠ΄Π°ΡΡ Π΅Π³ΠΎ Π·Π½Π°ΡΠΈΠΌΠΎΠΉ ΡΠ°Π±ΠΎΡΠ΅ Π² ΠΌΠΎΡΠΊΠΎΠ²ΡΠΊΠΎΠΌ Β«ΠΠΎΠ³ΠΎΠ»Ρ-ΡΠ΅Π½ΡΡΠ΅Β», Π³Π΄Π΅ ΠΎΠ½ ΡΡΠΊΠΎΠ²ΠΎΠ΄ΠΈΡ ΠΏΡΠΎΠ³ΡΠ°ΠΌΠΌΠΎΠΉ Β«ΠΠΎΠ³ΠΎΠ»Ρ+Β», ΠΏΡΠΎΠ²ΠΎΠ΄Ρ Π±Π΅ΡΠ΅Π΄Ρ Ρ ΠΊΠ»ΡΡΠ΅Π²ΡΠΌΠΈ ΡΠΈΠ³ΡΡΠ°ΠΌΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ ΠΊΡΠ»ΡΡΡΡΠ½ΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ. Π ΡΡΠΎΠΌ ΡΠ±ΠΎΡΠ½ΠΈΠΊΠ΅ Π°Π²ΡΠΎΡ ΠΌΠ°ΡΡΠ΅ΡΡΠΊΠΈ ΠΎΠ±ΡΠ΅Π΄ΠΈΠ½ΠΈΠ» ΡΠ²ΠΎΠΈ ΡΠ°ΠΌΡΠ΅ ΡΡΠΊΠΈΠ΅ ΠΈ ΠΏΡΠΎΠ½Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎ ΠΈΡΠΎΠ½ΠΈΡΠ½ΡΠ΅ ΡΡΡΠ΅ ΠΈ ΠΊΠΎΡΠΎΡΠΊΠΈΠ΅ ΡΠ°ΡΡΠΊΠ°Π·Ρ. ΠΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΠ΅ΡΠ΅ΠΉΠΊΠΈΠ½Π°, ΠΊΠ°ΠΊ ΠΎΠ½ ΡΠ°ΠΌ ΠΏΡΠΈΠ·Π½Π°Π΅Ρ, Π½Π°ΠΏΠΈΡΠ°Π½Ρ Π² Π΄ΡΡ Π΅ Π§Π΅Ρ ΠΎΠ²Π°, Π³Π΄Π΅ Π·Π° ΠΎΠ±ΡΠ΄Π΅Π½Π½ΡΠΌΠΈ ΡΡΠ΅Π½Π°ΠΌΠΈ, Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ, Π·Π° ΠΎΠ±Π΅Π΄Π΅Π½Π½ΡΠΌ ΡΡΠΎΠ»ΠΎΠΌ, ΡΠ°ΡΠΊΡΡΠ²Π°ΡΡΡΡ Π³Π»ΡΠ±ΠΎΠΊΠΈΠ΅ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΈΠ΅ Π΄ΡΠ°ΠΌΡ β ΡΠ»Π°Π³Π°Π΅ΡΡΡ ΡΡΠ°ΡΡΡΠ΅ ΠΈ ΡΡΡΠ°ΡΡΡ ΡΡΠ΄ΡΠ±Ρ. ΠΡΠ±ΠΎΡ Π½Π°Π·Π²Π°Π½ΠΈΡ ΠΊΠ½ΠΈΠ³ΠΈ Π½Π΅ ΡΠ»ΡΡΠ°Π΅Π½ ΠΈ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°Π΅Ρ Π³Π»ΡΠ±ΠΎΠΊΠΈΠΉ ΠΏΠΎΠ΄ΡΠ΅ΠΊΡΡ, ΡΠΊΡΡΡΡΠΉ Π·Π° Π²Π½Π΅ΡΠ½Π΅ ΠΏΡΠΎΡΡΠΎΠΉ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΡΡΡΡ.
Β«The Bad BoyΒ» marks the compelling literary debut of Valery Pecheikin, a prominent cultural figure recognized for his influential work at Moscow's 'Gogol Center,' where he curates the 'Gogol+' program, engaging in conversations with leading voices in contemporary cultural life. In this collection, the author skillfully brings together his most vivid and acutely ironic essays and short stories. Pecheikin openly acknowledges a stylistic affinity with Chekhov, where profound human dramas unfold amidst seemingly ordinary scenesβsuch as at a dining tableβrevealing the formation of happiness and the shattering of lives. The book's evocative title is deliberately chosen to highlight the deep subtext hidden beneath the outwardly simple veneer of everyday existence.